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Missing Japanese Books, possibly in transit from Salt Lake City

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On 29 March 2019, a box with 26 Japanese books went missing in Salt Lake City, UT.  The books had been exhibited at the ARLIS/NA conference and were packed and sealed in a brown cardboard box, heavily taped and labeled, that was to be shipped by UPS Freight to Boston, MA.  The box was issued a UPS Freight tracking number that was never activated.  A list of the missing material is below. Please contact Boston Book Company if you have any information about the package or its contents: 617-522-2100 or office@rarebook.com
 
  
1. [ARCHITECTURE] MORIGUCHI Tari, editor. HYÔGENSHUGI KENCHIKU ZUSHÛ. Tôkyô: Kyôyôsha, Taisho 12 [1923] 25.4 x 18.8 cm. A portfolio, tied, of some 60 plates, on the topic of "EXPRESSIONIST ARCHITECTURE". Wonderful modernist designs, real and proposed, from the cutting edge of the architectural design of the period. The covers are a bit worn. The overall condition is good or better. A very unusual larger portfolio from the Kyôyôsha, the most central architectural publishing house of the day in Japan. (Inventory #90

2. [AVANT GARDE] ITAGAKI Takao, et al. SHINKÔ GEIJUTSU [Complete run] Tôkyô, Geibun-shoin. A complete six-issue set of the periodical 'Shinko Geijutsu', in 5 volumes (issues five and six were published together in one volume). 'Shinko Geijustu', translated as 'the new arts', or 'the avant-garde arts', was a magazine created by Itagaki Takaho (1894-1966), a Japanese art critic who pioneered Japanese cinema and photography study and influenced trends in modernism in the Showa period. The magazine featured articles on film, art, architecture, theatre, and so on, by some of the leading specialists of the day, including Iwasaki Akira and Sakakura Junzo. The wrappers for the issues were designed by Yoshida Kenkichi (1897-1982), who was heavily inspired by Zelvos's design for the 'Cahier d'Art' magazine. The spine-dates of the issues read Showa 4 (year 1, no.1-3) - Showa 5 (year 2, no.1- 2/3). Only six issues were ever published, all of which are now difficult to find in the original wrappers. A rare complete set, in very good condition. Original wrappers, extremities very lightly chipped, foxed and worn, pencil scribble to upper wrapper of issue 5/6. Occasional small chips and bumps to page extremities, one or two small marks to text, ex-ownership stamps and light pencil notes to recto of lower wrappers. Spine of issue 5/6 chipped off. Otherwise in very good condition. 5 volumes, complete. [1], 78 p. + 5 unnumbered p. of illustrations ; [1], 106, [1 of ads] p. + 12 unnumbered p. of illustrations ; [1], 66 p. + 10 unnumbered p. of illustrations ; [1], 156 p. + 8 unnumbered p. of illustrations ; [1], 98, [1 of ads] p. + 8 unnumbered p. of illustrations. 21.2 x 18 cm. Text in Japanese. (Inventory #90322)
 
3.[AVANT GARDE] ITAGAKI Takao. KIKAI TO GEIJUTSU TO NO KÔRYÛ. Tokyo, Iwanami Shoten, Shôwa 4 [1929], 1st printing. 8vo., decorated cloth covers. One of the most important works of criticism by Itagaki, the man who "invented" avant garde photography in Japan. This examination of the CONFLUENCE OF ART AND THE MACHINE is not only an intellectual achievement of great importance, it is a wonderful piece of book design, as well. Itagaki and the important avant garde photographer, Horino Masao, collaborated to create this interesting and heavily illustrated work. Without the cardboard slipcase but otherwise complete. A very scarce work, especially the first printing. (Inventory #88938)
 
4. [AVANT-GARDE] KANAMARU Shigene. SHINKÔ SHASHIN NO TSUKURIKATA. Tôkyô, Shinkôsha, 1932. 4to., 27 x 19.8 cm Bound western-style in decorated boards. The book design and covers are by Onchi Kôshirô, perhaps the most important book designer of the 20th century in Japan. This volume, "THE MAKING OF AVANT GARDE PHOTOGRAPHY" and his famous "HIKO KANNO [THE SENSATION OF FLIGHT]" are considered masterpieces. In addition, one may not ignore the fact of this work's great impact on Japanese photographers of the day, The text and selected images published herein provided a new artistic vocabulary for an entire generation. There is a bit of fading to the spine, else the book itself is very clean and even includes an order form and advance advertisement for the book laid- in. The rare slipcase, though faded and browned by age and sunlight, is whole and present. A remarkable copy of a remarkable book in the history of world photography. (Inventory #89729)
 
5.[CREATIVE PRINT MOVEMENT] KANAMORI Yoshio. KOZAN. Nihon Aishokai, Shôwa 45, signed by Kanamori. Number 132 of 150 copies. Huge western bound folio, 45.9 x 31.7 cm. Each of the 15 color woodblock illustrations is double page - and are in consequence remarkably large and therefore difficult to print. Quite a tribute to the ongoing skill of the woodblock printers in Japan, even 25 years after the end of the war. Very fine condition throughout, in the dustwrapper. In a custom made wooden enclosure (supplied by original purchaser?). A lovely book. (Inventory #90279)
 
6.[DESIGN] Furuya Kôrin, designer. SHASEI SOKA MOYO 2 vols. Kyoto: Unsôdô, Meiji 40 [1907]. Folding orihon albums, 24.9 x 18 cm. Printed paper over card covers, each volume with 25 double page color woodblock prints of vegetal and flower designs by the important designer Kôrin. Lavishly printed and overprinted in metallic inks and mineral pigments to create a remarkably ornate surface. Perhaps the most unusual and sought-after of Furuya Kôrin's works, here in very good printing and good condition with some browning of the paper and wear to the printed covers. Complete in two volumes, in a fitted clasped chitsu case. (Inventory #90181)
 
7.[EHON - TEN BAMBOO HALL] JÛCHIKUSAI SHOGAFU. N.P.,N.D. [Kyôto, Hishiya Magobei, c. 1831]. 16 volumes. An early printing of the recut 19th century Hishiya Magobei version of the SHIH-CHU-CHAI SHU HUA P'U, 10 BAMBOO HALL PAINTING STUDIO. 25.2 x 14.7 cm. Printed title slips on covers. In a red cloth covered clasped case with broken hinges. I have relied upon the extensive research done by Thomas Ebrey in his paper on the bibliography of the TEN BAMBOO STUDIO, comparing page borders, etc.. Very good color and good condition, early impressions on very thin and strong paper. One closed tear of a print, a bit of worming.
The collation of editions of the TEN BAMBOO HALL is extraordinarily difficult even for the Chinese editions. [See Paine's article in the ARCHIVES OF THE CHINESE ART SOCIETY OF AMERICA, 1951 and Thomas Ebrey "The Editions, Superstates, and States of the Ten Bamboo Studio Collection of Calligraphy and Painting" in Princeton University's The East Asian Library Journal 14, no. 1 (2010): 1-119] and Japanese editions are even less explored. This Japanese edition of the TEN BAMBOO HALL is interesting for its effort to capture the delicate colors and quiet beauty of "Chinese style" as seen from Japanese eyes. A very lovely set. (Inventory #88377)
 
8.[EHON] Fujiwara Masaomi, author; Kita Busei, artist. KASEN KASHÔ. n.p., preface dated Bunka 7 [1810]. 19.7 x 29.3 cm., string-bound Japanese-style, fukuro toji, original covers with original printed title label. See Ryerson 396 for a defective copy. Our copy is complete with 3 preliminary sheets and 20 sheets of color woodblock illustrations of the 36 poets. Interesting colors, well-printed. In very good condition with slight soiling but very pleasing effect overall. By no means common either in Japan or abroad. In a clasped chitsu case. (Inventory #89404)
 
9.[EHON] Kawamura MINSETSU, artist. HYAKU FUJI. Kyôto, Ôsaka & Edo, Meiwa 8 [1771]. 17.3 x 27.1 cm.String-bound, Japanese-style, fukuro-toji. The original edition in four volumes with blue-grey covers and printed horizontal lines and original printed title labels. A bit of thumbing to the covers. Clean inside, with a few very faint stains, good impressions. A lovely sketchbook on the theme of Fuji, and an inspiration for Hokusai's great FUGAKU HYAKKEI, [Kerlen 591; Ryerson 399] The collation matches the example in Kerlen exactly, and each mountain scene is identified and has a verse. (Inventory #88541)
 
10.[EHON] Ôishi Shûga, artist [& Hokusai?]. SAN-Ô SHINKEI. Bunsei 5 [1822] N.P. 17.1 x 24.7 cm. Orihon folding album in the original blind-patterned covers with a brushed paper title label. 3 page preface, signed Shunyô Yûjin Môhitsu, who appears to have been the editor. The first illustration of Fuji is signed Ôishi Shûga hitsu and Katsushika Hokusai hitsu. Our version has 34 double page images of Fuji. This interesting book of views of Fuji throughout the seasons exists in many varieties. Most have but 31 or 32 images, some have no postscript, others a two page preface signed by Kobayashi Chôshû. Mitchell lists a volume with the same title, but different content. Kerlen lists two different variations at page 573. The Ravicz copy described at Hillier 872 appears to be incomplete with only 15 views. The copy at hand here, however, is a very lightly printed version which credits Hokusai, as well as Ôishi Shûga, although our opinion is that Hokusai was not involved in the production in any way. It is a bit rumpled and a few pages are marred with a few small ink spots but overall the condition is good, by no means a common book. (Inventory #88721)
 
11.[EHON] Tani BUNCHÔ, artist. NIHON MEISAN ZUE 3 vols. Kyôto, Osaka, Edo, [n.d, c. 1807]. 25.7 x 18.7 cm. String-bound, fukuro-toji, original printed paper title labels, b+w woodblock depictions of the "Famous Mountains of Japan." A work justly famed for its accurate representation of the mountains in question. According to Mitchell, this is the second printing, done in Bunka 4 [1807], identical to the copy from his own collection which he catalogued at p. 435. Printed with great skill and subtlety, and in very good impression, it retains the freshness and vigor of line for which the book is known. The covers are a bit worn, and there are 10 pp. with slight worming near the end of volume 3 affecting both illustrations and text, but its condition is very good overall. (Inventory #87844)
 
12.[EHON] Wang Kai, et al. KAISHIEN GADEN. Kyoto, 1753. 5 vols., 27.1 x 18.2 cm., original printed title labels and blindstamped patterned blue-green paper covers, string-bound Japanese-style fukuro toji. These volumes represent the first collection (shû) of the Japanese edition of the Chinese classic of illustrated book publication, the Mustard Seed Garden Manual [Chieh-tzu-yuan Hua-chuan], originally published in China in the mid-17th century. This is the first appearance in Japan of "collection one" of the Mustard Seed Garden Manual, titled as such, following a printing, also in Kyoto, of selections from all three series 5 years earlier. One of the earliest examples of color printing in Japan. This copy is extraordinarily clean throughout. Close comparison of this set to that illustrated online: http://digitalgallery.nypl.org/nypldigital/dgkeysearchresult.cfm? parent_id=744245&word= by the NYPL, detailing the entire contents of their set from the Spencer collection, reveals some differences.....
Our copy has the identical blind-stamped dragon pattern on the grey green covers throughout and the same initial 7 sheets as the NYPL example in volume one, and two page table of contents for volume one. The NYPL version then has the volume two (?) 2 pp contents pages inserted, which ours has in the correct spot in volume two. Again both sets follow along for the following 21 sheets of text but then the NYPL volume is missing sheets 22 through 27. Volume two is identical in the two versions. In volume three, identical. Volumes 4 and 5 have the same contents in both examples. Also, these last two are the volumes with color illustrations and our colors are employed with very little bokashi shading and a much milder palette was used. Not all seals are the same. Overall, the NYPL copy appears to have earlier, better impressions, though ours are quite good overall. Ours does not attribute the booksellers who handled the book. It would seem that Harvard/Yenching library has a single volume of the GARDEN, published by Yoshida Kanbei in Kansei 12 [1800]. I would assume our example was issued some time at the end of the 18th century before the Bunka era editions appeared in Kyôtô.. It should also be noted that this copy is printed on quite heavy "Japanese-style" paper rather than the usual thin "tôshi" employed when printing Japanese versions of Chinese publications. A very lovely and important example illustrative of the influence Chinese aesthetics had on Japan in the 18th century, despite the absence of much official contact as Chinese painters and printed painting manuals were absorbed into the Japanese art world. (Inventory #88911)
 
13.[KATAZOME] OKAMURA Kichiemon. NARADA NO TAFU. Shôwa 35 [1960]. String-bound Japanese-style, privately printed in 50 copies. 31.1 x 19.7 cm., Okamura (1916-2002) was a student of Serizawa Keisuke and embraced his interest in traditional Japanese folk arts, papermaking and stencil printing (katazome). This lovely monograph on Japanese bark-cloth from the town of Narada in Yamanashi Prefecture has two samples and is illustrated throughout with colorful and lively katazome. Signed by the author and artist, Okamura. Fine condition, in the original folding case with printed title label. Under which the owner carefully inscribed in rather pleasant kanji: "kurozurihon." (Inventory #90089)
 
14.[KATAZOME] SERIZAWA Keisuke. Katazome KOZARA MOYÔ HINAGATA. Tôkyô, Gohachi, Shôwa 46 [1971]. The publisher's own copy, #1 of 100 cc, with his bookplate done by Kawakami Sumio. Remarkable association copy. 28.7 x 25.6 cm. Printed on and bound into Japanese handmade paper. Lovely stencilled designs of small dish patterns in color throughout. In fine condition in the original wraparound case. (Inventory #90009)
 
15.[MAVO] HAGIWARA Kyôjiro. SHIKEI SENKOKU. Tokyo, Taishô 14 [1925]. Prelims, 11pp, 6pp., 161pp., 5pp., finals. Profusely illustrated throughout in linocuts by Okada Tatsuo, Toda Tatsuo, and Yabashi Kimimaro. Wrappers designed by Okada. Without the Okada-designed slipcase. Perhaps the most important Mavo-inspired volume, and, in its first edition, as here, quite scarce. Far more difficult to find than the second edition. The cornerstone of any MAVO collection. Neither the Pompidou nor the Uruwa Museum catalog illustrate the first edition, even without its slipcase - they both show the second edition with the red on blue background second-issue slipcase. In quite good condition overall, unsophisticated with a bit of rubbing and loss to the fragile spine. In a custom fitted clasped chitsu case. (Inventory #88834)
 
16.[NARA EHON]. UTSUHO MONOGATARI. (NARA EHON) UTSUBO MONOGATARI [TALES OF THE HOLLOW TREE]. 23.1 x 17.1 cm. Green brocade covers. Hand calligraphed manuscript bound Yamato-toji style, on torinoko paper. The style of the illustrations and the calligraphy date the work to the early Tokugawa period (mid-17th Century). The unfinished manuscript of this classical tale consists of 45 leaves (each double-sided), of which 37 are calligraphed in an elegant hand, with 4 single page and 1 double page richly colored paintings in a skilled Yamato-e manner. The manuscript is underpainted with flowers and grasses in gold throughout. This copy is remarkably well preserved, with but slight wear to the cloth covers. Internally, it is bright and clean. From the collection of the photographer, Roman Vishniac. (Inventory #88840)
 
17.OKAMURA Kichiemon, artist. SAITORO-SASHI NO UTA. Privately printed. Shôwa 36 [1961]. 30.4 x 19.6 cm. Includes an english- language pamphlet with a translation of the text, produced by Far Eastern Booksellers of Tôkyô in 1961. The work, printed in stencil in color on handmade paper is string-bound, Japanese-style, fukuro-toji. Okamura was Serizawa's most important student and excelled at producing compelling livre d'artiste in the early post- War years. Very fine in the original publisher's wraparound case. (Inventory #89323)
 
18.ONCHI Koshirô, artist & MAEDA Sekibô, poet. Kashû SHINSHO^ FUJI [Collection of Poetry: NEW PRAISE, FUJI] Tokyo: Fugaku Honsha, Shôwa 21 [1946]. 28.7 x 20 cm. 2 full page color woodcuts designed by Onchi, 1 tipped-in page of printed calligraphy. Blue and white flexible covers, in a dustwrapper depicting Fuji which is also a print designed by Onchi. Dustwrapper lightly foxed and strengthened on reverse at center with a thin strip of paper that goes from head to heel. Onchi's designs are lovely. Very good. [See Sotheby's Schlosser Sale Item #302 for another copy; Hillier Vol. 2, p 1022]. (Inventory #87288)
 
19.[PHOTOGRAPHY - AVANT GARDE] KOISHI Kiyoshi. SATSUEI - SAKUGA NO SHINGIHO. Tokyo: Genkôsha, Shôwa 11 [1936]. Small square 8vo., cloth-bound, no jacket as issued, in a printed cardboard slipcase. Koishi was one of the most important photographers of Japan in the prewar period. His breakthrough photo book, EARLY SUMMER NERVES, is considered one of the finest works of avant-garde photography ever produced. Here Genkôsha has commissioned him to create a guide for creating photos with his new and experimental techniques of framing and development. Its 294 + pages are shot through from beginning to end with b+w reproductions of his experimental photography. Overall very good condition. Very unusual. (Inventory #89486)
 
 20. [PHOTOGRAPHY - JAPAN] ALBUM OF 85 SNAPSHOTS OF JAPAN 1916 - 1923, FUJIYAMA AND MORE, PLUS SIX LOOSE PHOTOGRAPHS AND A PHOTO POSTCARD. 5 1/2 x 8 inch flexible black cloth covers, cord-bound, with "Photographs" in gilt on front cover. Black paper mounts, neatly captioned in white ink, mostly in English with some Japanese. Images are b/w, sepia or color (only two are in color) and range in size from 2 1/4 x 3 inches to 4 x 6 inches. The majority (63) are the smaller size. The album is in good condition as are the page mounts, and the photographs are in very good condition. The loose photographs range in size from 2 1/4 x 3 inches to 4 x 6 inches and are sepia or b/w. They are captioned in ink on the reverse. Most of the album photos depict expeditions to climb Fujiyama and various of the Japan Alps, with scenes along the way of people and places - ecstatic pilgrims, the Imperial bodyguard, women's groups, schoolchildren and the photographer and his many climbing companions, foreign and Japanese. The owner is not identified, although some of his companions are: Arnold Bauer, Charles W. Copp, Harry Collins, Professor Fujimura, McKinnon etc., along with a group of boys from Matsumoto High School and several others. Excellent and interesting group of photos of the breathtaking mountain scenery of Japan. Mountaineering was and is a defining interest of the Japanese - there are still gods in those mountains. (Inventory #85172)
 
21.[PHOTOGRAPHY] KIMURA Sôhachi, text SUZUKI Yoshikazu. GINZA KAIWAI GINZA HATCHO. Tôkyô, Tôhô Shobô, Square 8vo., 2 volumes. Important and well known early postwar essay and photo-essay together. The text, embellished with woodblock prints and halftone illustrations, traces the history of the upscale Ginza shopping district, back to the beginning of the city of Edo [Tôkyô]. It was written by Kimura, a very important visual artist and essayist of the time. The photoessay is remarkably similar to Ruscha's famous EVERY BUILDING ON THE SUNSET STRIP, which he published some 12 years later. Photographed by Suzuki Yoshikazu, I would find it hard to believe that it did not provide the inspiration for Ruscha's later work. The buildings on the Ginza frame the conceptual "road" that lies between the two sides of the street, much as the buildings on the banks frame the river in Hokusai's iconic "Sumidagawa Ryôgan Ichiran". Complete, the text in its slipcase and both volumes enclosed in the original shipping box with title label. The outer box is worn, with a bit of foxing, as usual, very good overall. Complete, as issued. (Inventory #89730)
 
22.[PRINTMAKER'S SET]. SHOSO HANGACHO JURENSHU 9 vols. Tokyo: Aoi Shobô, 1941-3. Each volume 26.8 x 21.2 cm in printed wrappers. A complete set, 8 volumes are numbered 174 and the Oda Kazuma volume numbered 21. 250 copies. How this set was ever created on such exquisite paper during wartime rationing is doubtless a story in itself. Takei Takeo, Onchi Kôshirô, Oda Kazuma, Henmi Takashi, Hiratsuka Un'ichi, Kawanishi Hide, Kawakami Sumio, Sekino Jun'ichirô and Maekawa Sempan each contributed 10 original prints to their own volume, making a total of 90 original prints in the set. Even individual volumes are hard to find; so a set in such lovely overall condition is unusual. All are enclosed in a custom cloth chitsu clasped case. A remarkable work in very good overall condition. (Inventory #89431)
 
23. SERIZAWA KEISUKE. MASHIKO HIGAERI. This work was privately printed by Serizawa in 1943 in katazome stencil printing, bound fukuro- toji, string-bound Japanese-style. there are 23 full page colored stencil plates. The first 25 copies of A DAY TRIP TO MASHIKO were in full size, as here, 30.2 x 21.5 cm. There were another 25 copies rinted on half-sized sheets which present a different impression. Another 15 large paper copies were done by Serizawa the following year. This copy of the original large paper edition in 25 copies has its original printed fukuro dustwrapper. Obviously one of the rarest of all works by Serizawa, this copy is especially distinguished - Serizawa has numbered it number one. The craft community of Mashiko which Serizawa often lived at during the war was located quite far out from Tôkyô, which is fortunate. Serizawa's home and workshop in Tôkyô were utterly destroyed during the firebombings of 1945. It was just before and during the war that Serizawa refined his skills at stencil-printing, which would be recognized after the war when he was named a LIVING NATIONAL TREASURE. It was also the time that Serizawa cemented his relationship with the great founder of the Craft Movement in Japan, Yanagi Sôetsu, and became Mingei's most famous artistic practitioner. (Inventory #90301)
 
24.[SÔSAKU HANGA] OKAMURA Kichiemon, artist. IYOMANTE Kuma Matsuri AINU. A privately printed portfolio with a printed paper title label. 35.2 x 30.1 cm. Each of the 5 b+w woodblocks prints on washi is signed and sealed by Okamura, the group is further dated to 1958 and has a woodblock printed title page. One of 100 copies printed by Okamura. Well-printed depiction of the bear festival held in Ainu country. Very unusual. (Inventory #89328)
 
25.[SÔSAKU HANGA] OKAMURA Kichiemon, artist. MANYÔ SHIKI HANA ZUKUSHI. 32.3 x 20.3 cm Privately printed in the fall of Shôwa 19 [1944] by the artist using kappazuri stencil printing. String-bound Japanese-style, fukuro-toji. Printed paper title label. About fine condition. #42 of 100 copies. (Inventory #89493)
 
26.[STENCIL-PRINTING] OKAMURA Kichiemon. MINÔ KAMISUKI ISOMURA. Shôwa 33 [1958]. 34.6 x 28.5 cm, Privately printed, #12 of 30 special edition copies of 100 copies printed, total. Contains 6 full page stencil prints by Okamura. Quite a bit larger than his usual productions in scale. An unusual title by this important scholar/artist of Mingei, paper and fabric. Fine condition overall, as issued with the small bi-lingual explanation sheet. (Inventory #89830)

Books of the Week

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Our members list new acquisitions and recently catalogued items almost every day of the year. Below, you'll find a few highlights from these recent additions...

 

O TO BE A DRAGON

by Marianne Moore

O Top Be a Dragon, Marianne Moore

New York: Viking Press, 1959. 1st edition, cloth, with printed dust jacket. A presentation copy, inscribed to Holly Stevens, the daughter of poet Wallace Stevens. The inscription reads: "Mine originally, Holly, since / it had an unintentional stripe / on the jacket that was there to / stay -- (now a dragon): yours / from a complimented author / pleased that you want it / Marianne / Sept 17, 1959" in black fountain pen ink on the FEP. The date is the publication date of the title, and Moore has additionally dated the copyright page "September 17" in her hand.

In typical Moore whimsy, the poet has created a drawing of a dragon on the dust jacket front cover, incorporating the "unintentional stripe" referred to in her inscription, and has titled the drawing "Dragon attacked by gnat" using the same black fountain pen ink as the inscription. A letter of provenance from the son of Holly Stevens is laid in. (Abbott A17.1.) Minimal sunning to jacket, else a fine representation of a remarkable association copy.

Offered by Jett W. Whitehead Rare Books.

 

A Game of Thrones (Advance Reading Copy)

by George R.R. Martin

A Game of Thrones

New York: Bantam Books, 1996. First Edition. Wraps. Very good/very good. 8vo. Original wraps in dust jacket. ADVANCE READING COPY (stated). Very good overall. Mild touches of curling and trivial small tears at edges of jacket. Pages lightly toned. Else sound and clean. 663pp. 

Scarce ARC of this Locus-winning first title in Martin's Song of Fire and Ice series, the basis for the wildly popular show.

Offered by Brian Cassidy, Bookseller.

 

Slouching Towards Bethlehem (Signed, First Edition)

by Joan Didion

Slouching Towards Bethlehem

New York: Farrar, Straus and Giroux, 1968. First edition of what many consider her magnum opus. Octavo, original half cloth. Boldly signed by Joan Didion on the title page. Near fine in a near fine dust jacket with light wear. Jacket design by Lawrence Ratzkin. A very nice example. Upon its publication in 1968, Slouching Towards Bethlehem confirmed Joan Didion as one of the most prominent writers on the literary scene. "In her portraits of people," The New York Times Book Review wrote, "Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naïve acid-trippers, left-wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful. . . . A rare display of some of the best prose written today in this country."

Offered by Raptis Rare Books.

 

LaRose (Signed, First Edition)

by Louise Erdrich

LaRose

NY: Harper, 2016. First edition, first prnt. Signed by Erdrich on the title page. Additionally, a facsimile of two ms pages with Erdrich's revisions printed on both sides of an illustrated broadside on heavy card stock is laid-in. Also laid-in is an illustrated bookmark from Birchbark Books, Erdrich's Minneapolis bookshop. Upon publication of the book, Birchbark sold an unspecified number of signed copies with the facsimile ms pages. Unread copy in Fine condition in a Fine dustjacket with an archival cover.. Signed by Author. First Edition. Hardcovers. 8vo - over 7¾" - 9¾" tall.

Offered by Revere Books.

 

Go Tell it on the Mountain

by James Baldwin

Go Tell It On the Mountain

A near fine first edition (so stated on the copyright page) in a near fine dust jacket. Previous owner's signature on the rear pastedown. Housed in a custom-made collector's slipcase. 

Offered by Bookbid.


 

"Billy" Sunday: The Man and His Message

by William T. Ellis 

Billy Sunday

Philadelphia: John C. Winston, 1914. Hardcover. Near Fine/Very Good. First edition. A little foxing on the endpaper, near fine in a near very good dustwrapper, with several modest chips at the extremities. Biography of the baseball player turned evangelist. A cheaply produced and relatively common volume, but rare in jacket.

Offered by Between the Covers Rare Books.

 

CITY PLAN OF RICHMOND (FRAMED)

by Karl Baedeker

Richmond Map
Leipzig: Wagner & Debes. c. 1900. An interesting city plan of Richmond, extracted from the Baedeker guide, The United States With an Excursion into Mexico. The plan shows the downtown area, from Monroe Park in the west, to Libbie in the East. Features the Canal Basin, Hollywood Cemetery, Capitol Square, the Old Stone House, the site of Libbie Prison, etc. Nicely matted and framed. 

Offered by Black Swan Books.

 

Niagara River and Falls from Lake Erie to Lake Ontario. A Series of Hundred and Fifty Three Etchings Etched on Copper by Amos W. Sanger from his own Drawings

by Amos Sanger

Niagara

Two finely bound large folio volumes with 50 full page etched plates by Sangster with tissue guards. Bound in black Morocco with "BN" stamped in gilt in the center of the covers. Barbara Nice was the original owner. 

Offered by De Wolfe & Wood.

 

Portrait CDV Mounted with Two Signed Quotes

by Anna Dickinson

Anna Dickinson

Dickinson, Anna Elizabeth (1842-1932), Full-length photographic portrait carte-de-visite, with two signed quotes on separate pieces of white card stock, one reading, "Liberty! Truly yours, Anna E. Dickinson," (dated 10/28/78) and the other, "I am glad to do what you desire, -- & so to sign myself Truly Yours, Anna E. Dickinson," (dated 4/28/76). All three items, the portrait by Sarony and the two signed and dated quotes are mounted with hinges on a mat. Condition of all three items is fine.

A Quaker and Philadelphia native by birth, AED1 Anna Elizabeth Dickinson was a radical firebrand orator and out-spoken advocate for the rights of African Americans and women at a time when such ideas were incendiary and almost never spoken of by women, unless that woman happened to be Anna Elizabeth Dickinson. She even criticized Abraham Lincoln for being too moderate on slavery. Her advocacy for women went well beyond the right to vote and approached same-sex liberation issues. William Lloyd Garrison was the first to publish one of her essays in The Liberator. She actively campaigned for radical (pro-abolition) and successful Republican Party candidates. She was the first woman to address the United States Congress in 1864, where she received a standing ovation. She lived out her days in up-state New York in seclusion. 

Offered by Gosen Rare Books.

 

Note Book for Design and Color

by Majorie Low

Note Book for Design and Color (Animation)
United States, 1930. Original student workbook on color theory and Art Deco design, consisting of typed notes, followed by striking hand-painted and collaged compositions that meet various design challenges.

The workbook opens with "New Principles of Color and Design," which have "turned all art topsy-turby" [sic], singling out five principles of composition "originated by A.W. Dow." Dow's 1899 book Composition was influential in the early years of the twentieth century, introducing Japanese aesthetic principles into American art instruction; Dow later became a mentor to Georgia O'Keeffe. After her introduction, Low executes a series of increasingly difficult design "problems," from basic color sequences and fundamental forms to abstract original renderings of flora and fauna in Art Deco style. The final two problems, "Surface Pattern" and "Tree of Life," are described but not completed. A wonderful survival, offering insight into practical art instruction in America between the wars.

Single volume, measuring 9.5 x 7.5 inches: [104]. Original full black leather, flexible blind-ruled boards, all edges stained red. Typed notes mounted on 28 pages, hand-painted designs mounted on 21 pages with tissue guards. Table of contents after title page. Light edgewear to binding, chip to lower spine with some loss, paper clip marks to head of first three leaves.

Offered by Honey & Wax Booksellers.

 

Fear and Loathing in Las Vegas

by Hunter S. Thompson

Fear and Loathing in Las Vegas

New York: Random House, 1971. First Edition. Near Fine/Near Fine. First edition, first printing. Near Fine with a small strip of sunning along the top and bottom edges of the boards and a small imperfection to the rear cover. In a Near Fine dust jacket with publisher's price intact, land faint shelf wear. A stunning copy of the author's most well-known work.

Offered by Burnside Rare Books.

 

Diary of Maud G. Arthur, of Baker City, Baker County, Oregon, kept while Traveling by Covered Wagon through Oregon, 1917-1918

Diary of Maud G. Arthur

12mo, 122 typed pp., dated 22 August 1917 to 7 June 1918; bound in small six ring binder, limp pleather binding, measuring 4" x 6", typed, good condition. There is a title-page, a one-page preface, and a two-page epilogue at rear bringing the family story up to 1937. Title page reads: "For Clayton and Jeannie Arthur and Family / A copy of Grandmother Arthur's diary / in her own words, of the family traveling / Oregon in a covered wagon. / copied by Laura Arthur" This is a typescript copy, made for the family, by a family member, of the manuscript original, the whereabouts of which, is unknown.

A curious diary, wherein a family seeking to improve their lives decides to move west across Oregon on hearing of the opening of government lands on the coast. They travel across the state using a covered wagon, the mode of Oregon's original pioneers. The diary recounts the events and occurrences along the way.

Offered by Michael Brown Rare Books.

 

THE RIGHT STUFF. Special Edition. Issued with vinyl zipper bag. Signed and inscribed by Tom Wolfe.

by Tom Wolfe 

The Right Stuff

New York: Bantam Books, 1980. Book. Near fine condition. Paperback. Signed by Author(s). First Edition. 12mo - over 6¾ - 7¾" tall. [x], 368 pages, [iii] pages. Paperback binding with minimal shelfwear. Signed and inscribed by the author on the title page "For [name withheld]! [signed] Tom Wolfe." This is a prepublication copy of the first Bantam paperback edition, issued to point-of-sale distributors (retail bookstores). Included is a rarely seen bag with the words "Don't Forget The Right Stuff Bantam" printed on it; the coating on the vinyl has degraded and is slightly sticky and soiled. The text is clean and unmarked. First Bantam paperback edition,previously issued by Farrar & Straus & Giroux in multiple printings.

Offered by Kurt Gippert Bookseller.

 

The Maze by Maurice Sandoz

Illustrated by Salvador Dali.

The Maze

Garden City: Doubleday, Doran and Co., Inc, 1945. First edition. Hardcover. Orig. gray cloth, front cover in articulated maze design with center panel in red, lettered in gilt. Fine in nicked dust wrapper with loss at backstrip head and foot: preserved in fine brown cloth clamshell box with leather spine label. Dali, Salvador. 110 pages. 21 x 14.5 cm. A macabre tale of the supernatural illustrated by Dali with twelve plates and signed by him in blue pencil on free front endpaper; plus the dust wrapper is also designed and illustrated by him. 

Offered by Roy Young Bookseller.

 

Paris, Notre Dame prise de L'isle Louvier

by Pugin, Augustus Charles

Notre Dame 1821
London: R. Ackermann, 1821. Hand-coloured aquatint engraving by Havell from J.Gendall's drawing after Pugin. Printed on wove paper. In excellent condition with the exception of a expertly mended tear on the bottom margin. Image size: 13 7/8 x 18 7/8 inches.

A highly dynamic view, emphasizing the cathedral of Notre Dame's position at the heart of the city of Paris Notre Dame, before the addition of Violett le Duc's central spire, is shown dominating the skyline in this view taken from the south side of the Ile de St. Louis, looking north west upriver to the Pont la Tournelle with the Cathedral beyond. The foreground includes a number of barges loaded with timber, probably for furl, bargees wrestle with the newly arrived vessels, positioning them using long poles, unloading of the moored barges is already underway, with workmen trudging up well-worn paths in the river bank. Much activity can be seen on the wide `beach' of the far left bank.

Pugin (1762-1832) `architect, archæologist, and architectural artist, was born in France, and claimed descent from a distinguished French family. Driven from his country either by the horrors of the revolution or by private reasons connected with a duel, he came to London about 1798, and soon found employment as a draughtsman in the office of John Nash.... To increase his powers as an artist, he entered the schools of the Royal Academy... He further revived acquaintance with Merigot, an aquatint engraver, who formerly had been a drawing-master to his father's family, and studied under him with advantage. Nash, who treated his pupils and assistants with great kindness and hospitality, discovered in Pugin a valuable subordinate...

The truthfulness of Pugin's drawings in form and colour at once attracted attention. A change was then coming over water-colour art. The old style of brown or Indian ink outline with a low-toned wash was giving way to the more modern practice of representation in full colour, and Pugin, though he limited his palette to indigo, light red, and yellow ochre, was an active supporter of the new movement, and to his influence its ultimate predominance was largely due. In 1808 Pugin was elected an associate of the Old Water-colour Society, which had been founded in 1805, and he was a frequent exhibitor at the annual exhibitions held first in Lower Brook Street and subsequently in Pall Mall... About the same time Pugin was employed on Ackermann's publications, notably the 'Microcosm,' for which he supplied the architectural portions of the illustrations, Rowlandson executing the figures. ....Meanwhile Nash and his works were not altogether neglected. Pugin in 1824 was asked to make the drawings for a volume illustrating the Brighton Pavilion, and while he was engaged upon the work George IV, who came to watch, accidentally upset the colour-box, and, mindful perhaps of illustrious parallels in the past, picked it up with an apology that greatly gratified the artist.` (DNB). The present separately issued plate led to a latter publication `Views of Paris and Environs,' (London: 1828-1831), with plates of similar subjects but published in a much smaller quarto format.

Offered by Donald A. Heald Rare Books.

 

Pennsylvania Railroad Trainphone Tips for Railroaders - Guide created for employees through the eyes of Penny Sylvania 

Trainphone

Tele-Dynamics Inc. c1943. The Pennsylvania Railroad (PRR) began using a voice communications system called 'Trainphones' on a trail basis in 1936 and had fully integrated them into their railway system by 1943. The system was meant to be used as a communication method between crews on moving trains and dispatchers. In order to educate their crews on the system, PRR created a short 23 page booklet to serve as an instruction manual.

The book was written from the perspective of 'Penny Sylvania', a young girl whose father is a railroad engineer. The book used plain words and phrases to describe the system along with simple, black and white line drawings to further the reader's understanding of the communications system. Given the relative child-like tone of the book, it is clear what PRR thought of their employee's education level. The book starts with a brief description of the system, before instructing the reader how to use it, such as "the trick to the trainphone is to hold it close to the mouth, but not to blow into it" and since "Uncle Sam is listening to their conversation they have two firm rules- no cursing and no funny business." One of the biggest issues with the trainphone system was that it was unable to work in electrified zones due to interference from the electric supply, considering that these electrified zones were some of PRR's busiest locations, this was a huge disadvantage. Several pages are dedicated to address this issue with instructions such as "Daddy says sometimes they run into dead spots where reception is bad, but they often change this by moving the engine ahead a few feet or backing up to a more favorable location."

Eventually, the whole trainphone system would be phased out in the 1960s as radio communication became the norm and was more reliable. The cover has a line drawing of the phone. There is the name of the previous owner, R. W. Schaffer, written on the cover. No OCLC. Staple binding. 6 ¼" x 4 ½"

Offered by Eclectibles, and featured in their new catalog, E-list #57 (item #13). This item is not listed on abaa.org.

 

Statut de Kaliski (The Statute of Kalisz)

by Arthur Szyk.

Statut de Kaliski
Paris: F. Bruchman for Editions de la Table Ronde, 1932. Limited edition. 1/500?. Copy 156 of 500 (in the final plan).

The full 500 copies were never printed. A large part of the printed run was destroyed in the German bombing of Warsaw (see website of the Kosciusko Foundation). Szyk himself stated that only fifty copies existed and some sources place the number as low as thirty. An informal census revealed to this writer at least fifteen library holdings. A search of the holdings of Jewish Museums and Art Museums would likely reveal additional copies. However, the number of surviving copies is certainly less than one hundred.

Folio, 48 loose leaves, 15.1" by 12.6". Forty-five full-color plates. Three additional sheets: the "Page of Certification," with the author's signature, the "Finis Libri" page and an initial blank. There is substantial dispute as to the correct ordering of the plates which were issued loose. Many copies lack the initial blank present with this set. Two of the plates were not initially planned and may be missing in some copies [One was the Yiddish translation of the Statutes. Ansell p. 57]. The copy held by the Central Judaika Database is lacking the plates with the Spanish text. Joseph Ansell in his work "Arthur Szyk: Artist, Jew, Pole," includes his own description of the contents and he includes a quote from a review of the folio from 1933 which are helpful. Ansell writes, "[full paragraph at the center of the page of Ansell p. 56.]" This copy is organized in this way with the blank at the start. P.G. Konody in his 1933 review "Artist's Great Work Worthy of Medieval Examples," Daily Mail, 30 May 1933,7, mentions "45 magnificently ornamented pages," which offers a contemporary concurrence of how the material was seen at the time of publication. [Ansell, p. 78]. The "unbound pages were contained in a red portfolio emblazoned with the Polish eagle printed in gold and silver." Ansell, p. 60. This edition is housed in a new a red linen clam-shell box with leather labels. Arthur Szyk's "Statute of Kalisz," is his first major manuscript project. His earlier illuminated work was under the influence of oriental examples. "The Statutes of Kalisz," is in the tradition of Northern European illumination. Jean Fouquet in particular is cited as a source. Fouquet's work as an illustrator of manuscripts is more of a model for Szyk's portraiture style than as an overall guide. Szyk's page design is much more sophisticated and modern than Fouquet. The degree to which each page is saturated and laden with illustrated commentary is far advanced and often more explicit than the model. The most important, personal and rarest work by Arthur Szyk celebrates the text of The General Charter of Jewish Liberties, which granted civil and religious rights to Polish Jews when issued in 1264 by Duke Bolesław the Pious in Kalisz. Elaborate lettering in nine languages, initials illuminated or historiated, geometric and floral borders plus detailed miniature paintings of historical and mythic events. Influenced by French, Italian and Flemish manuscript styles. Metallics embellish the original's gauche and watercolor, while with wit, figures include Szyk's family and two self-portraits. Begun during the May 1926 Polish coup and supported with research from Józef Piłsudski's Polska Partia Socjalistyczna government, Arthur Szyk's masterwork subtly contrasts past mistreatment and post-WWI fascism with the ideals of justice and freedom

Offered by Eric Chaim Kline Bookseller.

 

A Christmas Carol. The Chimes. The Cricket on the Hearth. The Battle of Life. The Haunted Man

By Charles Dickens (Root & Sons, Binders)

Dickens, Christmas Books
London: Chapman & Hall, 1843. A Superb First Edition Set of The Charles Dickens Christmas Books Beautifully Bound by Root & Son ca. 1920. DICKENS, Charles. ROOT & SON, Binders. The Christmas Books. London: [Various], 1843-1848. [Comprising:] A Christmas Carol. In Prose. Being A Ghost Story of Christmas... With illustrations by John Leech. London: Chapman & Hall, 1843. First edition, first issue, with "Stave I" reading. Sixteenmo (6 3/8 x 4 inches; 160 x 100 mm). [8], 166, [2, ads] pp. Complete with half-title and ads. Half-title printed in blue, title-page printed in red and blue, four hand-colored plates, and  intertextual illustrations.  Original endpapers bound in. [And:] The Chimes: A Goblin Story or some Bells that Rang an Old Year Out and A New Year In. London: Chapman and Hall, 1845. First edition, second state of the engraved title. Sixteenmo (6 3/8 x 4 inches; 160 x 100 mm). [8], 175, [1, colophon] pp. Complete with ad for A Christmas Carol on verso of the first leaf. Engraved frontispiece, engraved title, and intertextual illustrations. [And:] The Cricket on the Hearth. A Fairy Tale of Home. London: Printed and Published for the Author, by Bradbury and Evans, 1846. First edition. Sixteenmo (6 3/8 x 4 inches; 160 x 100 mm). [8], 174, [2, ads] pp. Complete with half-title and the Oliver Twist advertisement at end. Engraved frontispiece, engraved title, and intertextual illustrations.   [And:]   The Battle of Life. A Love Story. London: Bradbury & Evans, 1846. First edition, fourth issue, with Cupid added to the scroll but without publisher's imprint on engraved title. Sixteenmo (6 3/8 x 4 inches; 160 x 100 mm). [8], [1-2, sectional title], 3-175, [1, colophon], [2, ads] pp. Complete with half-title and ads. Engraved frontispiece, engraved title, and intertextual illustrations.   [And:]   The Haunted Man and the Ghost's Bargain. A Fancy for Christmas-Time. London: Bradbury & Evans, 1848. First edition. Sixteenmo (6 3/8 x 4 inches; 160 x 100 mm). [8], 188 pp. Complete with ads and half-title. Engraved frontispiece, engraved title, and intertextual illustrations.

Uniformly bound by Root & Son ca. 1920 (stamp-signed in gilt on front turn-ins). Full blue crushed levant morocco, covers with three-line gilt border surrounding a large holly leaf inlaid in green morocco and detailed in gilt with six inlaid red morocco berries on stem. Four similar but smaller corner-pieces also inlaid in green and red morocco. Spines with five raised bands, similarly decorated with inlaid green and red morocco holly leaves and lettered in gilt in compartments. Decorative gilt board edges and turn-ins, pale blue liners and endleaves. all edges gilt. Each volume with the original tan and brick red cloth covers and spines bound in at end. Spines very slightly and uniformly darkened. Some scattered light foxing otherwise a very fine set of arguably the most influential and important nineteenth century tales of the Christmas season.   

Following the overwhelming success of A Christmas Carol in 1843, Dickens embarked upon the Christmas Books project, seeking to marshal "the Carol philosophy ... [in order to] strike a sledgehammer blow" for England's lower classes.  He continued publishing the Christmas Books throughout the 40s, and the stories became mainstays of Dickens's public reading tours of the 1850s and 1860s. A Christmas Carol was an instant success, reportedly selling all 6,000 copies of the first edition on the first day of publication, and Dickens went on to write four more small festive books for each successive Christmas. The London bindery of W. Root & Son consistently turned-out excellent work, both on fine bindings as here, and on trade bindings and sets. Packer lists the firm in business in Red Lion Square in 1899-1901, and the December 1942 issue of The Rotarian notes with regret that W. Root had been bombed out (uprooted?) of their premises on Paternaster Row during the 1941 Blitz. There is a record in the June 10 1905 issue of The Academy "Esteemed Editions of various Authors, some scarce, all in new extra leather bindings... W. Root & Son, 29-30 Eagle Street, Red Lion Street, Holborn, W.C." Root & Son are also recorded at the same address in The Literary Year-Book, 1909 (thirteenth annual volume). The British Library have five examples of bindings by Root & Son.

Offered by Davis Brass Rare Books.

 

Rose-breasted Grosbeak (Plate CXXVII) Fringilla ludoviciana

by John James Audubon

Grosbeak

Engraving with etching, aquatint and hand-coloring on J Whatman 1836 watermarked hand-made paper. Unusually wide, untrimmed margins showing the pulls from the binder's signatures on the left margin and the gilt to the top edge. "I closed my eyes, and was passing away into the world of dreaming existence, when suddenly there burst on my soul the serenade of the Rose-breasted bird, so rich, so mellow, so loud in the stillness of the night, that sleep fled from my eyelids. Never did I enjoy music more: it thrilled through my heart, and surrounded me with an atmosphere of bliss. One might easily have imagined that even the Owl, charmed by such delightful music, remained reverently silent. Long after the sounds ceased did I enjoy them, and when all had again become still, I stretched out my wearied limbs, and gave myself up to the luxury of repose." John James Audubon.

Offered by William Chrisant & Sons. 

 

MALLEUS MALEFICARUM

by Henricus Kramer (Institoris)

Malleus Maleficarum

Bungay, Suffolk: Printed by R. Clay & Sons, Ltd. for John Rodker, 1928. FIRST EDITION IN ENGLISH. ONE OF 1,275 COPIES.

This is the first printing in English, translated from the 1489 edition, of one of the great classics of early witchcraft literature. Under Pope Innocent VIII, its author, Heinrich Kramer (who took the name of Institoris), was appointed (along with Jakob Sprenger, who is sometimes credited with being the co-author of this work) as general Inquisitor for the five dioceses of Germany. Although Institoris and Sprenger were assigned the task of ferreting out heterodoxy in general, they concentrated their attention on investigating reports of witchcraft and prosecuting suspected witches.

The book is divided into three sections, the first dealing with the theological ramifications of a belief in witchcraft, the second with the practices of witches and protection against them, and the third with legal procedures for dealing with witches.

306 x 200 mm. (12 x 8 7/8"). xlv, , 277, [1] pp. Translated, with introduction, bibliography, and notes by Montague Summers. Pleasing full crushed morocco in the antique style, raised bands, gilt titling in compartments, edges untrimmed. Title in red and black. A couple of very light scratches to the boards, a breath of wear to extremities, but A FINE COPY, the contents clean, bright, and the book with virtually no signs of use. 

Offered by Phillip J. Pirages.

 

Dennis Hopper Signs of the Times (Tony Shafrazi Gallery Poster)

Dennis Hopper Poster

New York: Tony Shafrazi Gallery, 2011. First edition. Loose Sheets. Very Good. Very large folded poster created on the occasion of an exhibition of the photographs of actor and artist Dennis Hopper. The gallery exhibit coincided with the publication of the 2011 Taschen monograph on Hopper entitled Dennis Hopper Photographs: 1961 - 1967. Poster is folded three times for mailing. When opened, it measures 28" wide x 24" tall. A vivid image of a man sticking his tongue out which has writing stamped on his tongue. Terrific and vivid image. Will be shipped flat (as folded). Very good condition.

Offered by Derringer Books.

 

The Works of Geoffrey Chaucer

by Geoffrey Chaucer

Chaucer Animation

Stratford-Upon-Avon: Printed at the Shakespeare Head Press... and published for the Press by Basil Blackwell, 1929. Limited Edition. Hardcover. Near fine. Chesterman, Hugh; Gaskin, Joscelyn V.; Lamb, Lynton H.. No. 304 of 375, eight volumes (complete), quarto size, 1886 total pp.

This eight-volume set comprises much of Geoffrey Chaucer's (ca. 1343-1400) significant work, including "The Canterbury Tales", "Boecii de Consolacione Philosophie", "The Romaunt of the Rose", "Troilus and Criseyde", as well as a myriad of his minor poems. The text used was that "prepared under the editorship of Dr. A.W. Pollard for the Globe edition since revised by him". Alfred William Pollard (1859-1944) was a widely known scholar, who, in addition to Chaucer, edited Malory's "Le Morte d'Arthur" amongst many other works. The Shakespeare Head Press brings the full force of its talents to the design of these books, with titles, initials and paragraph marks in blue and red, drawn by Joscelyn V. Gaskin, in each volume. Volumes I, II, III and the beginning of Volume IV (all of the Tales of Canterbury) are also graced with hand-coloured, full-colour marginal drawings reproduced by Hugh Chesterman from the fourteenth-century Ellesmere manuscript of Chaucer's "Canterbury Tales"; Volume V, "Boece" contains chapter headpieces drawn by Lynton H. Lamb from woodcuts in a copy printed in Lyons ca. 1508-1525. Loosely inserted into Volume I is a small leaf form the Press crediting Hugh Chesterman with the illustrations of the Canterbury Pilgrims which "have been freely drawn".

Description: Quarter natural linen spine with blue paper boards, white paper spine label with red and black lettering, fore- and bottom edges uncut, title pages in red and black, initial capitals by Joscelyn V. Gaskin in red and blue throughout all volumes; Caslon Old Face type, Batchelor's Kelmscott handmade paper, quarto size (11.5" by 7.75"), pagination: Volume I: [i-vi] 1-224; Volume II: [i-vi] 1-212 [213]; Volume III: [i-vi] 1-200 [201]; Volume IV: [i-vi] 1-216 [217]; Volume V: [i-vi] 1-177; Volume VI: [i-vi] [1] 2-300 [301]; Volume VII: [i-viii] 1-250; Volume VIII: [i-vi] 1-252 [253], one of 375 copies (total edition 386), this number 304.

Condition: The set is near fine overall, the linen shelfbacks without wear, the paper boards mostly clean with occasional stray marks, strong, square text blocks with solid hinges, straight corners with just a few showing minimal rubbing, the interiors are clean and bright, and the set is entirely free of prior owner markings; note that the spine labels were supplied by a professional made to look exactly like the original labels, slight gutter cracking in Volume V, but text block is still strong, and Volume I with a prior bookseller pencil marking on the front paste-down endpaper and a prior owner pencil notation on the rear paste-down endpaper.

Offered by Swan's Fine Books.

 

Resist the Draft - Nov.14

Resit the Draft

San Francisco: Resistance / Liberation Press, [1968]. First Edition. Paperback. An uncommon pair of materials heralding an event promoted by the San Francisco chapter of Resistance, to be held at the San Francisco Federal building on 14 November, 1968. "On Thursday, November 14, hundreds of young men across the country will return their draft cards to the government through the new president. In the Bay Area, the Resistance will sponsor rallies and draft card turn-ins on most campuses at noon...Joan Baez will help us gather the cards and post them to the new president." Pamphlet held by a single OCLC institution (UC Davis); flyer unlocated as of July 2018. Bifolium (21.5cm); single sheet of 8.5" x 14" white stock, folded once vertically to create a 4pp pamphlet; offset printed. A few faint creases and mild signs of handling; Very Good+. Accompanied by an 8.5" x 11" flyer from the same event, similarly printed; old horizontal fold at center, else Near Fine.

Offerd by Lorne Bair Rare Books.

 

Soldier Tales

by Rudyard Kipling

Soldier Tales

London: Macmillan And Co., Ltd., 1900. Reprint of 1900. Very good+ in 3/4 red calk and pink cloth covered boards with five raised bands on the spine with two black leather labels with gilt text and gilt decorations in the compartments. The end sheets are marbled paper and the top edge of the text block is gilt. A 12mo of 7 1/4 by 5 inches with the leather worn through over the tips of the boards and the leather is rubbed at the head and heel of the spine. 172 pages of text. Illustrated with a frontispiece and 20 plates and small engraved vignettes at the head of each story. A collection of seven short stories including: With The Main Guard, The Drums of the Fore and Aft, The Man Who Was, The Courting of Dinah Shadd, The Incarnation of Krishna Mulvaney, The Taking of Lungungpen and The Madness of Private Ortheris. 

Offered by Town's End Books.

 

VALUE, PRICE, AND PROFIT ... ADDRESSED TO WORKING MEN

by Karl Marx

Value, Price, Profit

New York: New York Labor News Company, 1901. xiii,[1],74,[8]pp. Printed wrappers, crudely bound up in quarter calf and marbled boards. Wrappers soiled and worn, pencil annotations throughout, Socialist Labor Party chapter stamp on half- title, a quite used, but nonetheless interesting copy. First printing in this format, as a monthly number of "The People [sic] Library" (the issue # on the front wrapper somewhat obscured). Edited by Eleanor Marx Aveling, and with an Introduction and notes by North American socialist, Lucien Sanial. With the early printed bookplate of "James Dunn, Tooele City, Utah." 

Offered by William Reese Company.

 

"March on Washington for Jobs and Freedom" Vintage Flyer

March on Washington Flyer

Vintage flyer from the August 28, 1963 "March on Washington for Jobs and Freedom" demonstration. Printed on cream paper. In near fine condition, with light overall toning, measures 5.5" x 8.25".

Our flyer features an appeal from 8 of the so-called "Big 10" of demonstration organizers, with each representing a significant labor, civil rights, or faith-based group. The March on Washington had a single objective: to expose the true nature of race relations and economic problems in mid-century America. Demonstrators wanted former promises--of racial equality, of the pursuit of life, liberty, and the pursuit of happiness--to finally be fulfilled.

The 1963 March on Washington marked the 100th anniversary of the Emancipation Proclamation. Its estimated 200,000-300,000 participants, of whom an estimated 75% were black, marched from the Washington Monument to the Lincoln Memorial. All of the "Big 10" delivered speeches, although Dr. Reverend Martin Luther King, Jr.'s powerful oration "I Have a Dream" is the most remembered.

The March on Washington was nationally televised and shone a light on Jim Crow laws and widespread unemployment. One of the capstone moments of the Civil Rights Movement, the March on Washington led to the passage of the Civil Rights Act of 1964 and the Voting Rights Act of 1965.

Offered by University Archives. (Spotted on their Twitter feed. This item is not currently listed on abaa.org. Contact the dealer directly if interested.)

 

Gratulatio ad Pium II pro foelici, ac secundo ex Mantuana peregrinatione reditu. Dialogus de optimo vitae genere deligendo. De monachis erudiendis Illuminated manuscript on parchment, in Latin.

by ALIOTTI GIROLAMO (1412-1480) 

Gratulatio as Pium II pro foelici... (Animation)
Florence, 1460. 253 x 181 mm. ii + 139 + ii leaves. Complete. 14 quires. Collation: 1-1310, 149-10 (lacking the last blank leaf). Unfoliated. Blanks: fols. 2/10r, 14/8v, and 14/9r-v. Catchwords written in the center middle of the last page of each quire except quires 2 and 4. Text block: 164 x 90 mm, one column, 28 lines. The first capital letter of each sub-chapter set out. Ruled in brown ink. Text written in brown ink by a unique hand in formal humanist script. Headings and names of interlocutors in pale red ink. Two illuminated coats of arms of Pope Pius II (see below), numerous gold and white-vine initials (see below). Five one-line blue paragraph marks on fols. 2/8v, 2/9r, 2/10v, and 4/10v. Early twentieth-century German blind-tooled pigskin over wooden boards. Spine with four raised bands, marbled flyleaves, gilt and gauffered edges. Upper joint skilfully repaired. 

A well-preserved manuscript. First leaf slightly soiled, four small round wormholes in blank outer margin of the first leaves reducing to one and then disappearing. A few marginal stains; old repair to the lower blank margin of fol. 

A deluxe illuminated manuscript offered as a gift by the Aretine abbot and humanist Girolamo Aliotti to Pope Pius II Piccolomini, produced in the Florentine workshop run by the 'king of the booksellers' Vespasiano da Bisticci and narrating a fascinating tale of patronage.

Offered by Govi Rare Books.

 

I Capture the Castle (First Edition)

by Dodie Smith

I Capture the Castle

London: William Heinemann, 1949. First Edition. First Edition. The author's first book, notoriously scarce in jacket, basis for the elegant 2003 British film. Ms. Smith went on the write "The Story of the 101 Dalmations." Near Fine with a bright lavender topstain, in a Very Good plus dust jacket. Small owner name stamp and date of 1949, with a matching personal library entry stamp on the copyright page. Jacket shows no loss, with just a bit of nicking and rubbing here and there, a lightly faded spine (backstrip same), and a tiny date stamp of 1949 on the spine panel. A very pleasing copy overall.

Offered by Royal Books.

 


Harry Potter and the Doomspell Tournament Easel Display Card

Harry Potter and the Doomspell Tournament
NY, Scholastic, (2000). An advance publicity item for the transformative fourth book in the Harry Potter series, featuring the short-lived name Harry Potter and the Doomspell Tournament. 

Harry Potter and the Goblet of Fire was nearly twice as long as the preceding book; it was the first to be released on the same date in the U.K. and the U.S.; the first to have a Saturday release date so as not to conflict with the school day; the first to have a multi-million copy U.S. print run; and it was the first book in the series to not have an uncorrected proof or advance reading copy issued. Its title was intended to be kept a secret until publication day (July 8, 2000); a feat that was made somewhat easier as Rowling herself wavered on the title until at least March or April. The working title was simply "HP IV." However, Rowling's first intended title for the book leaked out, and offered here is a printed easel display card encouraging readers to pre-order their copies of Harry Potter and the Doomspell Tournament. Reportedly there followed a period during which the title was to be Harry Potter and the Triwizard Tournament

Harry Potter and the Goblet of Fire won the 2001 Hugo Award, the only Harry Potter novel to do so. The Doomspell Tournament easel card is 9" x 12", apparently unused; it has one small nick in a lower corner near a small portrait of Buckbeak the Hippogriff, else fine.

Offered by Ken Lopez, Bookseller.

 

Spalding’s Base Ball Guide and Official League Book for 1887

Spalding Baseball 1887

Spotted on Argonaut Book Shop's Instagram feed:

Today is the official Opening Day of Major League Baseball! 

Perhaps it is the perfect time to remind ourselves of the rules of the game. What better way to do that than to peruse the Spalding's Baseball Guide from the year 1887. While this might be the the eleventh annual edition of this standard handbook, it is incredibly important “as it presents, for the first time, a new code of playing-rules which will govern every professional club in the country.” Before this, each professional baseball organization was allowed to make up their own rules of the game. That doesn't seem very organized to me! SPALDING, A. G. Spalding’s Base Ball Guide and Official League Book for 1887. 16mo. 6¼ x 4 inches. Pp. 142, [2], 32 (ads). One illustration, one portrait. Publisher’s yellow pictorial wrappers. Spine slightly rubbed with minor wear to foot of spine, tiny chip to lower corner of front wrapper, leaves slightly toned. A fine and clean copy. Chicago and New York: A. G. Spalding & Bros., 1887.

First edition for the year but the eleventh annual edition of the standard handbook and official guide of the national game. Scarce in this condition. Presents pitchers’ records in victories for the 1886 season as well as records of the veteran batsmen of the league from 1876 to 1886. This annual is important “as it presents, for the first time, a new code of playing-rules which will govern every professional club in the country.” Prior to this particular guide, different playing rules governed each professional organization. With the new “code of playing-rules” the rules throughout the organization were standardized. The last 32 pages present illustrated advertisements for Spalding products.

Offered by Argonaut Book Shop, but not currently listed on abaa.org. (Contact the store directly if interested.)

 

PARADISE LOST

by MILTON, JOHN

Paradise Lost
Birmingham: Printed by John Baskerville for J. and R. Tonson, 1760. Third Baskerville Edition. Hardcover. large Octavos, [xix]+lxxii+[v]+416 pages; G; in early brown calf boards, rebacked with new spine, black label and gilt lettering; some bowing to boards, moderate rubbing and scuffing; marbled endpapers; torn bookplate remnants on ffep; some water damage; gift inscription on title page; Life of Milton bound within; With scarce list of Subscribers, including Benjamin Franklin; Wickenheiser 702, Coleridge 123, Kohler 38; shelved case 0. Shelved Dupont Bookstore.

Offered by Second Story Books.

 

Lewis Carroll - Merrymount Press Rarity with Stunning Illustration by Bertram Grosvenor Goodhue Compiled by Emily Prime Delafield. Alice in Wonderland: A Play

Alice in Wonderland: A Play

New York & Boston: Dodd, Mead and Company; Printed by D. B. Updike, The Merrymount Press, 1898. First edition thus. 

A wonderfully illustrated Alice book, excessively rare, designed and printed at the Merrymount Press by D. B. Updike, with superb full color pictorial illustration on front cover, and detailed patterned floral design on rear cover on paper covered boards, and four full-page plates (in red and black), all by the renowned artist and typeface designer, Bertram Grosvenor Goodhue. Longitudinal lettering in redbrown on spine, additional lettering in black. Orange decorated endpapers. One of Goodhue’s hardest to find titles, even more so in this condition, given its notoriously fragile nature. Near fine condition. An early Merrymount title. At time of writing, no copies located on internet. 

Offered by Nudelman Rare Books. (Featured in their new catalog, Catalog 42 -- item #100. This item is not listed on abaa.org.)

 

The Living World: A Complete Natural History of the World's Creatures, Fishes, Reptiles, Insects, Birds and Mammals. Founded upon the Theory of the Progression of Species, . . . and the Harmony of Nature.

by James W. Buel

The Living World Animation
Philadelphia:: Historical Publishing, 1889., 1889. 4to. [ii], 722 pp. Chromolithographic frontis., 8 chromolithographic plates [facing pp. Frontis., 8, 56, 130, 276, 528, 648, 664], more than 1200 engravings, index; some leaves brittle along extremities. Original brown decorative black, silver- and gilt-stamped cloth; soiled, worn, cellophane tape applied to first and last leaves at gutter. Ownership signature of Ralph Manheimer, Christmass 1893. Good.

A beautifully illustrated compendium, written for young people, of writing on the animal kingdom, from mammals and birds to insects and crustaceans. FULL TITLE: The Living World: A Complete Natural History of the World's Creatures, Fishes, Reptiles, Insects, Birds and Mammals. Founded upon the Theory of the Progression of Species, and in Accordance with Genetic Revelation, Scriptural Truths, and the Harmony of Nature. With Introduction Describing the Geological Ages, Changes in the Earth's Crusts, Fossil Remains of Extinct Animals, and Monsters of the Ancient Seas. Replete with Anecdote, Incident and Adventure, Illustrative of the Habits of the Animals Described. Abounding with Thrilling Experiences, Wonderful Discovery, Exciting Episodes and Descriptions of the Marvellous Curiosities of Nature in all parts of the Globe. 

Offered by Jeff Weber Rare Books.

 

View all new listings on abaa.org...

Browse recent catalogs of rare books and print ephemera from ABAA members...

 

Please note, all items are unique, so if a link takes you to a blank page, the book has been sold! 

 


 

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Rare Book News

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A quick roundup of the news about rare books and collectors from around the world. (Regularly updated, with the latest news items added at the top.)

 

The Folger's Future

Fine Books & Collections has an update on the Folger's major expansion plans...

 

Winchester Bible to go on Display 

If you're in the UK, check this exhibition out!

"Using a goose feather quill, a solitary scribe spent four years writing the words in Latin on the skins of 250 calves, before six artists began sumptuous illuminations using gold leaf and lapis lazuli from Afghanistan. Although it was never quite finished, the Winchester Bible finally weighed in at the medieval equivalent of 32kg.

Now the largest and most beautiful of 12th-century Bibles is to go on display following a five-year conservation project as part of a landmark exhibition at Winchester cathedral, opening next week...

 

Unknown Cache of Weegee's Crime-Scene Photos Discovered

Fascinating story about an artist who bought a box of old photos in 1970, and forgot about them for 50 years. After finding the box and working to unstick the curling bundle of images, he discovered they were largely unknown original photos by the pioneering photographer known as Weegee.

 

Judge's Copy of Lady Chatterley's Lover Temporarily Barred from Leaving UK

"A copy of Lady Chatterley’s Lover used by a judge at the book’s landmark 1960 obscenity trial, with all the rude bits carefully and dutifully marked up by his wife, has been temporarily stopped from leaving the UK...."

 


Featured item:

Lady Chatterley's Lover (First American Edition)

By D.H. Lawrence

Lady Chatterley's Lover

New York: Alfred A. Knopf, 1932. First American edition. Hardcover. Very near Fine/Very Good. 327 pp. Bound in the publisher's bright orange cloth with black lettering on the front board. Price of $2.50 on the front flap of the dust jacket. First printing of the first American edition.

Banned for obscenity in both the US and Britain in its original form, abridged editions were published in both countries in 1932. Ahearn APG 043f. An exceptional copy of a book of great importance in the history of censorship, scarce in collectible condition. A very near Fine book in a Very Good dust jacket with fading to the spine panel, a small crease to the rear flap, a few small spots of rubbing, and a couple of tiny closed tears.

Offered by Evening Star Books.


 

Susan Sontag True Author of Ex-Husband's Book, Biography Claims

"A new biography of Susan Sontag is set to claim that the American writer was the true author of her first husband Philip Rieff’s seminal work Freud: The Mind of the Moralist..."

 

Private Libraries That Inspire

The Wall Street Journal profiles the private libraries of Jay Walker, Don Elledge, and Richard and Donna Clayton in this article from April 25.  ABAA-member John Windle provided some context.

 

Brattle Book Shop in The Heights Magazine

Nice profile of ABAA_member Brattle Book Shop in Boston College's The Heights Magazine...

 

A 500-Year-Old Tale of Intrigue, Greed and Betrayal

The New York Times reviews The Lost Gutenberg: The Astounding Story of One Book’s Five-Hundred-Year Odyssey by Margaret Leslie Davis.

 

Longtime ABAA-member William Pinkney III has passed away. Obituary...

 

Nora Roberts Sues e-Book author over "Multi-Plagiarism"

Brazilian author Cristiane Serruya has been accused of stitching her e-books together using passages from the work of a vast number of published authors. Dubbed #CopyPasteCris on Twitter, the author's books have been removed from sale by Amazon, and now Roberts has sued her for plagiarism.  

 

Carnegie Library Theft Update

A Geneva Bible recovered from the Netherlands heads the list of many books and maps recovered from the Carnegie Library thefts. Read more... 

(Reminder: you can check the list of missing material here...)

 

Rare ‘Harry Potter’ Book Featuring Misspelled Title Fetches $90,000 (LA Times)

First editions of Harry Potter and the Philosopher's Stone are still in demand, but there are fabulous items to be found elsewhere in the realm of Harry Potter books, and not all carry mouth-watering price tags! Read our updated introduction to Collecting Harry Potter...

 

ILAB LAUNCHES PROVENANCE SYMPOSIUM VIDEO ARCHIVE

In March 2019, the International League of Antiquarian Booksellers, the Antiquarian Booksellers' Association of America, and the Grolier Club presented a symposium to consider issues surrounding provenance, theft, and forgery as they affect the rare-book trade. The various talks and panels were recorded, and are now available to watch online. Learn more...

 

 

Two ABAA Members Among "The Best Bookstores in All 50 States"

Mental Floss names Maryland's Second Story Books and NYC's Strand Bookstore among the best. 

 

Jail Time Assessed for Theft of Mormon Books and Photographs from Utah Library

RareBookHub reports that "Kevin Mark Ronald Schuwer has been sentenced to four months in jail for the theft of eight books and a photograph from the Brigham Young University Library." Read more...

 

April Fool's Day Humor

London's Institute of English Studies pranked bibliophiles on April 1st by announcing their new "MA/MRes programme in the History of Book Scent" on Twitter. Several amused correspondents reported that it was the use of the dreaded comic sans in the announcement that gave the joke away, not the subject matter... 

MA in Book Scent

And on the subject of the much-romanticized smell of "old books," filmmaker Kyle Lavore’s short film “That Smell” introduces the world to “the secret and persecuted world of book sniffing.” The film has won numerous awards at festivals in the US and Europe, possibly indicating the truly international appeal of the distinctive antiquarian book aroma. Watch “That Smell” on Vimeo...

“You don’t read the books that you smell? Then you are missing out on the whole experience!”

 

Kane Memorial Scholarship

In memory of long-time member George Robert Kane (Oct. 6, 1913–Nov. 28, 2009), the Northern California Chapter of the Antiquarian Booksellers’ Association of America has decided to offer an Educational Scholarship to people currently working in or actively pursuing a career in the book trade seeking to further their knowledge. The Scholarship will pay tuition cost (up to $1,500) for participation in a course of study offered by the following programs in the Summer/Fall of 2019: California Rare Book School (Los Angeles); Colorado Antiquarian Book Seminar (Colorado Springs); Rare Book School (Charlottesville, Virginia). Further details... 

 

Florence Shay Scholarship to the Colorado Antiquarian Book Seminar

In honor of long-time member Florence Shay (1922-2012), the Midwest Chapter of the ABAA offers an educational scholarship to booksellers from the Midwest Chapter region to attend the 2019 Colorado Antiquarian Book Seminar. Further details can be found here...

 

Microsoft Announces it will Shut Down Ebook Program and Confiscate its Customers' Libraries

No, this isn't some story about life in an authoritarian society pulled from some science-fiction novel (but it is reported by science-fiction author Cory Doctorow); Microsoft are shutting their ebookstore down, and because their files incorporate Digital Rights Management software the files are being deleted from their "owners" virtual bookshelves. While buyers will be refunded for the books they thought they purchased, it will no doubt be a huge inconvenience, and may make others think twice before buying ebooks. 

Thankfully, bricks 'n' mortar bookstores may have a replacement for this failing ebook industry: physical printed books and a promise that bookstore owners will not break into your house to steal "their" books back if they ever go out of business. It's a business model that just might catch on... 

 


 

Previous stories:

 

Historic Manuscripts Saved From Fire at Karpeles Manuscript Library Museum

"Historic artifacts, including a copy of the proclamation of France's approval of the Louisiana Purchase and a yearbook from Fidel Castro's high school, were rescued Tuesday night from a four-alarm fire that damaged the Karpeles Manuscript Library Museum in St. Louis." Read more...

 

New Exhibition at Les Enluminures: The Lombard Haggadah

"For Passover, Les Enluminures presents a series of events that center on a remarkable medieval manuscript: a Haggadah with seventy-five watercolor paintings created in the circle of the famous artist Giovannino de Grassi (d. 1398) in Milan in the late fourteenth century. Telling the story of the flight of the Jews from Egypt based on the biblical book of Exodus, the Haggadah was - and still is - used during the Seder, the ritual meal of the first night of Passover. Its text has been richly illustrated by many artists in different countries for over seven hundred years." (Learn more about this exhibition...)

Lombard HaggadahEXHIBITION: Friday April 12, 2019 to Sunday April 20, 2019

LECTURE: Wednesday April 10, 2019

CONFERENCE: Sunday April 14, 2019

Full details...

 

Seth Kaller, Inc. Announces Display of Historic Documents During Dallas Run of Hamilton

Exciting news for history buffs and Broadway fans in Texas: "Dallas Summer Musicals (DSM), in partnership with the Dallas Public Library and Seth Kaller Inc., announced today that a collection of Revolutionary War and Founding Era documents will be on display at the Music Hall at Fair Park during the Dallas engagement of HAMILTON from April 2 to May 5. The centerpiece of the display will be the Dallas Public Library's rare, July 4, 1776 broadside of the Declaration of Independence..." (Read more...

ParksCitiesPeople: The unique collection of historic documents will be on display, free of charge, in the lobby of the Music Hall at Fair Park through May 5.

 

The Boston Globe profiled Greg Gibson, ABAA member and gun-reform advocate, who recently made a short documentary interviewing the man who murdered Gibson's son.

 

J.R.R. Tolkien Exhibit Opening in New York Is the “Largest in Generations”

Tolkien Exhibit

Tolkien: Maker of Middle Earth is on display at the Morgan Library until May 12, 2019.

 

Jonathan Hill Rare Books Endpaper

Our friends at Jonathan A. Hill Bookseller shared this vivid endpaper (above) on their Instagram account recently, which may not be Earth-shattering news, but gives us a good excuse to link to one of our favorite spots on the Internet, the We Love Endpapers Facebook Group for lovers of illustrated paper!

 

Dan Whitmore on the Art and Joy of the First Edition Book

 

 

"...feels like stepping into a dream."

Artforum previews Brad Phillips new exhibition, “What You Do When You Don’t Go Outside,” currently showing at ABAA-member Harper's Books gallery annex, Harper's Apartment, until April 24.

Enlightenment of Wilma Flintstone

Brad Phillips
The Enlightenment of Wilma Flintstone
2018
Oil on canvas
24 x 36 inches

 

Grolier Club Acquires J.-C. Brunet Archive...

"The Grolier Club has acquired an important archive documenting the development of Jacques-Charles Brunet’s Manuel du libraire et de l’amateur des livres in its later editions..."

 

The ABAA is accepting entries for the 2019 National Collegiate Book Collecting Contest...

Entries must be received by June 13, 2019.

 

The Washington Post outlines plans to make the Library of Congress more accessible and visitor-friendly, and the inevitable fears that any change is too much change...

 

Get ready for "The Booksellers" documentary, described as a "behind the scenes look at the New York rare book world," and featuring interviews with many ABAA members. No release date at the moment, but let the excited anticipation begin. 

 

Good news from University of Pennsylvania Libraries: Major Collection Focusing on African American Women, Cookery, and Children’s Literature Comes to Penn Libraries

 

Victoria Dailey, an emeritus member of the ABAA, recently published a new article in the LA Review of Books. "Pavement Nymphs and Roadside Flowers: Prostitutes in Paris After the Revolution" begins like so many conversations with bibliophiles do:

"Some years ago I acquired a small, modest-looking French book published in 1826 that would become the source of my interest in women and prostitution in Paris, especially after the French Revolution..."

Read Pavement Nymphs and Roadside Flowers...

 

The Unforged Truth Behind "Can You Ever Forgive Me?"

Actress Melissa McCarthy is an Oscar contender for her role as biographer turned literary forger Lee Israel in the film Can You Ever Forgive Me? The film spins Israel’s criminal career for laughs, but the truth was less humorous.

David LowenherzABAA-member David Lowenherz (Lion Heart Autographs) was one of the antiquarian book dealers deceived by Israel and her partner Jack Hock, and also the man who alerted the FBI to her schemes. Hock and Israel were arrested after a sting operation that involved Lowenherz wearing a wire to record Hock’s “confession” while selling some stolen letters. Lowrenherz recently wrote an intriguing review comparing the film to reality for Reel Chicago, because, as Lowenherz states, "the facts are, in some ways, more compelling and devastating than what the film shows."

 

Mystery Pier Books Recognized for 20 Years of Excellence!

Mystery Pier Books RecognitionMystery Pier Books, co-owned by ABAA-member Harvey Jason, in West Hollywood, California has received a trio of honors recently. The store has been recognized by the US House of Representatives and the California State Senate for exceptional business practices and service to the community for the past 20 years. Additionally, the store was nominated for a West Hollywood Attraction Award by the West Hollywood Chamber of Commerce. 

Mystery Pier Books specializes exclusively in modern first editions, signed and inscribed books, and — unsurprising, given their location — cinema rarities, and recently marked 20 years in operation. Located on the fabled Sunset Boulevard, the store is featured regularly on television, and in magazines as diverse as Money and the Louis Vuitton City Guide. (You can read all about them in this NYT Magazine piece...).

One unique niche Mystery Pier Books occupies is as the primary source for gifts for awards shows and studios. Co-owners Harvey and Louis Jason feel it’s a good sign for the culture that tinseltown power-brokers still turn to the printed word when they want a meaningful gift for creative people. Harvey Jason concluded that, “it’s very, very good for literacy, because big stars, producers, directors, and international celebrities… give literature instead of handbags or something like that!” Long may they continue.

 

Is New York in Danger of Loving the Strand to Death?

Britain's The Guardian (yes, that's how famous the Strand is, even British bibliophiles know all about it) reports that Strand owner Nancy Bass Wyden recently spoke against a plan to give the building official landmark status. The designation would add new layers of bureaucracy to company operations, Wyden told the commissions, adding that "unnecessary expenses and restrictions" would "slow us down just when we need to be our most impactive." A decision is expected in early 2019.

 

Remembering the Howard University Librarian Who Decolonized the Way Books Were Catalogued

Dorothy Porter

In a 1995 interview with Linton Weeks of the Washington Post, the Howard University librarian, collector and self-described “bibliomaniac” Dorothy Porter reflected on the focus of her 43-year career: “The only rewarding thing for me is to bring to light information that no one knows. What’s the point of rehashing the same old thing?” For Porter, this mission involved not only collecting and preserving a wide range of materials related to the global black experience, but also addressing how these works demanded new and specific qualitative and quantitative approaches in order to collect, assess, and catalog them.

Read more...

 

ABAA-member The Raab Collection share a few of the steps that go into authenticating historical documents, such as these signed by Alexander Hamilton.
 


Three Poisonous Books Found in University Library

-- Caveat lector!
 
 

 

Don't miss our weekly selected highlights from around the site...

Selected Highlights Animation

 

 


 

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Latest Rare Book Catalogs

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Browse the latest catalogs, newsletters, and e-lists, of rare books, fine bindings, incunabula, print ephemera, and much more from the members of the ABAA below. (Also includes podcasts, blogs posts, and other digital formats.)

 *New*  indicates any catalogs added this week. 

 

AARDVARK BOOKS/EZRA THE BOOKFINDER

 

CHARLES AGVENT

 

ANDERSON BUTLER RARE BOOKS

 

ANTIPODEAN BOOKS, MAPS, PRINTS

 

NICK ARETAKIS

 

ARTISAN BOOKS & BINDERY

 

ATHENA RARE BOOKS

 

AUGER DOWN BOOKS

 

BACK OF BEYOND BOOKS

 

LORNE BAIR RARE BOOKS 

 

W. C. BAKER RARE BOOKS & EPHEMERA

 

BARTLEBY'S BOOKS 

 

BAUMAN RARE BOOKS

 

BAY LEAF USED & RARE BOOKS

 

B&B RARE BOOKS

 

BEASLEY BOOKS

 

STUART BENNETT RARE BOOKS

 

F.A. BERNETT BOOKS

 

BETWEEN THE COVERS, RARE BOOKS

 

BIBLIOCTOPUS

 

BICKERSTAFF'S BOOKS, MAPS, &.

 

ROBIN BLEDSOE BOOKS

 

BLIND HORSE BOOKS

 

BOLERIUM BOOKS

 

THE BOOKPRESS, LTD.

 

BOOKS TELL YOU WHY, INC.

 

BOREAS FINE ART

 

BOSTON BOOK COMPANY

 

BOSTON RARE MAPS, INC.

 

IAN BRABNER, RARE AMERICANA

 

MARILYN BRAITERMAN

 

DAVID BRASS RARE BOOKS

 

BRATTLE BOOK SHOP

 

BRICK ROW BOOKSHOP

 

BROMER BOOKSELLERS

 

BUDDENBROOKS, INC.

 

BURNSIDE RARE BOOKS

 

ANDREW CAHAN, BOOKSELLER, LTD.

 

CAROLINIANA

 

CARPE DIEM FINE BOOKS

 

BRIAN CASSIDY, BOOKSELLER

 

CHURCHILL BOOK COLLECTOR

 

THE COLOPHON BOOK SHOP

 

W.S. COTTER RARE BOOKS

 

ROY CLARE ANTIQUARIAN BOOKS

 

CRAWFORD DOYLE BOOKSELLERS

 

JAMES CUMMINS BOOKSELLER

 

L.W. CURREY, INC.

 

DEWOLFE & WOOD 

 

DIVISION LEAP

 

Featured item:

 

Mystery Box. Never to Be Opened

Ben Vautier

Mystery Box

[Nice, France]: The Artist, 1960-65. 4 x 2 3/4 x 2 1/2" sealed wooden box, painted black, with two printed labels, each bordered in black in the style of a funeral announcement, affixed. Hand-numbered no. 89, with a closing date of 27/12/65.

One of the most potent of the early Fluxus multiples, and perhaps the most effective of his mystery pieces, the Mystery Box raises remarkable questions about the site and nature of the "work" of art, and of the subjectivity of the viewer. The box is in effect a dare to the viewer. Giving the box a gentle shake reveals that something is indeed inside, also making the box a sound performance. Vautier would go on to make additional boxes, but this is the only edition that we've seen that uses the funerary borders for the labels, perhaps giving a clue as to what Vautier expected of the recipient, and of the fate of the work of art - whatever, and of what materiality it might be. Something will be born. A key early Fluxus multiple. 

Some faint toning to the labels, with the tip of one label lifting slightly, else fine. No examples recorded in OCLC, though some digging reveals copies at MOMA, (no. 88), Fondazione Bonotto (no. 65), and within the André Breton collection (no. 61).

Offered by Division Leap, and featured in their new list "Conceptual and Modern Art" (item #19).

 

WEBB DORDICK

  • Catalog #88, Medical Books from the Fifteenth to the Twentieth Centuries -- This catalog is print-only. To request a copy, contact MedBks@aol.com...

 

THOMAS DORN BOOKSELLER

 

JAMES M. DOURGARIAN, BOOKMAN

 

ECLECTIBLES

 

ELK RIVER BOOKS

 

LES ENLUMINURES

 

EUREKA BOOKS

 

EVENING STAR BOOKS

 

JOSEPH J. FELCONE, INC.

 

ARTHUR FOURNIER FINE & RARE

 

RODGER FRIEDMAN RARE BOOK STUDIO

 

FRANKLIN GILLIAM RARE BOOKS

  • OCCASIONAL LIST 22: A Miscellany: Original Art Work; Small Archive of Major English Watercolourist; Interesting Theatrical Pieces; Manuscript Material, Etc., Etc. -- available on request from fgrare@fgrarebooks.com...

 

GOLDEN LEGEND 

 

THOMAS A. GOLDWASSER RARE BOOKS

 

GOVI RARE BOOKS

 

JAMES GRAY BOOKSELLER

 

RICK GRUNDER-BOOKS

 

DAVID A. HAMILTON AMERICANA BOOKS

 

HARPER'S BOOKS

 

DONALD A. HEALD RARE BOOKS

 

JONATHAN A. HILL, BOOKSELLER, INC.

 

JEFF HIRSCH BOOKS

  • E-list #132 -- 42 New Arrivals by John Updike, Mary Oliver, Duane Michals, John Hejduk 
  • E-list #131 -- 45 New Arrivals by Erte, Arthur Miller, Duane Michals, Neil Young, Seamus Heaney, Andreas Gursky 

 

HONEY & WAX BOOKSELLERS

 

HOUSE OF MIRTH PHOTOS

 

JOHN HOWELL FOR BOOKS

 

S. HOWLETT-WEST BOOKS

 

IMPERIAL FINE BOOKS

 

JAMES S. JAFFE RARE BOOKS

 

JOHNSON RARE BOOKS & ARCHIVES

 

 

KAATERSKILL BOOKS

 

SETH KALLER, INC.

 

JOHN KEHOE BOOKSELLER

 

KEVIN F.  KELLY, BOOKSELLER

 

KELMSCOTT BOOKSHOP

 

Featured item:

 

Victorian Trade Cards (in Binder)
Victorian Trade Cards
A charming collection of Victorian lithographic trade cards and illustrations of various sizes and shapes. Trade cards were a popular advertising device in the mid to late 19th century. This collection of about 130 items was compiled by someone who thought it fitting to trim some of the cards to feature a particular image from them, leaving incomplete text. Most if the items, however, are intact. They comprise cards, a few postcards, and other illustrations that, where identified, come from east coast locations such as Providence RI, Springfield MA, and New York state. The items are in good to very good condition. They are housed in 30 plastic sleeves inserted into a modern three-ring binder. Size: about 8.5 x 11 inches. Very Good. 

Offered by Kelmscott Bookshop, and featured in their recent catalog "Scrapbooks, Albums, and More." (Item  #2.)

 

BEN KINMONT, BOOKSELLER

  • Books and Manuscripts in Gastronomy, 1556-1943 (Recent Acquisitions) -- available on request from bkinmont@gmail.com  *New* 

 

 ERIC CHAIM KLINE BOOKSELLER

 

JOHN W. KNOTT, JR., BOOKSELLER

 

KUBIK FINE BOOKS, LTD.

  • Catalog #74: 100 Rare Books -- with an emphasis on history and military affairs. Please request from mail@kubikbooks.com...

 

KUENZIG BOOKS

 

MICHAEL LAIRD RARE BOOK & MANUSCRIPTS

 

LANGDON MANOR BOOKS

 

ANDREW LANGER, BOOKSELLER

 

THE LAWBOOK EXCHANGE, LTD.

 

DAVID M. LESSER, FINE ANTIQUARIAN BOOKS

 

LIBER ANTIQUUS, EARLY PRINTED BOOKS & MANUSCRIPTS

 

LIGHTHOUSE BOOKS

 

LITTLE SAGES BOOKS

 

KEN LOPEZ BOOKSELLER 

 

J. & J. LUBRANO MUSIC ANTIQUARIANS

 

LUX MENTIS BOOKSELLERS

 

Featured item:

 

Rock Against Racism (Australian Poster).

Rock Against Racism

Carlton, Australia, nd [circa 1976]. First Printing. Light edge were, small tear/loss on the right edge, else bright and clean. Screenprinted in black and pink ink. Approx. 20x29.5" Very Good. 

"Nazis Are No Fun" "Smash the National Front." Rock Against Racism came into being in response to several well known musicians [looking at you Bowie] said some reasonably horrible things and really catalyzed when Eric Clapton "made a drunken declaration of support for former Conservative minister Enoch Powell (known for his antiimmigration Rivers of Blood speech) at a concert in Birmingham. Clapton told the crowd that England had "become overcrowded" and that they should vote for Powell to stop Britain from becoming "a black colony". He also told the audience that Britain should "get the foreigners out, get the wogs out, get the coons out", and then he repeatedly shouted the National Front slogan "Keep Britain White"." No known copy of this poster in any institutional collection. A remarkable find. 

Offered by Lux Mentis, and featured in their latest catalog Punk, Anarcho, & Counter Culture (item #20).

 

MAC DONNELL RARE BOOKS

  • List of 77 Mark Twain First Editions and Ephemera available by request from info@macdonnellrarebooks.com (specify elist or paper copy). 

 

MAIN STREET FINE BOOKS & MANUSCRIPTS

 

KENNITH MALLORY, BOOKSELLER

 

JEFFREY D. MANCEVICE, INC.

 

MANHATTAN RARE BOOK COMPANY

 

MARGOLIS & MOSS

 

E.M. MAURICE BOOKS

 

BRUCE MCKITTRICK RARE BOOKS, INC.

 

MUSINSKY RARE BOOKS

 

MYSTERY PIER BOOKS

 

NUDELMAN RARE BOOKS

 

OAK KNOLL BOOKS

 

OLD FLORIDA BOOKSHOP

 

OLD IMPRINTS

 

Featured item:

 

A Disaster which may Follow the Present Activity in Wall Street - Will the Speculator Destroy the Pillars of Confidence and Prosperity On Which the American Nation New Rests?" in Saturday Globe newspaper.

Saturday Globe

An eight page heavily illustrated newspaper, sheet size 22 1/2 x 17 1/4 inches. 7 1/2 x 10 3/4 inch color political cartoon on front page. It depicts a ferocious Wall Street "Speculator" destroying the pillars of "Confidence" and "Prosperity" supporting a heavy cross-beam identified as "The American Nation." Beneath the image, text reads: "A Disaster which may Follow the Present Activity in Wall Street." A striking image; forever timely. Overall good clean condition. Saturday Globe. Utica, New York. 02-04- 1899. The Globe began life in 1881 and became so successful that in the 1890s thirty-three separate editions of the newspaper were printed to service different parts of the country. This copy of the newspaper is in very good condition, and contains numerous articles that, surprisingly, retain their interest. 

Offered by Old Imprints, and featured in their new catalog A Magazine's Eye View of the 20th Century (item #1). This item is not listed on abaa.org.

 

OLD WEST BOOKS

 

MICHAEL J. OSBORNE BOOKS

 

PALINURUS ANTIQUARIAN BOOKS

 

PARIGI BOOKS

 

 R & A PETRILLA, ANTIQUARIAN BOOKSELLERS 

 

PHILADELPHIA RARE BOOKS & MANUSCRIPTS

 

PHILLIP J. PIRAGES FINE BOOKS & MEDIEVAL MANUSCRIPTS

 

EDWARD T. POLLACK FINE ARTS

 

QUILL & BRUSH

 

THE RAAB COLLECTION

 

RABELAIS BOOKS ON FOOD & DRINK

 

Featured item:


The Frugal Housekeeper's Kitchen Companion, or Guide to Economical Cooking containing Instructions in the art of cooking every kind of meats and vegetables, and in making plain and fancy cakes, puddings, pastry, confectionery, ice creams, jellies, and other delicacies

by Eliza Ann Wheeler

Kitchen Companion

Dedicated to those American housewives who are not ashamed of economy. New-York: Published by H. Phelps & Co., 124 Nassau Street, 1847. Octavo ( x cm.), [3], 4-96 pages. Illustrated. Appendix. Table of contents. Publisher's advertisements.  

FIRST EDITION. This small recipe collection was issued several times by various publishers through 1874, including a Toronto printing (1874) by James Spencer. Illustrated with carving instructions and one image of a rooster at dawn. Some light foxing and dampstaining throughout; corners bumped and some pages with short dog ears. Still remarkably sound and legible. In publishers decorated wrappers, printed in blue and red. A good copy. The wrappers are edgeworn and the entire work is whole-punched in the upper left, with a short loop of cord for hanging. A single slip of blue paper with a manuscript recipe, "Recipe for Sponge Cake", pinned to the title page. A handsome addition, and with an attribution on the verso, "Mrs. Lamb". Rare.  
 
(OCLC locates seven copies of this first issue (and one copy of an 1847 printing issued by Ensign, Bridgeman, & Fanning); Lowenstein 412; compare Bitting, page 492).
 

Offered by Rabelais Books on Food & Drink, and featured in their new list Fresh Arrivals: No. 67 (item #1).

 

RAPTIS RARE BOOKS

 

RICHARD C. RAMER, OLD & RARE BOOKS  

 

READ'EM AGAIN BOOKS

 

WILLIAM REESE COMPANY

 

L&T RESPESS BOOKS

 

B&L ROOTENBERG RARE BOOKS & MANUSCRIPTS

 

Featured item:

 

JACOB, Octave. Iconographie du Musée du Val-de-Grâce, publiée sous la direction de O. Jacob, par les docteurs Lannou, Latarjet, Lefort, Henri Martin, Pascal, Perret, H. de Rotschild. Préface de m. Justin Godart.

Iconographie du Musee du Val-de-Grace (WWI Medicine)

Paris: Editions Scientifiques – Aristide Quillet, c. 1918. Folio. With 250 plates of photographic illustrations, many in full color. In 25 fascicules as issued.

First edition of this incredibly rare complete series of the Iconographie du Musée du Val-de-Grâce. The fascicules were issued immediately following the conclusion of War World I in 1918 and offer an in-depth look into how physicians adapted to treat the horrific injuries that soldiers sustained in the first truly modern war. Each figure has an explanation of the injury, information about the deceased and the doctor who initially made the observations. 

Offered by B&L Rootenberg, and featured in their catalog, History of Medicine (item #24). This item is not listed on abaa.org.

 

 

BARRY LAWRENCE RUDERMAN ANTIQUE MAPS, INC.

 

RULON-MILLER BOOKS

 

SANCTUARY BOOKS

 

KEN SANDERS RARE BOOKS

 

SAVOY BOOKS

 

E.K. SCHREIBER

 

SCHUBERTIADE MUSIC & ARTS

 

SCHULSON AUTOGRAPHS

 

SCIENTIA BOOKS

 

GARRETT SCOTT, BOOKSELLER

 

SECOND LIFE BOOKS

 

SECOND STORY BOOKS

 

MARC SELVAGGIO, BOOKS & EPHEMERA

 

ED SMITH BOOKS

 

TAMINO AUTOGRAPHS

 

 TAVISTOCK BOOKS

 

TEN POUND ISLAND BOOK COMPANY

 

MICHAEL R. THOMPSON RARE BOOKS

 

THORN BOOKS

 

TOMBERG RARE BOOKS

 

Featured item:

 

INTERNATIONAL LADIES' GARMENT WORKERS' UNION
Signature of 450,000: This publication is a presentation of the 65th Anniversary Convention of the International Ladies' Garment Workers' Union, Miami Beach, Florida, May 1965.

ILGWU Animation
New York: ILGWU, 1965. 64 pages. Compilation of photographs that tell the history of the ILGWU to commemorate the union's 65th anniversary. Original union receipt, showing purchase of this book, tipped in. Side-stapled with tanning to edges of back cover. Mild wear to front cover with a minute crease to the edge of the right upper corner; lower right corned and pages slightly creased as well, not effecting text. Circular stain on the letter "u" of title, not effecting readability, else very good.

Offered by Tomberg Rare Books, featured in E-list #20 (item #11). This item is not listed on abaa.org.

 

TRIOLET RARE BOOKS

 

UNIVERSITY ARCHIVES

 

VAMP & TRAMP, BOOKSELLERS

 

THE VEATCHS ARTS OF THE BOOK

 

Featured item:

 

Nine Rare Italian Color Xylographed Papers

Remondini & Rizzi.

Decorated Papers

18th century & later. Full sized, unused sheets. Six of the papers are known or presumed to have been printed by the Remondini factory. Three are later printings by Rizzi from the original Remondini blocks and bear the Stampa Remondiniani PESP blindstamp. Most in very good condition. The stars of the group are a matched pair (each 16 x 13 inches): Remondini's view of Venice surround by a large bouquet on a blue diaper pattern background, along with its Rizzi recreation. There are 3 Remondini bookbinding papers (17 1/2 x 14 1/2). Two sheets of Remondini wall paper (21 1/2 x 17 1/2). These have some fraying and are in good condition. There are 2 more Rizzi PESP recreations of binding papers. 

Full, unused papers such as these are rare. The papers were printed on a hand press, using vegetable dyes (probably in paste, rather than ink) on wood blocks; sometimes with copper pins or strips mounted on them for tiny details. A different block was cut for each design and for each color. The papers were typically stored folded in half. When a paper has two identical images with a narrow space between, it was meant to be cut in half.

Remondini, establishing his printshop in Bassano in 1649, was soon renowned for his wood block and copper prints and block-printed papers. He dominated the c18 market, employing a thousand persons, with 38 printing presses, a paper mill, die foundry, and a trade school of woodcarving. When the firm closed in 1861, about a thousand of the old blocks were rescued by a group of 4 enthusiasts: Pasoli, Esengrini, Suardi, and Ponti (hence the P E S P stamp). They granted Giuseppe Rizzi of Varese a license to print them—if he used the original methods. The last Rizzi died in 1939. As part of the nobles’ bequest some 400 remaining woodblocks were given to the Museo Civico in Bassano.

Offered by The Veatchs Arts of the Book, and featured in Remondini & Rizzi Decorated Papers. This item is not listed on abaa.org.

 

WALKABOUT BOOKS

 

JEFF WEBER RARE BOOKS

 

Featured Item:

 

KOPAL, Zdenek (1914-1993); Robert W. CARDER. Mapping of the Moon; past and present. 

Lunar Chart

Drodrecht-Holland & Boston: D. Reidel, 1974. Series: Astrophysics and Space Science Library, vol. 50. 8vo. viii, 237, [3] pp. Illustrated (3 plates are folding), index. Gray cloth with blue printed lettering. Ownership signature of John Westfall. ISBN: 9027703981 First edition. Important work. Includes a history of lunar mapping 1600-1960.

"Kopal was born and grew up in Litomyšl (Czechoslovakia, now Czech Republic). In his early astronomical career, he studied variable stars and in particular close eclipsing binary stars. He attended Cambridge University in 1938 and later that year he went to Harvard College Observatory. After the war he became head of the astronomy department at the University of Manchester. He later assisted NASA with the Apollo program as an external expert. He was Editor-in-Chief of the journal Astrophysics and Space Science since its foundation in 1968 until his death in 1993." (Wikipedia)

Offered by Jeff Weber Rare Books, and featured in their Catalog 215 (item #28).

 

 

ADAM WEINBERGER RARE BOOKS

 

WHITMORE RARE BOOKS

 

Featured item:

Alice’s Adventures in Wonderland

by Lewis Carroll

Alice

London: Macmillan & Co., 1866. Second (first published) edition. The book that forever changed the face of children’s literature. In the original publisher’s red, gilt-stamped cloth, gilt edges, light blue end papers, Burn & Co. binder’s ticket on lower pastedown. A Very Good copy, recased, preserving the original spine. Minor spotting and soiling to the cloth. Contemporary owner’s signature on the front end paper. Early issue with the inverted “S” on the last line of the contents page. Housed in a custom clamshell case.

Cleverly crafted by Oxford don Charles Dodgson under the pen name Lewis Carroll, Alice’s Adventures in Wonderland remains one of the most influential pieces of children’s literature ever written. The book has been published in more than 112 languages and defined the popular “nonsense” genre of writing in the 19th century. While teaching mathematics and living at Christ Church College, Dodgson developed a close friendship with the daughters of the college dean and told them tales of Wonderland. Alice, ten years of age at the time, begged Dodgson to write them down and soon after the story took shape.

While the original manuscript given to Alice, which was hand written and illustrated by Dodgson, remains with the British Library, Dodgson published the story in 1865 with accompanying illustrations by John Tenniel. The first 2,000 copies were not distributed because Tenniel was dissatisfied with the print quality. Macmillan quickly reprinted the book using this 1866 title page, with copies available as early as November 1865, making this the first “published” edition available for purchase at bookstores. The 2,000 unbound sheets that were rejected by Tenniel were sent to the U.S. publisher, Appleton & Co., who bought the rights and used them as the first U.S. edition approximately six months later in 1866. Very Good.

Offered by Whitmore Rare Books and featured in "Catalog 19" (item #10).

 

JOHN WINDLE ANTIQUARIAN BOOKSELLER

 

CHARLES B. WOOD, BOOKSELLER

 

WOODBURN BOOKS

 

YESTERDAY'S MUSE BOOKS

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Remember, you can always browse and download the latest catalogs published by ABAA members on ABAA.org by visiting the following link: https://www.abaa.org/catalog/... (You can also access this page by selecting 'Booksellers' from the top menu, scroll to the bottom of the page to 'Member Catalogs', and click on 'View All'.)

 

Photo credit: Various items from Old Imprints' new catalog, A Magazine's Eye View of the 20th Century.


 

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Atlas Missing from Chicago Map Fair

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Becker, George F. Atlas to Accompany the Monograph on the Geology of the Comstock Lode and the Washoe District. Washington: Government Printing Office, 1882. First edition. 21 sheets. Elephant Folio [51.5 cm] Very good. Small paper label on backstrip and front board. Contents clean and complete. This is the atlas to accompany the third monograph from the USGS. [55720]

If offered, please contact:

Ken Sanders Rare Books, ABAA at (801) 521-3819 or www.kensandersbooks.com.

Books of the Week

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Our members list new acquisitions and recently catalogued items almost every day of the year. Below, you'll find a few highlights from these recent additions...

 

Canterbury Tales 

by Geoffrey Chaucer

Canterbury Tales Animation

With Wood Engravings by Eric Gill [GOLDEN COCKEREL PRESS]. CHAUCER, Geoffrey. The Canterbury Tales. With wood engravings by Eric Gill. Waltham Saint Lawrence in Berkshire: Printed and published at the Golden Cockerel Press, 1929-1931. One of 485 numbered copies on Batchelor handmade paper, out of a total edition of 500 copies. Stated "File Copy" on colophon page, in lieu of a limitation number. Four folio volumes 12 x 7 1/2 inches; 307 x 190 mm). One full-page illustration, twenty-nine half-page illustrations, 269 decorative borders, tail-pieces, and line-fillers, and sixty-one initial letters (printed in black, red, or blue), all engraved on wood by Eric Gill. Bound by Sangorski & Sutcliffe in quarter niger morocco over patterned boards. Gilt-lettered spine with raised bands. Top edge gilt, others uncut. Spines lightly sunned to different degrees. A few very tiny chips to spines. Tips slightly bumped and with some rubbing. Housed in a morocco-tipped cloth slipcase.

Overall a handsome and desirable set which shows very well and the text is very clean. Most of the borders are leaf and stem, but among the leaves, hiding or beckoning, climbing or leaning out, are girls and men, kings and boys, priests and nuns who take part or seem to be commenting upon the stories...the pattern continues, affectionate and cheeky, erotic, enjoyable and relevant, decorative and explanatory, a balance of taste and eye. Borders are repeated, sometimes in new combinations. To start a new tale we have more elaborate and descriptive work with a red or blue initial letter...There they are, the characters in the tale, with their stage scenery...One other quality in these borders should be noticedótheir mannerism, the distortion of human figures sometimes so that they almost share the forms of leaf and stemóand sometimes grow from them. It is another, rather touching aspect of Gillís idea and all these manners work towards a single artóthe poetry, people, leaves, decoration and explanation. Author, artist and printer have shared one concept and expressed itî (Colin Franklin, The Private Presses, pp. 143-144). Chanticleer 63. Gill 281. HBS 68192.

Offered by Heritiage Book Shop.

 

The Ristigouche and Its Salmon Fishing. With a Chapter on Angling Literature

by Dean Sage

The Ristigouche and its Salmon FIshing

Edinburgh: David Douglas, 1888. First edition, Number 88 of 105 copies. Aquatint title page partly printed in red after G. Reid by Annan and Swan, aquatint frontispiece after Reid by Annan and Swan, 16 etched plates after and by Stephen Parrish, Mrs. A.L. Merritt, C.A. Platt, H. Sandham, and others on japan paper, 63 etched, engraved, and wood-engraved headpieces, tailpieces, historiated initials, vignettes, and other ornaments after and by Merritt, Platt, J. Adam, and others, double-page lithographed map after and by J. Bartholomew on japan paper. 1 vols. Folio. Original olive green cloth with salmon and osprey design on upper cover, decorative endpapers. 

Some slight toning of spine, occasional spotting throughout, else fine. In custom green half morocco slipcase and chemise. First edition, Number 88 of 105 copies. Aquatint title page partly printed in red after G. Reid by Annan and Swan, aquatint frontispiece after Reid by Annan and Swan, 16 etched plates after and by Stephen Parrish, Mrs. A.L. Merritt, C.A. Platt, H. Sandham, and others on japan paper, 63 etched, engraved, and wood-engraved headpieces, tailpieces, historiated initials, vignettes, and other ornaments after and by Merritt, Platt, J. Adam, and others, double-page lithographed map after and by J. Bartholomew on japan paper. 1 vols. Folio. Family Copy, Inscribed to His Son. A book of almost legendary beauty, rarity, and importance, recounting the author's adventures at Camp Harmony on the Restigouche River in New Brunswick, and drawing upon his long experience fishing the river.

Dean Sage's contributions to angling literature are few in number but profoundly influential: "Ten Days' Sport on Salmon Rivers", published in the Atlantic in 1875, is a classic account. His library catalogue (2 vols.,1896, 1904) remains an important document in the history of angling bibliography and collecting. Sage's section on "The Atlantic Salmon," in Salmon and Trout (1902), is a synthesis of his own first hand knowledge as a fisherman and his assessment of the extensive literature. The Ristigouche and Its Salmon Fishing remains the work for which Sage is best known. A family copy of one of the pinnacles of nineteenth-century angling literature, inscribed to the author's son: "Henry M. Sage from D. Sage Nov 1896" Heckscher sale (1909) lot 1681 ($180.00); Catalogue de la bibliothèque de pêche de M.G. Albert Petit (1921), no. 1861; Phillips p. 328; Gee, Sportsman's Library p. 100; Sherwin sale (1946) lot 428; Wetzel p. 206; Bruns S4; Litchfield p. 58; Hampton (2008) p. 245; Bibliotheca Salmo Salar 117; Heller 2:469; not in Lande. Provenance: Henry M. Sage, with his bookplate.

Offered by James Cummins, Bookseller. 

 

Oriental Ceramic Art Illustrated by Examples from the Collection of W. T. Walters

by BUSHELL, STEPHEN W. 

Ceramics Animation
New York: D. Appleton, 1897. Limited to 500 (likely less). Hardbound. VG++ Ex art museum library set never used. An extremely fine set of this monumental work (22" x 17"), preserved in the original five woolen, silk and ivory chemises (each cover woven with two characters, Tao Shuo, 'Ceramics Records'), Grouped in pairs within these 5 covers, the books themselves bound with yellow paper, each with a descending dragon painted with green and red, and highlighted with gilt, below the title, 'Oriental Ceramic Art', and above 'Collection of W.T. Walters', followed by the section number (front cover) or a centered squarish image of a elongated vase with ornatesurrounding design (rear cover), the spines enforced with yellow silk. viii+429 pp with 116 mounted color plates each with textual tissue guards and 411 text illus. Etched frontispiece portrait. Separate (and much smaller) text volume: S. W. Bushell, Oriental ceramic art, 4to, original red cloth, xiii+1+942 pp. no illustrations (but with a previous owner paper label at base of spine, Top edge gilt).

As important as it is in the literature of oriental ceramics (important text by Bushell about Asian Ceramics, focusing primarily on Chinese imperial and export wares), the major importance of this great work is in the field of American chromolithography. It was the greatest test of Prang's skill as a lithographer. Katharine McClinton writes (in The Chromolithographs of Louis Prang); Three artists, including James Callowhill, worked for seven years producing paintings of the porcelains from which the color lithographs were made. Each plate required from twenty to forty-four separate stones." An excerpt from the introduction to this set further exclaims "The plates in color with which this work is illustrated were made by Louis Prang, of Boston. The work of every European house of importance was examined before Mr. Prang was asked to make lithographs of three pieces of porcelain of different colors - his immediate success determined the question, and when two years later some twenty of the plates were shown to French lithographers in Paris, their criticism was that the impressions had been fortified by color from the brush; they could not believe that work of such excellence could be produced by simple lithography. This very satisfactory opinion has been since confirmed by many lithographers, and it is conceded that these plates represent the highest type of work that has been produced in that branch of art." It is unknown how many sets were printed. As with the limited editions of privately published books on jades by Heber Bishop, dated 1906, the majority of Oriental Ceramic Art books were presumably given to major institutions, heads of state and friends of the collector.

This set is comprised of ten volumes of bound sheets. The sheets are each individually bound with cloth or silk tape to the bound edge of a short piece of paper, insuring a smooth and luxurious experience when opening the book and passing the pages from right to left. I have also seen this publication issued in ten parts which were comprised of loose sheets inserted into a portfolio of similar cover design as this set. These editions appear to have an orange binding tape along the bound edge of the boards, as well as folding flaps to keep the sheets within the covers.

The books record ceramics from the collection of William Thompson Walters (1820-1894) who was a celebrated devotee of art. William Walters was appointed Art Commissioner from the United States to the Paris Exposition Universelle of 1867 and 1878, and to the Vienna exposition in 1873. The text is written by Stephen Wootton Bushell (1844-1908), a physician to the British legation in Beijing whose writings made him one of the most important foreigners in promoting the understanding of Chinese ceramics in the Victorian period. In 1883, he was appointed by the Victoria and Albert Museum to buy Chinese ceramics, and in total Bushell purchased 240 pieces for the museum. In 1889, William Walters commissioned Louis Prang & Co., the foremost practitioners of the art of chromolithography, to reproduce choice examples of Chinese porcelain from his extensive collection. Chromolithography, now called color lithography, is a printmaking technique that uses a separate stone for each layer of color needed to produce the finished print. Prang's artisans engaged in the painstaking work of recording every detail of Walters' vases to produce richly colored lithographs that faithfully captured the surface and color of each ceramic piece. The production of the book took nearly sixteen years and brought together some of the nation's finest artists and craftspeople. The resulting publication, Oriental Ceramic Art by Dr. Stephen W. Bushell, was both a catalog of the collection and a work of art unto itself. When the book was released it immediately set a new standard for both the understanding of East Asian ceramics and for the art collection catalogue. To this day it remains a monument of great importance in the history of chromolithography and documents the foundation of one of America's greatest collections of Asian porcelain.

Offered by Mullen Books.

 

“No Nation is Drunken where Wine is Cheap”: Jefferson’s Famous Letter on Government and Wine

by Thomas Jefferson

Thomas Jefferson Letter

The retired founding father offers thoughts on the political economy of wine importation and foretells the future stability and prosperity of France after Napoleon. "…her constitution, as now amended, gives as much of self-government as perhaps she can yet bear… No nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage."

Autograph Letter Signed, to the Baron Hyde de Neville, December 13, 1818, Monticello. 2 pp., 7⅞ x 9⅝ in.


Complete Transcript:

Monticello Dec. 13. 18.

I thank your Excellency for the notice, with which your letter favors me, of the liberation of France from the occupation of the Allied powers. To no one, not a native, will it give more pleasure. in the desolation of Europe to gratify the atrocious caprices of Bonaparte, France sinned much: but she has suffered more than retaliation. once relieved from the Incubus of her late oppression, she will rise like a giant from her slumbers. her soil and climate, her arts and eminent science, her central position and free constitution, will soon make her greater than she ever was. and I am a false prophet if she does not, at some future day, remind of her sufferings those who have inflicted them the most eagerly. I hope however she will be quiet for the present, and risk no new troubles. her constitution, as now amended, gives as much of self-government as perhaps she can yet bear, and will give more when the habits of order shall have prepared her to receive more. besides the gratitude which every American owes her, as our sole ally during the war of independence, I am additionally affectioned by the friendships I contracted there, by the good dispositions I witnessed, and by the courtesies I received.

I rejoice, as a Moralist, at the prospect of a reduction of the duties on wine, by our national legislature. it is an error to view a tax on that liquor as merely a tax on the rich. it is a prohibition of it's use to the midling class of our citizens, and a condemnation of them to the poison of whisky, which is desolating their houses. no nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage. it is in truth the only antidote to the bane of whisky. fix but the duty [2] at the rate of other merchandise, and we can drink wine here as cheaply as we do grog: and who will not prefer it? it's extended use will carry health and comfort to a much enlarged circle. every one in easy circumstances (as the bulk of our citizens are) will prefer it to the poison to which they are now driven by their government. and the treasury itself will find that a penny apiece from a dozen is more than a groat from a single one. this reformation however will require time. our merchants know nothing of the infinite variety of cheap and good wines to be had in Europe; and particularly in France, in Italy, and the Graecian islands: as they know little also of the variety of excellent manufactures and comforts to be had any where out of England. nor will these things be known, nor of course called for here, until the native merchants of those countries, to whom they are known, shall bring them forward, exhibit & send them at the moderate profits they can afford. this alone will procure them familiarity with us, and the preference they merit in competition with corresponding articles now in use.

Our family renews with pleasure their recollections of your kind visit to Monticello, and joins me in tendering sincere assurances of the gratification it afforded us, and of our great esteem & respectful consideration

Th: Jefferson

Historical Background

Jefferson imported both wines and grape vines for cultivation from Europe. His cellar had vintages from France, Italy, Spain, Greece, Portugal, Hungary, and Germany, and he advised other chief executives on the best wines to serve at federal functions. He concludes his letter to Baron de Neuville by recalling the pleasure of their last visit together; an event at which fine wine was undoubtedly served: "Our family renews with pleasure their recollections of your kind visit to Monticello, and joins me in tendering sincere assurances of the gratification it afforded us, and of our great esteem & respectful consideration."

Rather than a letter on prohibition, Jefferson actually extols the virtues of moderation, putting forth the idea that the consumption of wine is much more salubrious than whiskey drinking. "No nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage." Although the subject of Jefferson's letter may seem to change abruptly, he had in fact already mentioned France's "soil and climate" as two of her great gifts, and the topic of wine duties was an appropriate one to discuss with the French minister. Madigan was projecting his own hostility to the eighteenth amendment when he described this letter as setting forth Jefferson's "views on the prohibition question." It is actually a carefully reasoned tribute to the health and economic benefits of wine, and one of longest passages on oenology by America's first great wine connoisseur. John Hailman's book, Thomas Jefferson on Wine (University Press of Mississippi, 2006), notes that "One of Jefferson's favorite topics in later life was how wine promoted sobriety," to which end he lobbied President Monroe and Treasury Secretary Alexander Dallas to lower import duties on French wine. Hailman cites a brief extract from this letter, lauding it because "it has so many quotable passages" (pp. 353–54).

An extraordinary and revealing letter, beginning with a warm encomium to France, "our sole ally during the war of independence," at the conclusion of the Napoleonic Wars. Jefferson, in contrast, reveals his longstanding antipathy to England and discomfiture at America's dependence on trade with England.

Provenance

Helen Fahnestock Hubbard (Parke-Bernet, March 27, 1956, lot 63). While the recipient of this letter is not indicated, the manuscript was purchased about 1930 by Thomas Madigan, who reveals in Word Shadows of the Great
that "Among the papers of Baron de Neuville, French Minister to the United States … I came across a letter of Thomas Jefferson in which the great democrat set forth his views on the prohibition question."

Offered by Seth Kaller, Inc.

 

O TO BE A DRAGON

by Marianne Moore

O Top Be a Dragon, Marianne Moore

New York: Viking Press, 1959. 1st edition, cloth, with printed dust jacket. A presentation copy, inscribed to Holly Stevens, the daughter of poet Wallace Stevens. The inscription reads: "Mine originally, Holly, since / it had an unintentional stripe / on the jacket that was there to / stay -- (now a dragon): yours / from a complimented author / pleased that you want it / Marianne / Sept 17, 1959" in black fountain pen ink on the FEP. The date is the publication date of the title, and Moore has additionally dated the copyright page "September 17" in her hand.

In typical Moore whimsy, the poet has created a drawing of a dragon on the dust jacket front cover, incorporating the "unintentional stripe" referred to in her inscription, and has titled the drawing "Dragon attacked by gnat" using the same black fountain pen ink as the inscription. A letter of provenance from the son of Holly Stevens is laid in. (Abbott A17.1.) Minimal sunning to jacket, else a fine representation of a remarkable association copy.

Offered by Jett W. Whitehead Rare Books.

 

A Game of Thrones (Advance Reading Copy)

by George R.R. Martin

A Game of Thrones

New York: Bantam Books, 1996. First Edition. Wraps. Very good/very good. 8vo. Original wraps in dust jacket. ADVANCE READING COPY (stated). Very good overall. Mild touches of curling and trivial small tears at edges of jacket. Pages lightly toned. Else sound and clean. 663pp. 

Scarce ARC of this Locus-winning first title in Martin's Song of Fire and Ice series, the basis for the wildly popular show.

Offered by Brian Cassidy, Bookseller.

 

Slouching Towards Bethlehem (Signed, First Edition)

by Joan Didion

Slouching Towards Bethlehem

New York: Farrar, Straus and Giroux, 1968. First edition of what many consider her magnum opus. Octavo, original half cloth. Boldly signed by Joan Didion on the title page. Near fine in a near fine dust jacket with light wear. Jacket design by Lawrence Ratzkin. A very nice example. Upon its publication in 1968, Slouching Towards Bethlehem confirmed Joan Didion as one of the most prominent writers on the literary scene. "In her portraits of people," The New York Times Book Review wrote, "Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naïve acid-trippers, left-wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful. . . . A rare display of some of the best prose written today in this country."

Offered by Raptis Rare Books.

 

LaRose (Signed, First Edition)

by Louise Erdrich

LaRose

NY: Harper, 2016. First edition, first prnt. Signed by Erdrich on the title page. Additionally, a facsimile of two ms pages with Erdrich's revisions printed on both sides of an illustrated broadside on heavy card stock is laid-in. Also laid-in is an illustrated bookmark from Birchbark Books, Erdrich's Minneapolis bookshop. Upon publication of the book, Birchbark sold an unspecified number of signed copies with the facsimile ms pages. Unread copy in Fine condition in a Fine dustjacket with an archival cover.. Signed by Author. First Edition. Hardcovers. 8vo - over 7¾" - 9¾" tall.

Offered by Revere Books.

 

Go Tell it on the Mountain

by James Baldwin

Go Tell It On the Mountain

A near fine first edition (so stated on the copyright page) in a near fine dust jacket. Previous owner's signature on the rear pastedown. Housed in a custom-made collector's slipcase. 

Offered by Bookbid.


 

"Billy" Sunday: The Man and His Message

by William T. Ellis 

Billy Sunday

Philadelphia: John C. Winston, 1914. Hardcover. Near Fine/Very Good. First edition. A little foxing on the endpaper, near fine in a near very good dustwrapper, with several modest chips at the extremities. Biography of the baseball player turned evangelist. A cheaply produced and relatively common volume, but rare in jacket.

Offered by Between the Covers Rare Books.

 

View all new listings on abaa.org...

Browse recent catalogs of rare books and print ephemera from ABAA members...

 

Please note, all items are unique, so if a link takes you to a blank page, the book has been sold! 

 


 

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New Members

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Meet the latest members of the Antiquarian Booksellers' Association of America.

 

New Members

 

Lillian Fraker, Savoy Books (Lanesboro, MA)

Lillian FrakerLillian Fraker was born in New York, grew up in Westchester County and met her husband-to-be, Robert Fraker in college. In 1971 they settled in a rural town in Massachusetts’ Berkshires where they started Savoy Books, later moving home and business to Lanesboro, Mass. They kept a general stock of pre-1900 books and paper, specializing in antiquarian horticulture/agriculture, and 19th-century American popular music, and putting together various quirky subject collections -- history of Shorthand, American education, etc.

Savoy Books joined the ABAA under Robert Fraker’s name in 1974, exhibiting in every Boston ABAA book fair since then, and in the 1970s and '80s participating in a few New York and California fairs. When Robert died in 2017, Lillian Fraker applied for ABAA membership under her own name. She still has a medium-sized stock of antiquarian books, pamphlets, broadsides, graphics and other ephemera for sale and is happy to be able to continue her 45-year connection with the ABAA community.
 

Elena Gallego, Elena Gallego Rare Books (San Antonio, TX)

Elena GallegoElena Gallego Rare Books LLC operates from its offices in Madrid and Texas and aims to get professionals, collectors, and lovers of unique artworks closer to the exciting world of the rare books and manuscripts. They specialise in Spanish books, Central and Latin America, and México. Their dedicated and professional team will be happy to share unique pieces for your enjoyment and help you with any question your may have. Their activities started in Spain -- focusing first in the Spanish market -- but given the significant growth of their international customer base, are expanding activities in Europe and USA.

 

Adrienne Kitts, Austin Abbey Rare Books 

Adrienne KittsAdrienne Horowitz Kitts started Austin Abbey Rare Books in 2014, and after attending CABS in 2015, began exhibiting at book fairs and selling online. From an early age, she had been a reader and book collector, and in college began collecting revolutionary Americana – now one of her specialties – after some incredibly interesting courses in American history. Twenty years ago, Adrienne saw her first late 19th-century decorated cloth binding and was completely smitten. She became fascinated with the power of book design and how it could affect a reader’s perception of a story or narrative. This study holds such fascination that she has named her business for Edwin Austin Abbey, the first American artist designer of book covers to receive wide-spread acclaim for his work.

Adrienne’s twenty years as a research scientist and science writer/editor gave her the passion to look beneath the surface to find truth; she continues to use this passion everyday to determine the physical history as well as the literary and artistic truth in the books, manuscripts, and ephemera she sells.

 

John M. Leger, Le Bookiniste (Hopewell, NJ)

John LegerJohn Leger became a bookseller in 2014 after working for more than three decades as an editor and reporter for The Wall Street Journal. His specialties are poetry, art, theatre, and radicalism, although he occasionally dabbles in Modern Firsts and French literature. The company name, Le Bookiniste, is an Anglicized spelling of bouquiniste: someone who sells books from a green box along the Seine in Paris. While John does not sell from a green box, you can find Le Bookiniste online at www.lebookiniste.com and at book fairs on the East Coast (and in California in 2020). John has opened a retail space devoted to books on art and antiques in Hopewell, New Jersey, a 20-minute drive from the Princeton University campus. 

 

Other new full members:

David Johnson, Pryor-Johnson Rare Books (New York, NY)

Marc Younger, Aleph-Bet Books Inc. (Pound Ridge, NY)

 

 

Reinstatement

 

Robert Gavora, Robert Gavora, Fine and Rare Books (Talent, OR)

Robert Gavora became a member of the ABAA in the late 1980s, and remained one until last year, when he resigned intending to, in his words, "slow down." The life of an antiquarian bookseller is not so easily abandoned, however, and he has now been reinstated as an active member of the ABAA. In 2011, Robert recorded this interview with Taylor Bowie:

 

Associate Members

 

Eric Albritton, Ed’s Editions (West Columbia, SC)

Eric AlbrittonEric Albritton is 39 years old and has been a bookseller for approximately 12 of those years. Before joining his father in the book trade, Eric was the Program Director for a foreign exchange organization in China, living there for several years before deciding to return home. Born in Gainesville FL, he now calls Columbia, South Carolina home. Although selling books wasn’t the original plan for Eric's life, it has now become his career and he enjoys it every-day. In his spare time, Eric like to cook, camp, and travel --and especially enjoys book-scouting while traveling. Becoming an associate member of ABAA has been something Eric has looked forward to doing for years, and he feels very honored to have finally reached this goal. 

 

Susan Knott, John W. Knott, Jr., Bookseller (Laurel, MD)

Susan KnottIn 2017, Susan Knott retired from teaching high school full time, where she spent the last 15 years teaching video production. Over the years Susan assisted her husband, John Knott, on a regular basis in various areas of the book business, including working the booth at numerous ABAA and local book fairs, packing and shipping books, jacketing books, and various marketing efforts (such as preparing catalogs and creating promotional materials). In 2017, Susan attended CABS, where she was able to focus on learning about areas of the book business that she had not been involved with before, such as cataloging and purchasing books. Since her retirement, Susan has been able to work with John on a full time basis and is pleased to get to know many members of the ABAA.   

 

Madison Rootenberg Schwartz, B & L Rootenberg Rare Books & Manuscripts (Sherman Oaks, CA)

Madison Rootenberg SchwatrzMadison Rootenberg Schwartz is a proud third generation book dealer for Rootenberg Rare Books and Manuscripts. Born and raised in Los Angeles, she now lives in Durham, NC, and is the east coast branch of the business. Having grown up running around the aisles of Antiquarian Book Fairs, Madison says it feels like a home-coming to be a full-time book dealer. Her personal collection (since she was 7 years old) is books on unicorns, and at this point Madison has over 100 works spanning from the sixteenth century to the twentieth, which she plans to write a bibliography on. Madison is also an animal rights advocate and has two rescued dogs that she her husband spoil. Madison's intention is to introduce the younger generations to the fantastic world of book collecting, and continue her search for books on the natural history of mythical creatures.

 

Other new associate members:

Joe Fay, William Reese Co. (New Haven, CT)

Latest Rare Book Catalogs

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Browse the latest catalogs, newsletters, and e-lists, of rare books, fine bindings, incunabula, print ephemera, and much more from the members of the ABAA below. (Also includes podcasts, blogs posts, and other digital formats.)

 *New*  indicates any catalogs added this week. 

 

AARDVARK BOOKS/EZRA THE BOOKFINDER

 

CHARLES AGVENT

 

ANDERSON BUTLER RARE BOOKS

 

ANTIPODEAN BOOKS, MAPS, PRINTS

 

NICK ARETAKIS

 

ARTISAN BOOKS & BINDERY

 

ATHENA RARE BOOKS

 

AUGER DOWN BOOKS

 

BACK OF BEYOND BOOKS

 

LORNE BAIR RARE BOOKS 

 

W. C. BAKER RARE BOOKS & EPHEMERA

 

BARTLEBY'S BOOKS 

 

BAUMAN RARE BOOKS

 

BAY LEAF USED & RARE BOOKS

 

B&B RARE BOOKS

 

BEASLEY BOOKS

 

STUART BENNETT RARE BOOKS

 

F.A. BERNETT BOOKS

 

BETWEEN THE COVERS, RARE BOOKS

 

BIBLIOCTOPUS

 

BICKERSTAFF'S BOOKS, MAPS, &.

 

ROBIN BLEDSOE BOOKS

 

BLIND HORSE BOOKS

 

BOLERIUM BOOKS

 

THE BOOKPRESS, LTD.

 

BOOKS TELL YOU WHY, INC.

 

BOREAS FINE ART

 

BOSTON BOOK COMPANY

 

BOSTON RARE MAPS, INC.

 

IAN BRABNER, RARE AMERICANA

 

MARILYN BRAITERMAN

 

DAVID BRASS RARE BOOKS

 

BRATTLE BOOK SHOP

 

BRICK ROW BOOKSHOP

 

BROMER BOOKSELLERS

 

BUDDENBROOKS, INC.

 

BURNSIDE RARE BOOKS

 

ANDREW CAHAN, BOOKSELLER, LTD.

 

CAROLINIANA

 

CARPE DIEM FINE BOOKS

 

BRIAN CASSIDY, BOOKSELLER

 

CHURCHILL BOOK COLLECTOR

 

THE COLOPHON BOOK SHOP

 

W.S. COTTER RARE BOOKS

 

ROY CLARE ANTIQUARIAN BOOKS

 

CRAWFORD DOYLE BOOKSELLERS

 

JAMES CUMMINS BOOKSELLER

 

Featured item:

Indispensable Accomplishments (Series of Six Hand Colored Aquatints)

by Robert Frankland

Robert Frankland Aquatint

London: Published June 24th, 1811, by H. Humphrey, No. 27, St. James St, 1811.

First edition. Engraved title leaf with , six hand colored aquatint plates, signed in the plate "R.F. invt et fecit". 1 vols. Oblong 4to. Original (?) plain paper wrappers, stab-stitched, housed in a modern blue morocco slipcase and chemise, by Aquarius. The Alfred Barmore Maclay, Le Vivier (JOHN POYNTON) copy. Tooley 158 (under "Billesdon Coplow"); Siltzer p. 122; Biscotti, Six Centuries of Foxhunting, p. 148; Schwerdt I, pp. 186-187; Schwerdt I, pp. 186-187. Item #311425 

The engraved title leaf comprises four lines of whimsical verse and a paragraph of descriptive text signed "Billesdon Coplow"; the six numbered plates depict incidents of foxhunting: 1) Going along a slapping pace 2) Topping a flight of rails ... 3) Charging an Ox-fence 4) Going in and out clever 5) Facing a Brook 6) Swishing at a rasper.
A classic of English sporting illustration and the inspiration for Alken's Qualified Horses and Unqualified Riders.

Offered by James Cummins, Bookseller, and featured in their "Catalog 140: Sporting."

 

L.W. CURREY, INC.

 

DEWOLFE & WOOD 

 

DIVISION LEAP

 

Featured item:

 

Mystery Box. Never to Be Opened

Ben Vautier

Mystery Box

[Nice, France]: The Artist, 1960-65. 4 x 2 3/4 x 2 1/2" sealed wooden box, painted black, with two printed labels, each bordered in black in the style of a funeral announcement, affixed. Hand-numbered no. 89, with a closing date of 27/12/65.

One of the most potent of the early Fluxus multiples, and perhaps the most effective of his mystery pieces, the Mystery Box raises remarkable questions about the site and nature of the "work" of art, and of the subjectivity of the viewer. The box is in effect a dare to the viewer. Giving the box a gentle shake reveals that something is indeed inside, also making the box a sound performance. Vautier would go on to make additional boxes, but this is the only edition that we've seen that uses the funerary borders for the labels, perhaps giving a clue as to what Vautier expected of the recipient, and of the fate of the work of art - whatever, and of what materiality it might be. Something will be born. A key early Fluxus multiple. 

Some faint toning to the labels, with the tip of one label lifting slightly, else fine. No examples recorded in OCLC, though some digging reveals copies at MOMA, (no. 88), Fondazione Bonotto (no. 65), and within the André Breton collection (no. 61).

Offered by Division Leap, and featured in their new list "Conceptual and Modern Art" (item #19).

 

WEBB DORDICK

  • Catalog #88, Medical Books from the Fifteenth to the Twentieth Centuries -- This catalog is print-only. To request a copy, contact MedBks@aol.com...

 

THOMAS DORN BOOKSELLER

 

JAMES M. DOURGARIAN, BOOKMAN

 

ECLECTIBLES

 

ELK RIVER BOOKS

 

LES ENLUMINURES

 

EUREKA BOOKS

 

EVENING STAR BOOKS

 

Featured item:

National Clearinghouse for Drug Abuse Information. Marihuana; Narcotics; LSD; Sedatives: Some Questions and Answers

Narcotics Pamphlet

Washington DC: U.S. Department of Health, Education, and Welfare Public Health Service, Health Services and Mental Health Administration, National Institute of Mental Health, 1971. 4 pamphlets (each one a folded sheet), pictorial covers. Price of 10 cents ($5.50 per 100 and $6.75 per 100 for Marihuana) on the rear cover of each pamphlet. An occasional hint of foxing and edge wear, overall a beautiful, bright set of pamphlets on illicit drug usage. Each pamphlet is illustrated with psychedelic art on the front covers and in the middle sections, brilliantly reflecting the style of the early 70s. For the sedatives pamphlet, OCLC shows only one holding (at the National Library of Medicine). For each drug discussed, the pamphlets cover the current science on the effects of the drugs, how the drugs interact with the human body, and what the law dictates for possession and distribution of each drug under the Comprehensive Drug Abuse Prevention and Control Act of 1970.

The pamphlets discuss the effects of the drugs on young and expecting users, and they outline the nicknames drug dealers use for each substance. "Marihuana" notably is spelled with an h in the pamphlet offered here, not reflecting the use of the "j" in the spelling of the word to make the drug seem more foreign and therefore frightening ("The Mysterious History of Marijuana", NPR). Issued by the U.S. Department of Health, Education, and Welfare (Public Health Service), which from 1953 until 1979 was a cabinet level office now known as the U.S. Department of Health and Human Services ("A History of the Department of Health, Education, and Welfare", U.S. Government). The Clearinghouse had several publications from 1970 onward throughout the decade ("The Online Books Page", UPenn). A fascinating set of pamphlets that covers the science of the time on these substances, the history of the drugs, the laws surrounding their usage and distribution, and some of the stereotypes associated with the drugs. 

Offered by Evening Star Books, and featured in their "May 2019" list (item #3(.

 

JOSEPH J. FELCONE, INC.

 

ARTHUR FOURNIER FINE & RARE

 

RODGER FRIEDMAN RARE BOOK STUDIO

 

FRANKLIN GILLIAM RARE BOOKS

  • OCCASIONAL LIST 22: A Miscellany: Original Art Work; Small Archive of Major English Watercolourist; Interesting Theatrical Pieces; Manuscript Material, Etc., Etc. -- available on request from fgrare@fgrarebooks.com...

 

GOLDEN LEGEND 

 

THOMAS A. GOLDWASSER RARE BOOKS

 

GOVI RARE BOOKS

 

JAMES GRAY BOOKSELLER

 

RICK GRUNDER-BOOKS

 

DAVID A. HAMILTON AMERICANA BOOKS

 

HARPER'S BOOKS

 

DONALD A. HEALD RARE BOOKS

 

JONATHAN A. HILL, BOOKSELLER, INC.

 

JEFF HIRSCH BOOKS

  • E-list #133 -- 42 New Arrivals: Eikoh Hosoe, Seamus Heaney, Nancy Rexroth, Robert Frank  *New* 
  • E-list #132 -- 42 New Arrivals by John Updike, Mary Oliver, Duane Michals, John Hejduk 

 

HONEY & WAX BOOKSELLERS

 

HOUSE OF MIRTH PHOTOS

 

JOHN HOWELL FOR BOOKS

 

S. HOWLETT-WEST BOOKS

 

IMPERIAL FINE BOOKS

 

JAMES S. JAFFE RARE BOOKS

 

JOHNSON RARE BOOKS & ARCHIVES

 

 

KAATERSKILL BOOKS

 

SETH KALLER, INC.

 

JOHN KEHOE BOOKSELLER

 

KEVIN F.  KELLY, BOOKSELLER

 

KELMSCOTT BOOKSHOP

 

Featured item:

Victorian Trade Cards (in Binder)
Victorian Trade Cards
A charming collection of Victorian lithographic trade cards and illustrations of various sizes and shapes. Trade cards were a popular advertising device in the mid to late 19th century. This collection of about 130 items was compiled by someone who thought it fitting to trim some of the cards to feature a particular image from them, leaving incomplete text. Most if the items, however, are intact. They comprise cards, a few postcards, and other illustrations that, where identified, come from east coast locations such as Providence RI, Springfield MA, and New York state. The items are in good to very good condition. They are housed in 30 plastic sleeves inserted into a modern three-ring binder. Size: about 8.5 x 11 inches. Very Good. 

Offered by Kelmscott Bookshop, and featured in their recent catalog "Scrapbooks, Albums, and More." (Item  #2.)

 

BEN KINMONT, BOOKSELLER

  • Books and Manuscripts in Gastronomy, 1556-1943 (Recent Acquisitions) -- available on request from bkinmont@gmail.com  *New* 

 

 ERIC CHAIM KLINE BOOKSELLER

 

JOHN W. KNOTT, JR., BOOKSELLER

 

KUBIK FINE BOOKS, LTD.

  • Catalog #74: 100 Rare Books -- with an emphasis on history and military affairs. Please request from mail@kubikbooks.com...

 

KUENZIG BOOKS

 

MICHAEL LAIRD RARE BOOK & MANUSCRIPTS

 

LANGDON MANOR BOOKS

 

ANDREW LANGER, BOOKSELLER

 

THE LAWBOOK EXCHANGE, LTD.

 

DAVID M. LESSER, FINE ANTIQUARIAN BOOKS

 

LIBER ANTIQUUS, EARLY PRINTED BOOKS & MANUSCRIPTS

 

LIGHTHOUSE BOOKS

 

LITTLE SAGES BOOKS

 

KEN LOPEZ BOOKSELLER 

 

J. & J. LUBRANO MUSIC ANTIQUARIANS

 

LUX MENTIS BOOKSELLERS

 

Featured item:

Rock Against Racism (Australian Poster).

Rock Against Racism

Carlton, Australia, nd [circa 1976]. First Printing. Light edge were, small tear/loss on the right edge, else bright and clean. Screenprinted in black and pink ink. Approx. 20x29.5" Very Good. 

"Nazis Are No Fun" "Smash the National Front." Rock Against Racism came into being in response to several well known musicians [looking at you Bowie] said some reasonably horrible things and really catalyzed when Eric Clapton "made a drunken declaration of support for former Conservative minister Enoch Powell (known for his antiimmigration Rivers of Blood speech) at a concert in Birmingham. Clapton told the crowd that England had "become overcrowded" and that they should vote for Powell to stop Britain from becoming "a black colony". He also told the audience that Britain should "get the foreigners out, get the wogs out, get the coons out", and then he repeatedly shouted the National Front slogan "Keep Britain White"." No known copy of this poster in any institutional collection. A remarkable find. 

Offered by Lux Mentis, and featured in their latest catalog Punk, Anarcho, & Counter Culture (item #20).

 

MAC DONNELL RARE BOOKS

  • List of 77 Mark Twain First Editions and Ephemera available by request from info@macdonnellrarebooks.com (specify elist or paper copy). 

 

MAIN STREET FINE BOOKS & MANUSCRIPTS

 

KENNITH MALLORY, BOOKSELLER

 

JEFFREY D. MANCEVICE, INC.

 

MANHATTAN RARE BOOK COMPANY

 

MARGOLIS & MOSS

  • Illustrated Catalog on Carlos Merida (1891–1984) -- Mexican painter, sculptor, writer and graphic designer  *New*  -- available by request from mmbooks@comcast.net
  • Latin America

 

E.M. MAURICE BOOKS

 

BRUCE MCKITTRICK RARE BOOKS, INC.

 

MUSINSKY RARE BOOKS

 

MYSTERY PIER BOOKS

 

NUDELMAN RARE BOOKS

 

OAK KNOLL BOOKS

 

OLD FLORIDA BOOKSHOP

 

OLD IMPRINTS

 

Featured item:

 

A Disaster which may Follow the Present Activity in Wall Street - Will the Speculator Destroy the Pillars of Confidence and Prosperity On Which the American Nation New Rests?" in Saturday Globe newspaper.

Saturday Globe

An eight page heavily illustrated newspaper, sheet size 22 1/2 x 17 1/4 inches. 7 1/2 x 10 3/4 inch color political cartoon on front page. It depicts a ferocious Wall Street "Speculator" destroying the pillars of "Confidence" and "Prosperity" supporting a heavy cross-beam identified as "The American Nation." Beneath the image, text reads: "A Disaster which may Follow the Present Activity in Wall Street." A striking image; forever timely. Overall good clean condition. Saturday Globe. Utica, New York. 02-04- 1899. The Globe began life in 1881 and became so successful that in the 1890s thirty-three separate editions of the newspaper were printed to service different parts of the country. This copy of the newspaper is in very good condition, and contains numerous articles that, surprisingly, retain their interest. 

Offered by Old Imprints, and featured in their new catalog A Magazine's Eye View of the 20th Century (item #1). This item is not listed on abaa.org.

 

OLD WEST BOOKS

 

MICHAEL J. OSBORNE BOOKS

 

PALINURUS ANTIQUARIAN BOOKS

 

PARIGI BOOKS

 

 R & A PETRILLA, ANTIQUARIAN BOOKSELLERS 

 

PHILADELPHIA RARE BOOKS & MANUSCRIPTS

 

PHILLIP J. PIRAGES FINE BOOKS & MEDIEVAL MANUSCRIPTS

 

EDWARD T. POLLACK FINE ARTS

 

QUILL & BRUSH

 

THE RAAB COLLECTION

 

RABELAIS BOOKS ON FOOD & DRINK

 

Featured item:


The Frugal Housekeeper's Kitchen Companion, or Guide to Economical Cooking containing Instructions in the art of cooking every kind of meats and vegetables, and in making plain and fancy cakes, puddings, pastry, confectionery, ice creams, jellies, and other delicacies

by Eliza Ann Wheeler

Kitchen Companion

Dedicated to those American housewives who are not ashamed of economy. New-York: Published by H. Phelps & Co., 124 Nassau Street, 1847. Octavo ( x cm.), [3], 4-96 pages. Illustrated. Appendix. Table of contents. Publisher's advertisements.  

FIRST EDITION. This small recipe collection was issued several times by various publishers through 1874, including a Toronto printing (1874) by James Spencer. Illustrated with carving instructions and one image of a rooster at dawn. Some light foxing and dampstaining throughout; corners bumped and some pages with short dog ears. Still remarkably sound and legible. In publishers decorated wrappers, printed in blue and red. A good copy. The wrappers are edgeworn and the entire work is whole-punched in the upper left, with a short loop of cord for hanging. A single slip of blue paper with a manuscript recipe, "Recipe for Sponge Cake", pinned to the title page. A handsome addition, and with an attribution on the verso, "Mrs. Lamb". Rare.  
 
(OCLC locates seven copies of this first issue (and one copy of an 1847 printing issued by Ensign, Bridgeman, & Fanning); Lowenstein 412; compare Bitting, page 492).
 

Offered by Rabelais Books on Food & Drink, and featured in their new list Fresh Arrivals: No. 67 (item #1).

 

RAPTIS RARE BOOKS

 

RICHARD C. RAMER, OLD & RARE BOOKS  

 

READ'EM AGAIN BOOKS

 

WILLIAM REESE COMPANY

 

L&T RESPESS BOOKS

 

B&L ROOTENBERG RARE BOOKS & MANUSCRIPTS

 

Featured item:

 

JACOB, Octave. Iconographie du Musée du Val-de-Grâce, publiée sous la direction de O. Jacob, par les docteurs Lannou, Latarjet, Lefort, Henri Martin, Pascal, Perret, H. de Rotschild. Préface de m. Justin Godart.

Iconographie du Musee du Val-de-Grace (WWI Medicine)

Paris: Editions Scientifiques – Aristide Quillet, c. 1918. Folio. With 250 plates of photographic illustrations, many in full color. In 25 fascicules as issued.

First edition of this incredibly rare complete series of the Iconographie du Musée du Val-de-Grâce. The fascicules were issued immediately following the conclusion of War World I in 1918 and offer an in-depth look into how physicians adapted to treat the horrific injuries that soldiers sustained in the first truly modern war. Each figure has an explanation of the injury, information about the deceased and the doctor who initially made the observations. 

Offered by B&L Rootenberg, and featured in their catalog, History of Medicine (item #24). This item is not listed on abaa.org.

 

 

BARRY LAWRENCE RUDERMAN ANTIQUE MAPS, INC.

 

RULON-MILLER BOOKS

 

SANCTUARY BOOKS

 

KEN SANDERS RARE BOOKS

 

SAVOY BOOKS

 

E.K. SCHREIBER

 

SCHUBERTIADE MUSIC & ARTS

 

SCHULSON AUTOGRAPHS

 

SCIENTIA BOOKS

 

GARRETT SCOTT, BOOKSELLER

 

SECOND LIFE BOOKS

 

SECOND STORY BOOKS

 

MARC SELVAGGIO, BOOKS & EPHEMERA

 

ED SMITH BOOKS

 

TAMINO AUTOGRAPHS

 

 TAVISTOCK BOOKS

 

TEN POUND ISLAND BOOK COMPANY

 

MICHAEL R. THOMPSON RARE BOOKS

 

THORN BOOKS

 

TOMBERG RARE BOOKS

 

Featured item:

 

INTERNATIONAL LADIES' GARMENT WORKERS' UNION
Signature of 450,000: This publication is a presentation of the 65th Anniversary Convention of the International Ladies' Garment Workers' Union, Miami Beach, Florida, May 1965.

ILGWU Animation
New York: ILGWU, 1965. 64 pages. Compilation of photographs that tell the history of the ILGWU to commemorate the union's 65th anniversary. Original union receipt, showing purchase of this book, tipped in. Side-stapled with tanning to edges of back cover. Mild wear to front cover with a minute crease to the edge of the right upper corner; lower right corned and pages slightly creased as well, not effecting text. Circular stain on the letter "u" of title, not effecting readability, else very good.

Offered by Tomberg Rare Books, featured in E-list #20 (item #11). This item is not listed on abaa.org.

 

TRIOLET RARE BOOKS

 

UNIVERSITY ARCHIVES

 

VAMP & TRAMP, BOOKSELLERS

 

THE VEATCHS ARTS OF THE BOOK

 

Featured item:

 

Nine Rare Italian Color Xylographed Papers

Remondini & Rizzi.

Decorated Papers

18th century & later. Full sized, unused sheets. Six of the papers are known or presumed to have been printed by the Remondini factory. Three are later printings by Rizzi from the original Remondini blocks and bear the Stampa Remondiniani PESP blindstamp. Most in very good condition. The stars of the group are a matched pair (each 16 x 13 inches): Remondini's view of Venice surround by a large bouquet on a blue diaper pattern background, along with its Rizzi recreation. There are 3 Remondini bookbinding papers (17 1/2 x 14 1/2). Two sheets of Remondini wall paper (21 1/2 x 17 1/2). These have some fraying and are in good condition. There are 2 more Rizzi PESP recreations of binding papers. 

Full, unused papers such as these are rare. The papers were printed on a hand press, using vegetable dyes (probably in paste, rather than ink) on wood blocks; sometimes with copper pins or strips mounted on them for tiny details. A different block was cut for each design and for each color. The papers were typically stored folded in half. When a paper has two identical images with a narrow space between, it was meant to be cut in half.

Remondini, establishing his printshop in Bassano in 1649, was soon renowned for his wood block and copper prints and block-printed papers. He dominated the c18 market, employing a thousand persons, with 38 printing presses, a paper mill, die foundry, and a trade school of woodcarving. When the firm closed in 1861, about a thousand of the old blocks were rescued by a group of 4 enthusiasts: Pasoli, Esengrini, Suardi, and Ponti (hence the P E S P stamp). They granted Giuseppe Rizzi of Varese a license to print them—if he used the original methods. The last Rizzi died in 1939. As part of the nobles’ bequest some 400 remaining woodblocks were given to the Museo Civico in Bassano.

Offered by The Veatchs Arts of the Book, and featured in Remondini & Rizzi Decorated Papers. This item is not listed on abaa.org.

 

WALKABOUT BOOKS

 

JEFF WEBER RARE BOOKS

 

Featured Item:

 

KOPAL, Zdenek (1914-1993); Robert W. CARDER. Mapping of the Moon; past and present. 

Lunar Chart

Drodrecht-Holland & Boston: D. Reidel, 1974. Series: Astrophysics and Space Science Library, vol. 50. 8vo. viii, 237, [3] pp. Illustrated (3 plates are folding), index. Gray cloth with blue printed lettering. Ownership signature of John Westfall. ISBN: 9027703981 First edition. Important work. Includes a history of lunar mapping 1600-1960.

"Kopal was born and grew up in Litomyšl (Czechoslovakia, now Czech Republic). In his early astronomical career, he studied variable stars and in particular close eclipsing binary stars. He attended Cambridge University in 1938 and later that year he went to Harvard College Observatory. After the war he became head of the astronomy department at the University of Manchester. He later assisted NASA with the Apollo program as an external expert. He was Editor-in-Chief of the journal Astrophysics and Space Science since its foundation in 1968 until his death in 1993." (Wikipedia)

Offered by Jeff Weber Rare Books, and featured in their Catalog 215 (item #28).

 

 

ADAM WEINBERGER RARE BOOKS

 

WHITMORE RARE BOOKS

 

Featured item:

Alice’s Adventures in Wonderland

by Lewis Carroll

Alice

London: Macmillan & Co., 1866. Second (first published) edition. The book that forever changed the face of children’s literature. In the original publisher’s red, gilt-stamped cloth, gilt edges, light blue end papers, Burn & Co. binder’s ticket on lower pastedown. A Very Good copy, recased, preserving the original spine. Minor spotting and soiling to the cloth. Contemporary owner’s signature on the front end paper. Early issue with the inverted “S” on the last line of the contents page. Housed in a custom clamshell case.

Cleverly crafted by Oxford don Charles Dodgson under the pen name Lewis Carroll, Alice’s Adventures in Wonderland remains one of the most influential pieces of children’s literature ever written. The book has been published in more than 112 languages and defined the popular “nonsense” genre of writing in the 19th century. While teaching mathematics and living at Christ Church College, Dodgson developed a close friendship with the daughters of the college dean and told them tales of Wonderland. Alice, ten years of age at the time, begged Dodgson to write them down and soon after the story took shape.

While the original manuscript given to Alice, which was hand written and illustrated by Dodgson, remains with the British Library, Dodgson published the story in 1865 with accompanying illustrations by John Tenniel. The first 2,000 copies were not distributed because Tenniel was dissatisfied with the print quality. Macmillan quickly reprinted the book using this 1866 title page, with copies available as early as November 1865, making this the first “published” edition available for purchase at bookstores. The 2,000 unbound sheets that were rejected by Tenniel were sent to the U.S. publisher, Appleton & Co., who bought the rights and used them as the first U.S. edition approximately six months later in 1866. Very Good.

Offered by Whitmore Rare Books and featured in "Catalog 19" (item #10).

 

JOHN WINDLE ANTIQUARIAN BOOKSELLER

 

CHARLES B. WOOD, BOOKSELLER

 

WOODBURN BOOKS

 

YESTERDAY'S MUSE BOOKS

--

 

Remember, you can always browse and download the latest catalogs published by ABAA members on ABAA.org by visiting the following link: https://www.abaa.org/catalog/... (You can also access this page by selecting 'Booksellers' from the top menu, scroll to the bottom of the page to 'Member Catalogs', and click on 'View All'.)

 

Photo credit: Various items from Old Imprints' new catalog, A Magazine's Eye View of the 20th Century.


 

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Horatio Alger, Jr.

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Horatio Alger, Jr.In his day, Horatio Alger, Jr. (1832-1899) was one of the most-famous authors in America. While his books have largely fallen out of print today, everyone is familiar with his main idea, because Horatio Alger, Jr. popularized the “pulling oneself up by the bootstraps” ideal that permeates so much of American life. It’s not too much of a stretch to say that Alger gave America its great national myth, that hard work (and clean living) can allow anyone to achieve success  — although people often seem to overlook the amount of sheer luck that comes into play in his fiction.

A more-jaundiced reading of Alger’s oeuvre would assert that success for Alger was usually defined as social advancement or preferment, and it was usually achieved by finding a wealthy patron through performing a selfless deed or some service (returning a lost wallet or proving ones virtue in some way). Of course, the only individuals who could achieve this social advancement were white males, and the agent of this change was invariably an older white male. Nevertheless, his books were popular after the Civil War, and achieved a huge surge in readership in the early decades of the Twentieth Century.

It wasn’t an easy road to success for Alger, the son of a Unitarian Minister and descendant of Puritan ancestors. After attending Harvard -- where Henry Wadsworth Longfellow was part of the faculty -- he published fitfully, and none of his varied early books really found an audience. After a brief attempt to work as a minister was ended by accusations of sexual impropriety, he refocused on his writing career, and found success with stories aimed at young boys.

Ragged Dick was first published in installments in Student and Schoolmate magazine, beginning in 1867. The following year it was published in novel form as Ragged Dick; or, Street Life in New York with the Boot Blacks and was a success. Alger had been living in New York and claims to have interviewed many “Boot Blacks,” young boys who lived on the streets and shined shoes for a meager living, during the process of writing Ragged Dick. Five sequels followed, and the book became Alger’s biggest success.

 


 

Ragged Dick; Or, Street Life In New York With The Boot-Blacks (First Edition)

by Horatio Alger, Jr.

Ragged Dick

Boston: Loring, Publisher, 1868. First edition. Hardcover. 296 pages. 18 x 12 cm. This copy with ad leaf and Dick standing alone with his boot-blacking box: later issues have image of four street boys. Ad leaf here contains two titles in the "Ragged Dick Series," plus three in "Campaign Series." First edition is indicated by two titles only of the former with the second title described as available "In December" 1868. There are also three additional wood engraved illustrations. This story was first published serially in "Student and Schoolmate" [Boston], January - December, 1867, and then issued in book format, 1868. GROLIER AMERICAN HUNDRED 75. PETER PARLEY TO PENROD p.29. Interior contents fresh and clean with very minor scattered toning, mostly marginal. Modern quarter brown cloth and marbled boards. Fine.

Offered by Roy Young Bookseller.

 


 

Many other books for boys following the same template followed, with titles like Luck and Pluck, Tattered Tom, and Brave and Bold. His initial successes were published by Boston publisher A.K. Loring, who had published Alger’s first juvenile novel, Frank's Campaign; or, What Boys Can Do on the Farm for the Camp, in 1864. Alger’s theme is most-often summed up as the “Rags to Riches” story, but some critics caution that “Rags to Respectability” is more accurate, as for characters such as Ragged Dick, the journey is from a precarious life on the street to a respectable middle-class existence with an office job, punctual habits, and a modest bank account. Although he was clearly writing “Cinderella” stories, nobody goes all the way from kitchen drudge to princess in Alger’s fiction.

Despite his prolific output — he published over 100 books and poems during his lifetime — Alger’s financial situation was often precarious, and his critical reputation ebbed and flowed. A trip to the West was organized by his publisher in the 1870s to rejuvenate his stale fiction, but only succeeded in introducing Western locations to Alger’s template. He employed several pseudonyms to try to spur interest or excitement and raise sales over the years (including Carl Cantab, Arthur Hamilton, Caroline F. Preston, Arthur Lee Putnam, and Julian Starr), and also applied his formula to the lives of famous Americans like Abraham Lincoln and Daniel Webster.

At his death, he asked Edward Stratemeyer to complete his final novels, which he did under the pen-name Arthur M. Winfield (which Stratemeyer used for his Rover Boys series). His books met with their greatest success in the decades after his death, when cheap editions sold in the millions. As Robert E. Kasper, Executive Director of the Horatio Alger Society, put it, “(w)hether his works possessed literary merit is debatable – whether boys (and girls) liked them is not.”

In 1947, the minister and author Normal Vincent Peale (The Power of Positive Thinking) co-founded an association to honor Americans who have overcome difficulties to become successful and named it after Horatio Alger. The Broadway hit Shine!, based on Alger’s books Ragged Dick and Silas Snobden’s Office Boy, brought the rags to riches template to the stage as a “romp for the whole family,” highlighting the scale of Alger’s achievement in refining and popularizing this most-enduring American myth.

 


 

Bertha's Christmas Vision: An Autumn Sheaf (First Editon)

by Horatio Alger, Jr.

Bertha's Christmas Vision

Boston: Brown, Bazin, 1856. First edition of Alger's FIRST BOOK. Wood-engraved frontispiece and additional pictorial title-page, half-title. viii, 248 pp. Publisher's purple cloth, covers blocked in blind, spine gilt; spine faded, top of spine rubbed, with some foxing. Generally a Very Good copy. With the bookplates of Arthur Swann (Sale, Parke-Bernet, 22 March 1960, lot 6); Mildred Greenhill; and H. Bradley Martin (sold for $1300 in his sale in 1990). First edition of Alger's FIRST BOOK. Wood-engraved frontispiece and additional pictorial title-page, half-title. viii, 248 pp.

Alger's first book, published in his 24th year. It is a compilation of sentimental stories and poems, most of which had appeared previously in periodicals. Alger, the son of a unitarian minister was born in Chelsea, Ma. and attended Harvard. He became a prolific author, specialising in rags-to-riches tales.

Offered by James Cummins, Bookseller.

 


 

Collectors of Horatio Alger Jr. focus naturally on the first editions of his books from the late 1800s, but also seek out the magazines in which they were originally serialized. The cheap reprints published in the early part of the Twentieth Century are relatively common and inexpensive, but are popular for their vivid covers. Sought-after highlights include his first book of poems and short fiction, Bertha’s Christmas Vision: An Autumn Sheaf (1856) and first editions of Ragged Dick (1868).

 

Browse books by Horatio Alger, Jr.

 


Featured items:

 

The Western Boy; or, The Road to Success (First Edition)

by Horatio Alger, Jr.

The Western Boy, Horatio Alger, Jr.

[New York: G.W. Carleton & Co, 1878]. First Edition. Hardcover. First serialized in the New York Weekly, June 30 through September 15, 1873. Publisher taken from advertisement facing title page. "The imprint of the American News Co. on the spine is a mystery, for it is evident that Carleton published the book through an arrangement with Street & Smith" (BENNETT 192). Octavo (18.5cm.); original brown pictorial cloth embossed in black, decorative spine in black and gilt with the mysterious "American News Co." at spine foot; 258pp.; illus. title page. Spine a bit cocked, shallow losses to ends; additional rubbing to extremities; soiling to textblock throughout. About Very Good. 

Offered by Lorne Bair Rare Books.

 

Ben Bruce; or, Only a Bowery Newsboy (Alger Series No. 79)

by Horatio Alger, Jr.

Ben Bruce

Street & Smith Corporation Publishers, 1919. Trade Paperback. Good. 1919 printing (Bennett p. 187). Two 1 inch tears to spine based, front corners lightly creased, pages toned. We have more books available by this author!. 288 pp. A young adult novel by the author of numerous 'rag to riches' stories in the late 19th and early 20th centuries. Many of Alger's works were released in pulp paperback editions from 1900 to 1926. 

Offered by Yesterday's Muse.

 

PAUL PRESCOTTS CHARGE. A Story for Boys

by Horatio Alger, Jr.

Paul Prescott's Charge, Horatio Alger, Jr.

Boston: Loring, Publisher, 1865. 1st book edition (Bennett 135). Originally published as a serial in the New York Sun, "The Gipsy Nurse; or Marked for Life.". Publisher's terra-cotta cloth binding with gilt stamped spine lettering & decorations. Pale yellow eps. Spine gilt bright. Slight lean. Light extremity wear, with one tip just showing board. Period pos to ffep. Withal, a pleasing VG+ copy.. 224, [2 (blank)] pp. Frontis. Inserted plate, p. 174. 12mo. 7-1/16" x 4-3/8."

Offered by Tavistock Books.

 

Tom Thatcher's Fortune

by Horatio Alger, Jr.

Tom Thatcher's Fortune

A. L. Burt, 1888. First hardcover edition, very good in decorated blue cloth. Comes in a custom-made collector's slipcase. Very rare in this condition. Closed tear in front free endpaper.. 1st Edition. Hardcover. Very Good. 

Offered by Bookbid.

 

Only an Irish Boy or Andy Burke's Fortunes

by Horatio Alger, Jr.

Only an Irish Boy

New York, Nd(ca.1900): Hurst and Blackett. Octavo. 254 pages. Not only does this copy have a nice dust jacket but also represents one of the most interesting of Alger's works. This was one of the few Alger books where the protagonist who was a non-Anglo that had the heroic will to make the rags-to-riches success story. Bound in a light blue-green color pictorial cloth depicting Andy Burke and his horse, lettering in black pictorial spine in black, lettering gilt, page 141 has crease, a very good copy in very good pictorial dust jacket lettered and decorated in blue-gray, a few chips to spine and corners.

Offered by Alcuin Autographs.

 

The Young Miner; or, Tom Nelson in California

by Horatio Alger, Jr. (Introduction by John Seelye)

The Young Miner
San Francisco: Printed by Adrian Wilson at his Press in Tuscany Alley, San Francisco for the Book Club of California, 1965. Hardcover. xxi, 187p., frontispiece, introduction, bibliographical note, illustrated with reproductions of vintage engravings, very good first edition limited to 450 copies, heavy quarter-cloth backing, illustrated tan paper boards, brown paper title label on spine. 

Offered by Bolerium Books.

 

Strong and Steady; or, Paddle Your Own Canoe (Luck and Pluck Series)

by Horatio Alger, Jr.

Strong and Steady 

 

Philadelphia: Porter and Coates, 1871. Hardcover. Very Good. Early printing. Illustrated by Kinnersley, Humphreys. Decorative brown cloth stamped in black and gilt. Contemporary owner's gift inscription on blank preliminary, foxing on preliminary pages and illustrations, gutter cracked, small worm hole on the foredges of the last forty pages, spine cocked, still a very good copy. Volume three only in the "Luck and Pluck Series." 

Offered by Between the Covers Rare Books.

 

From Farm Boy to Senator; Being the History of the Boyhood and Manhood of Daniel Webster

by Horatio Alger, Jr.

From Farm Boy to Senator by Horatio Alger, Jr.

J.S. Ogilvie & Co.. Hardcover. New York, 1882. 8vo, 310 pp., publisher's pictorial cloth. A good copy with front hinge starting, else very good with normal wear. Remains usable and attractive. Good. 1882. First Edition. 

Offered by Auger Down Books.

 


 

Edward Stratemeyer: King of the Children's Series

Read "Edward Stratemeyer: King of the Children's Series"... 

Latest Rare Book Catalogs

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Browse the latest catalogs, newsletters, and e-lists, of rare books, fine bindings, incunabula, print ephemera, and much more from the members of the ABAA below. (Also includes podcasts, blogs posts, and other digital formats.)

 *New*  indicates any catalogs added this week. 

 

AARDVARK BOOKS/EZRA THE BOOKFINDER

 

CHARLES AGVENT

 

Featured item:

 

Walt Whitman, LEAVES OF GRASS.

Walt Whitman

Including Sands At Seventy ... 1st Annex, Good Bye My Fancy ... 2nd Annex, A Backward Glance O'er Travel'd Roads, and Portrait from Life. Philadelphia: David McKay, 1891-92. Ninth Edition. Original green cloth, uncut, top edge gilt. Illustrated with a frontispiece portrait of Whitman, another portrait of Whitman inserted at page 29, and four folding facsimiles of Whitman's writing. BAL 21441: Printing 1, Binding C. "Deathbed" Edition, Whitman's final arrangement of his work. This copy SIGNED on the title page by Pennsylvania ornithological artist Conrad Roland with his pencil notes in "A Backward Glance O'er Travel'd Roads" as well as a full-page of pencil notes at the rear about Whitman. In addition tipped in before the title page is a fine ORIGINAL INK AND SEPIA WATERCOLOR DRAWING of Whitman by Roland. Paper split at front gutter with cover a little loose. Two small portrait reproductions tipped in with one offsetting to the text opposite. Trivial wear to the binding. Near Fine. 

Offered by Charles Agvent, and featured in their new catalog "Walt Whitman" (item #4).

 

ANDERSON BUTLER RARE BOOKS

 

ANTIPODEAN BOOKS, MAPS, PRINTS

 

NICK ARETAKIS

 

ARTISAN BOOKS & BINDERY

 

ATHENA RARE BOOKS

 

AUGER DOWN BOOKS

 

BACK OF BEYOND BOOKS

 

LORNE BAIR RARE BOOKS 

 

W. C. BAKER RARE BOOKS & EPHEMERA

 

BARTLEBY'S BOOKS 

 

BAUMAN RARE BOOKS

 

BAY LEAF USED & RARE BOOKS

 

B&B RARE BOOKS

 

BEASLEY BOOKS

 

STUART BENNETT RARE BOOKS

 

F.A. BERNETT BOOKS

 

BETWEEN THE COVERS, RARE BOOKS

 

BIBLIOCTOPUS

 

BICKERSTAFF'S BOOKS, MAPS, &.

 

ROBIN BLEDSOE BOOKS

 

BLIND HORSE BOOKS

 

BOLERIUM BOOKS

 

THE BOOKPRESS, LTD.

 

BOOKS TELL YOU WHY, INC.

 

BOREAS FINE ART

 

BOSTON BOOK COMPANY

 

BOSTON RARE MAPS, INC.

 

IAN BRABNER, RARE AMERICANA

 

MARILYN BRAITERMAN

 

DAVID BRASS RARE BOOKS

 

BRATTLE BOOK SHOP

 

BRICK ROW BOOKSHOP

 

BROMER BOOKSELLERS

 

BUDDENBROOKS, INC.

 

BURNSIDE RARE BOOKS

 

ANDREW CAHAN, BOOKSELLER, LTD.

 

CAROLINIANA

 

CARPE DIEM FINE BOOKS

 

BRIAN CASSIDY, BOOKSELLER

 

CHURCHILL BOOK COLLECTOR

 

THE COLOPHON BOOK SHOP

 

W.S. COTTER RARE BOOKS

 

ROY CLARE ANTIQUARIAN BOOKS

 

CRAWFORD DOYLE BOOKSELLERS

 

JAMES CUMMINS BOOKSELLER

 

Featured item:

Indispensable Accomplishments (Series of Six Hand Colored Aquatints)

by Robert Frankland

Robert Frankland Aquatint

London: Published June 24th, 1811, by H. Humphrey, No. 27, St. James St, 1811.

First edition. Engraved title leaf with , six hand colored aquatint plates, signed in the plate "R.F. invt et fecit". 1 vols. Oblong 4to. Original (?) plain paper wrappers, stab-stitched, housed in a modern blue morocco slipcase and chemise, by Aquarius. The Alfred Barmore Maclay, Le Vivier (JOHN POYNTON) copy. Tooley 158 (under "Billesdon Coplow"); Siltzer p. 122; Biscotti, Six Centuries of Foxhunting, p. 148; Schwerdt I, pp. 186-187; Schwerdt I, pp. 186-187. Item #311425 

The engraved title leaf comprises four lines of whimsical verse and a paragraph of descriptive text signed "Billesdon Coplow"; the six numbered plates depict incidents of foxhunting: 1) Going along a slapping pace 2) Topping a flight of rails ... 3) Charging an Ox-fence 4) Going in and out clever 5) Facing a Brook 6) Swishing at a rasper.
A classic of English sporting illustration and the inspiration for Alken's Qualified Horses and Unqualified Riders.

Offered by James Cummins, Bookseller, and featured in their "Catalog 140: Sporting."

 

L.W. CURREY, INC.

 

DEWOLFE & WOOD 

 

DIVISION LEAP

 

Featured item:

 

Mystery Box. Never to Be Opened

Ben Vautier

Mystery Box

[Nice, France]: The Artist, 1960-65. 4 x 2 3/4 x 2 1/2" sealed wooden box, painted black, with two printed labels, each bordered in black in the style of a funeral announcement, affixed. Hand-numbered no. 89, with a closing date of 27/12/65.

One of the most potent of the early Fluxus multiples, and perhaps the most effective of his mystery pieces, the Mystery Box raises remarkable questions about the site and nature of the "work" of art, and of the subjectivity of the viewer. The box is in effect a dare to the viewer. Giving the box a gentle shake reveals that something is indeed inside, also making the box a sound performance. Vautier would go on to make additional boxes, but this is the only edition that we've seen that uses the funerary borders for the labels, perhaps giving a clue as to what Vautier expected of the recipient, and of the fate of the work of art - whatever, and of what materiality it might be. Something will be born. A key early Fluxus multiple. 

Some faint toning to the labels, with the tip of one label lifting slightly, else fine. No examples recorded in OCLC, though some digging reveals copies at MOMA, (no. 88), Fondazione Bonotto (no. 65), and within the André Breton collection (no. 61).

Offered by Division Leap, and featured in their new list "Conceptual and Modern Art" (item #19).

 

WEBB DORDICK

  • Catalog #88, Medical Books from the Fifteenth to the Twentieth Centuries -- This catalog is print-only. To request a copy, contact MedBks@aol.com...

 

THOMAS DORN BOOKSELLER

 

JAMES M. DOURGARIAN, BOOKMAN

 

ECLECTIBLES

 

ELK RIVER BOOKS

 

LES ENLUMINURES

 

EUREKA BOOKS

 

EVENING STAR BOOKS

 

Featured item:

National Clearinghouse for Drug Abuse Information. Marihuana; Narcotics; LSD; Sedatives: Some Questions and Answers

Narcotics Pamphlet

Washington DC: U.S. Department of Health, Education, and Welfare Public Health Service, Health Services and Mental Health Administration, National Institute of Mental Health, 1971. 4 pamphlets (each one a folded sheet), pictorial covers. Price of 10 cents ($5.50 per 100 and $6.75 per 100 for Marihuana) on the rear cover of each pamphlet. An occasional hint of foxing and edge wear, overall a beautiful, bright set of pamphlets on illicit drug usage. Each pamphlet is illustrated with psychedelic art on the front covers and in the middle sections, brilliantly reflecting the style of the early 70s. For the sedatives pamphlet, OCLC shows only one holding (at the National Library of Medicine). For each drug discussed, the pamphlets cover the current science on the effects of the drugs, how the drugs interact with the human body, and what the law dictates for possession and distribution of each drug under the Comprehensive Drug Abuse Prevention and Control Act of 1970.

The pamphlets discuss the effects of the drugs on young and expecting users, and they outline the nicknames drug dealers use for each substance. "Marihuana" notably is spelled with an h in the pamphlet offered here, not reflecting the use of the "j" in the spelling of the word to make the drug seem more foreign and therefore frightening ("The Mysterious History of Marijuana", NPR). Issued by the U.S. Department of Health, Education, and Welfare (Public Health Service), which from 1953 until 1979 was a cabinet level office now known as the U.S. Department of Health and Human Services ("A History of the Department of Health, Education, and Welfare", U.S. Government). The Clearinghouse had several publications from 1970 onward throughout the decade ("The Online Books Page", UPenn). A fascinating set of pamphlets that covers the science of the time on these substances, the history of the drugs, the laws surrounding their usage and distribution, and some of the stereotypes associated with the drugs. 

Offered by Evening Star Books, and featured in their "May 2019" list (item #3(.

 

JOSEPH J. FELCONE, INC.

 

ARTHUR FOURNIER FINE & RARE

 

RODGER FRIEDMAN RARE BOOK STUDIO

 

FRANKLIN GILLIAM RARE BOOKS

  • OCCASIONAL LIST 22: A Miscellany: Original Art Work; Small Archive of Major English Watercolourist; Interesting Theatrical Pieces; Manuscript Material, Etc., Etc. -- available on request from fgrare@fgrarebooks.com...

 

GOLDEN LEGEND 

 

THOMAS A. GOLDWASSER RARE BOOKS

 

GOVI RARE BOOKS

 

JAMES GRAY BOOKSELLER

 

RICK GRUNDER-BOOKS

 

DAVID A. HAMILTON AMERICANA BOOKS

 

HARPER'S BOOKS

 

DONALD A. HEALD RARE BOOKS

 

JONATHAN A. HILL, BOOKSELLER, INC.

 

JEFF HIRSCH BOOKS

  • E-list #133 -- 42 New Arrivals: Eikoh Hosoe, Seamus Heaney, Nancy Rexroth, Robert Frank  *New* 
  • E-list #132 -- 42 New Arrivals by John Updike, Mary Oliver, Duane Michals, John Hejduk 

 

HONEY & WAX BOOKSELLERS

 

HOUSE OF MIRTH PHOTOS

 

JOHN HOWELL FOR BOOKS

 

S. HOWLETT-WEST BOOKS

 

IMPERIAL FINE BOOKS

 

JAMES S. JAFFE RARE BOOKS

 

JOHNSON RARE BOOKS & ARCHIVES

 

 

KAATERSKILL BOOKS

 

SETH KALLER, INC.

 

JOHN KEHOE BOOKSELLER

 

KEVIN F.  KELLY, BOOKSELLER

 

KELMSCOTT BOOKSHOP

 

Featured item:

Victorian Trade Cards (in Binder)
Victorian Trade Cards
A charming collection of Victorian lithographic trade cards and illustrations of various sizes and shapes. Trade cards were a popular advertising device in the mid to late 19th century. This collection of about 130 items was compiled by someone who thought it fitting to trim some of the cards to feature a particular image from them, leaving incomplete text. Most if the items, however, are intact. They comprise cards, a few postcards, and other illustrations that, where identified, come from east coast locations such as Providence RI, Springfield MA, and New York state. The items are in good to very good condition. They are housed in 30 plastic sleeves inserted into a modern three-ring binder. Size: about 8.5 x 11 inches. Very Good. 

Offered by Kelmscott Bookshop, and featured in their recent catalog "Scrapbooks, Albums, and More." (Item  #2.)

 

BEN KINMONT, BOOKSELLER

  • 27 New Gastronomy Acquisitions + 1 Radical Plea for Freedom, 1556-1897 (London Book Fair List) -- available on request from bkinmont@gmail.com  *New* 

 

 ERIC CHAIM KLINE BOOKSELLER

 

JOHN W. KNOTT, JR., BOOKSELLER

 

KUBIK FINE BOOKS, LTD.

  • Catalog #74: 100 Rare Books -- with an emphasis on history and military affairs. Please request from mail@kubikbooks.com...

 

KUENZIG BOOKS

 

MICHAEL LAIRD RARE BOOK & MANUSCRIPTS

 

LANGDON MANOR BOOKS

 

ANDREW LANGER, BOOKSELLER

 

THE LAWBOOK EXCHANGE, LTD.

 

DAVID M. LESSER, FINE ANTIQUARIAN BOOKS

 

LIBER ANTIQUUS, EARLY PRINTED BOOKS & MANUSCRIPTS

 

LIGHTHOUSE BOOKS

 

LITTLE SAGES BOOKS

 

KEN LOPEZ BOOKSELLER 

 

J. & J. LUBRANO MUSIC ANTIQUARIANS

 

LUX MENTIS BOOKSELLERS

 

Featured item:

Rock Against Racism (Australian Poster).

Rock Against Racism

Carlton, Australia, nd [circa 1976]. First Printing. Light edge were, small tear/loss on the right edge, else bright and clean. Screenprinted in black and pink ink. Approx. 20x29.5" Very Good. 

"Nazis Are No Fun" "Smash the National Front." Rock Against Racism came into being in response to several well known musicians [looking at you Bowie] said some reasonably horrible things and really catalyzed when Eric Clapton "made a drunken declaration of support for former Conservative minister Enoch Powell (known for his antiimmigration Rivers of Blood speech) at a concert in Birmingham. Clapton told the crowd that England had "become overcrowded" and that they should vote for Powell to stop Britain from becoming "a black colony". He also told the audience that Britain should "get the foreigners out, get the wogs out, get the coons out", and then he repeatedly shouted the National Front slogan "Keep Britain White"." No known copy of this poster in any institutional collection. A remarkable find. 

Offered by Lux Mentis, and featured in their latest catalog Punk, Anarcho, & Counter Culture (item #20).

 

MAC DONNELL RARE BOOKS

  • List of 77 Mark Twain First Editions and Ephemera available by request from info@macdonnellrarebooks.com (specify elist or paper copy). 

 

MAIN STREET FINE BOOKS & MANUSCRIPTS

 

KENNITH MALLORY, BOOKSELLER

 

JEFFREY D. MANCEVICE, INC.

 

MANHATTAN RARE BOOK COMPANY

 

MARGOLIS & MOSS

  • Illustrated Catalog on Carlos Merida (1891–1984) -- Mexican painter, sculptor, writer and graphic designer  *New*  -- available by request from mmbooks@comcast.net
  • Latin America

 

E.M. MAURICE BOOKS

 

BRUCE MCKITTRICK RARE BOOKS, INC.

 

MUSINSKY RARE BOOKS

 

MYSTERY PIER BOOKS

 

NUDELMAN RARE BOOKS

 

OAK KNOLL BOOKS

 

OLD FLORIDA BOOKSHOP

 

OLD IMPRINTS

 

Featured item:

 

A Disaster which may Follow the Present Activity in Wall Street - Will the Speculator Destroy the Pillars of Confidence and Prosperity On Which the American Nation New Rests?" in Saturday Globe newspaper.

Saturday Globe

An eight page heavily illustrated newspaper, sheet size 22 1/2 x 17 1/4 inches. 7 1/2 x 10 3/4 inch color political cartoon on front page. It depicts a ferocious Wall Street "Speculator" destroying the pillars of "Confidence" and "Prosperity" supporting a heavy cross-beam identified as "The American Nation." Beneath the image, text reads: "A Disaster which may Follow the Present Activity in Wall Street." A striking image; forever timely. Overall good clean condition. Saturday Globe. Utica, New York. 02-04- 1899. The Globe began life in 1881 and became so successful that in the 1890s thirty-three separate editions of the newspaper were printed to service different parts of the country. This copy of the newspaper is in very good condition, and contains numerous articles that, surprisingly, retain their interest. 

Offered by Old Imprints, and featured in their new catalog A Magazine's Eye View of the 20th Century (item #1). This item is not listed on abaa.org.

 

OLD WEST BOOKS

 

MICHAEL J. OSBORNE BOOKS

 

PALINURUS ANTIQUARIAN BOOKS

 

PARIGI BOOKS

 

 R & A PETRILLA, ANTIQUARIAN BOOKSELLERS 

 

PHILADELPHIA RARE BOOKS & MANUSCRIPTS

 

PHILLIP J. PIRAGES FINE BOOKS & MEDIEVAL MANUSCRIPTS

 

EDWARD T. POLLACK FINE ARTS

 

QUILL & BRUSH

 

THE RAAB COLLECTION

 

RABELAIS BOOKS ON FOOD & DRINK

 

Featured item:


The Frugal Housekeeper's Kitchen Companion, or Guide to Economical Cooking containing Instructions in the art of cooking every kind of meats and vegetables, and in making plain and fancy cakes, puddings, pastry, confectionery, ice creams, jellies, and other delicacies

by Eliza Ann Wheeler

Kitchen Companion

Dedicated to those American housewives who are not ashamed of economy. New-York: Published by H. Phelps & Co., 124 Nassau Street, 1847. Octavo ( x cm.), [3], 4-96 pages. Illustrated. Appendix. Table of contents. Publisher's advertisements.  

FIRST EDITION. This small recipe collection was issued several times by various publishers through 1874, including a Toronto printing (1874) by James Spencer. Illustrated with carving instructions and one image of a rooster at dawn. Some light foxing and dampstaining throughout; corners bumped and some pages with short dog ears. Still remarkably sound and legible. In publishers decorated wrappers, printed in blue and red. A good copy. The wrappers are edgeworn and the entire work is whole-punched in the upper left, with a short loop of cord for hanging. A single slip of blue paper with a manuscript recipe, "Recipe for Sponge Cake", pinned to the title page. A handsome addition, and with an attribution on the verso, "Mrs. Lamb". Rare.  
 
(OCLC locates seven copies of this first issue (and one copy of an 1847 printing issued by Ensign, Bridgeman, & Fanning); Lowenstein 412; compare Bitting, page 492).
 

Offered by Rabelais Books on Food & Drink, and featured in their new list Fresh Arrivals: No. 67 (item #1).

 

RICHARD C. RAMER, OLD & RARE BOOKS  

 

RAPTIS RARE BOOKS

 

READ'EM AGAIN BOOKS

 

WILLIAM REESE COMPANY

 

L&T RESPESS BOOKS

 

B&L ROOTENBERG RARE BOOKS & MANUSCRIPTS

 

Featured item:

 

JACOB, Octave. Iconographie du Musée du Val-de-Grâce, publiée sous la direction de O. Jacob, par les docteurs Lannou, Latarjet, Lefort, Henri Martin, Pascal, Perret, H. de Rotschild. Préface de m. Justin Godart.

Iconographie du Musee du Val-de-Grace (WWI Medicine)

Paris: Editions Scientifiques – Aristide Quillet, c. 1918. Folio. With 250 plates of photographic illustrations, many in full color. In 25 fascicules as issued.

First edition of this incredibly rare complete series of the Iconographie du Musée du Val-de-Grâce. The fascicules were issued immediately following the conclusion of War World I in 1918 and offer an in-depth look into how physicians adapted to treat the horrific injuries that soldiers sustained in the first truly modern war. Each figure has an explanation of the injury, information about the deceased and the doctor who initially made the observations. 

Offered by B&L Rootenberg, and featured in their catalog, History of Medicine (item #24). This item is not listed on abaa.org.

 

 

BARRY LAWRENCE RUDERMAN ANTIQUE MAPS, INC.

 

RULON-MILLER BOOKS

 

SANCTUARY BOOKS

 

KEN SANDERS RARE BOOKS

 

Featured item:

 

Signed, Limited Edition Poster by Artist Leia Bell: Poetry is Wanted Here 

Poetry is Wanted Here

Alex Caldiero (Hosted By) Ken Sanders with Producer Lara Jones. Third Thursday of Every Month 10:30-11:00 AM. KCPW 88.3 FM (Poster). 2007. Poster in mustard yellow, black, and white [15 1/2 x 12"] Fine. Signed, dated, and numbered by Leia Bell in the bottom margin. The poet, Alex Caldiero, has signed the poster below his portrait. One in an edition of 75.

Offered by Ken Sanders Rare Books and featured in their new "Leia Bell Catalog" (item #16).

 

 

SAVOY BOOKS

 

E.K. SCHREIBER

 

SCHUBERTIADE MUSIC & ARTS

 

SCHULSON AUTOGRAPHS

 

SCIENTIA BOOKS

 

GARRETT SCOTT, BOOKSELLER

 

SECOND LIFE BOOKS

 

SECOND STORY BOOKS

 

MARC SELVAGGIO, BOOKS & EPHEMERA

 

ED SMITH BOOKS

 

TAMINO AUTOGRAPHS

 

 TAVISTOCK BOOKS

 

TEN POUND ISLAND BOOK COMPANY

 

MICHAEL R. THOMPSON RARE BOOKS

 

THORN BOOKS

 

TOMBERG RARE BOOKS

 

Featured item:

 

INTERNATIONAL LADIES' GARMENT WORKERS' UNION
Signature of 450,000: This publication is a presentation of the 65th Anniversary Convention of the International Ladies' Garment Workers' Union, Miami Beach, Florida, May 1965.

ILGWU Animation
New York: ILGWU, 1965. 64 pages. Compilation of photographs that tell the history of the ILGWU to commemorate the union's 65th anniversary. Original union receipt, showing purchase of this book, tipped in. Side-stapled with tanning to edges of back cover. Mild wear to front cover with a minute crease to the edge of the right upper corner; lower right corned and pages slightly creased as well, not effecting text. Circular stain on the letter "u" of title, not effecting readability, else very good.

Offered by Tomberg Rare Books, featured in E-list #20 (item #11). This item is not listed on abaa.org.

 

TRIOLET RARE BOOKS

 

UNIVERSITY ARCHIVES

 

VAMP & TRAMP, BOOKSELLERS

 

THE VEATCHS ARTS OF THE BOOK

 

Featured item:

 

Nine Rare Italian Color Xylographed Papers

Remondini & Rizzi.

Decorated Papers

18th century & later. Full sized, unused sheets. Six of the papers are known or presumed to have been printed by the Remondini factory. Three are later printings by Rizzi from the original Remondini blocks and bear the Stampa Remondiniani PESP blindstamp. Most in very good condition. The stars of the group are a matched pair (each 16 x 13 inches): Remondini's view of Venice surround by a large bouquet on a blue diaper pattern background, along with its Rizzi recreation. There are 3 Remondini bookbinding papers (17 1/2 x 14 1/2). Two sheets of Remondini wall paper (21 1/2 x 17 1/2). These have some fraying and are in good condition. There are 2 more Rizzi PESP recreations of binding papers. 

Full, unused papers such as these are rare. The papers were printed on a hand press, using vegetable dyes (probably in paste, rather than ink) on wood blocks; sometimes with copper pins or strips mounted on them for tiny details. A different block was cut for each design and for each color. The papers were typically stored folded in half. When a paper has two identical images with a narrow space between, it was meant to be cut in half.

Remondini, establishing his printshop in Bassano in 1649, was soon renowned for his wood block and copper prints and block-printed papers. He dominated the c18 market, employing a thousand persons, with 38 printing presses, a paper mill, die foundry, and a trade school of woodcarving. When the firm closed in 1861, about a thousand of the old blocks were rescued by a group of 4 enthusiasts: Pasoli, Esengrini, Suardi, and Ponti (hence the P E S P stamp). They granted Giuseppe Rizzi of Varese a license to print them—if he used the original methods. The last Rizzi died in 1939. As part of the nobles’ bequest some 400 remaining woodblocks were given to the Museo Civico in Bassano.

Offered by The Veatchs Arts of the Book, and featured in Remondini & Rizzi Decorated Papers. This item is not listed on abaa.org.

 

WALKABOUT BOOKS

 

JEFF WEBER RARE BOOKS

 

Featured Item:

 

KOPAL, Zdenek (1914-1993); Robert W. CARDER. Mapping of the Moon; past and present. 

Lunar Chart

Drodrecht-Holland & Boston: D. Reidel, 1974. Series: Astrophysics and Space Science Library, vol. 50. 8vo. viii, 237, [3] pp. Illustrated (3 plates are folding), index. Gray cloth with blue printed lettering. Ownership signature of John Westfall. ISBN: 9027703981 First edition. Important work. Includes a history of lunar mapping 1600-1960.

"Kopal was born and grew up in Litomyšl (Czechoslovakia, now Czech Republic). In his early astronomical career, he studied variable stars and in particular close eclipsing binary stars. He attended Cambridge University in 1938 and later that year he went to Harvard College Observatory. After the war he became head of the astronomy department at the University of Manchester. He later assisted NASA with the Apollo program as an external expert. He was Editor-in-Chief of the journal Astrophysics and Space Science since its foundation in 1968 until his death in 1993." (Wikipedia)

Offered by Jeff Weber Rare Books, and featured in their Catalog 215 (item #28).

 

 

ADAM WEINBERGER RARE BOOKS

 

WHITMORE RARE BOOKS

 

Featured item:

Alice’s Adventures in Wonderland

by Lewis Carroll

Alice

London: Macmillan & Co., 1866. Second (first published) edition. The book that forever changed the face of children’s literature. In the original publisher’s red, gilt-stamped cloth, gilt edges, light blue end papers, Burn & Co. binder’s ticket on lower pastedown. A Very Good copy, recased, preserving the original spine. Minor spotting and soiling to the cloth. Contemporary owner’s signature on the front end paper. Early issue with the inverted “S” on the last line of the contents page. Housed in a custom clamshell case.

Cleverly crafted by Oxford don Charles Dodgson under the pen name Lewis Carroll, Alice’s Adventures in Wonderland remains one of the most influential pieces of children’s literature ever written. The book has been published in more than 112 languages and defined the popular “nonsense” genre of writing in the 19th century. While teaching mathematics and living at Christ Church College, Dodgson developed a close friendship with the daughters of the college dean and told them tales of Wonderland. Alice, ten years of age at the time, begged Dodgson to write them down and soon after the story took shape.

While the original manuscript given to Alice, which was hand written and illustrated by Dodgson, remains with the British Library, Dodgson published the story in 1865 with accompanying illustrations by John Tenniel. The first 2,000 copies were not distributed because Tenniel was dissatisfied with the print quality. Macmillan quickly reprinted the book using this 1866 title page, with copies available as early as November 1865, making this the first “published” edition available for purchase at bookstores. The 2,000 unbound sheets that were rejected by Tenniel were sent to the U.S. publisher, Appleton & Co., who bought the rights and used them as the first U.S. edition approximately six months later in 1866. Very Good.

Offered by Whitmore Rare Books and featured in "Catalog 19" (item #10).

 

JOHN WINDLE ANTIQUARIAN BOOKSELLER

 

CHARLES B. WOOD, BOOKSELLER

 

WOODBURN BOOKS

 

YESTERDAY'S MUSE BOOKS

--

 

Remember, you can always browse and download the latest catalogs published by ABAA members on ABAA.org by visiting the following link: https://www.abaa.org/catalog/... (You can also access this page by selecting 'Booksellers' from the top menu, scroll to the bottom of the page to 'Member Catalogs', and click on 'View All'.)

 

Photo credit: Various items from Old Imprints' new catalog, A Magazine's Eye View of the 20th Century.


 

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Stolen: “The Maltese Falcon”

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A copy of The Maltese Falcon was reported stolen from Rhode Island. We were provided with the following details on this particular copy:

  • Inscribed on the upper right-hand corner of the first page was "R Stackpole” and written just below was "to Carol”
  • The book had no stains, no rips, no other writing, no fringe tears, and was wrapped in white tissue paper.
  • Regarding the wrapping: #1) the colorful book-cover lightly enclosed in airy white tissue paper in its own box-the lid was exteriorly taped shut on all for corners and # 2) the book itself was loosely wrapped in white tissue paper and placed in its own airy lidded box; which was taped the same way. Both containers had written on the exterior tops, "VERY VALUABLE BOOK DO NOT OPEN" and underlined. 

If you have any information on this item, please contact Carol Cummings at (401) 846-2126 or her attorney Gordon Cleary at (401) 523-7726.

Rare Book News

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A quick roundup of the news about rare books and collectors from around the world. (Regularly updated, with the latest news items added at the top.)

 

By Her Own Hand

By Her Own HandRare book and manuscript specialist Miranda Garno Nesler & Dan Whitmore, founder of ABAA-member Whitmore RareBooks (Pasadena, CA) have created a new publication, By Her Own Hand, that highlights the rare written work of women and women of color. LA Times published this article...

 

UP CLOSE AND BOOKISH: Booksellers' Showcase Tours at RBMS19

The RBMS Membership and Professional Development Committee is pleased to announce the annual ABAA Booksellers’ Showcase Tours, which will take place on Wednesday, June 19, from 3:45 – 4:30 p.m.  Intended to encourage interactions between booksellers and special collections, this informal introduction to the RBMS19 ABAA Booksellers’ Showcase will introduce attendees to various booksellers, examine items, and consider how materials on the market can be utilized for instruction and research as well as in collection-building. (Read more...

 

BARRY MOSER: THE STORIED ARTIST

Barry Moser: The Storied Artist” is the current exhibition at ABAA-member Bromer Booksellers' 'Bromer Gallery' space until August 16th, 2019. In his first Boston show for several decades, the celebrated artist, illustrator, and storyteller will once again captivate viewers with his original artwork, including drawings, watercolors, and portraiture, as well as books and prints for many of Moser’s most famous works.

THE REVERIE OF ALICE'S SISTER OVER THE QUEEN'S ROSE GARDEN (UPSIDE-DOWN) by Barry Moser

THE REVERIE OF ALICE'S SISTER OVER THE QUEEN'S ROSE GARDEN (UPSIDE-DOWN).

1982. Three engraved prints. Signed. Unique impression. (24 by 20 in.).

 

"Barry Moser: The Storied Artist" was featured on the Fine Books & Collections blog in a post titled "Barry Moser Exhibit Roars into Boston Book Arts Gallery" and the May/June issue of Artscope Magazine included a piece about the exhibit titled "Wood Engraved Adventures: Barry Moser’s Illustrations at Bromer Books"... 

 

New ABAA Members

Get to know the newest members of the Antiquarian Booksellers' Association of America...

 

Following Environmentalist Edward Abbey's Footsteps in the Utah and Arizona Deserts

The LA Times knows no pilgrimage in the footsteps of Edward Abbey is complete without a stop at ABAA-member Back of Beyond Books (Moab, Utah).

 

Hamilton Letter, Stolen from Massachusetts Decades Ago, Resurfaces

ABAA-member Seth Kaller, Inc. provided some hostorical background to tha Boston Globe for this piece on the rediscovery of a long-missing letter by Alexander Hamilton.

 

The Folger's Future

Fine Books & Collections has an update on the Folger's major expansion plans...

 

Winchester Bible to go on Display 

If you're in the UK, check this exhibition out!

"Using a goose feather quill, a solitary scribe spent four years writing the words in Latin on the skins of 250 calves, before six artists began sumptuous illuminations using gold leaf and lapis lazuli from Afghanistan. Although it was never quite finished, the Winchester Bible finally weighed in at the medieval equivalent of 32kg.

Now the largest and most beautiful of 12th-century Bibles is to go on display following a five-year conservation project as part of a landmark exhibition at Winchester cathedral, opening next week...

 

Unknown Cache of Weegee's Crime-Scene Photos Discovered

Fascinating story about an artist who bought a box of old photos in 1970, and forgot about them for 50 years. After finding the box and working to unstick the curling bundle of images, he discovered they were largely unknown original photos by the pioneering photographer known as Weegee.

 

Judge's Copy of Lady Chatterley's Lover Temporarily Barred from Leaving UK

"A copy of Lady Chatterley’s Lover used by a judge at the book’s landmark 1960 obscenity trial, with all the rude bits carefully and dutifully marked up by his wife, has been temporarily stopped from leaving the UK...."

 


Featured item:

Lady Chatterley's Lover (First American Edition)

By D.H. Lawrence

Lady Chatterley's Lover

New York: Alfred A. Knopf, 1932. First American edition. Hardcover. Very near Fine/Very Good. 327 pp. Bound in the publisher's bright orange cloth with black lettering on the front board. Price of $2.50 on the front flap of the dust jacket. First printing of the first American edition.

Banned for obscenity in both the US and Britain in its original form, abridged editions were published in both countries in 1932. Ahearn APG 043f. An exceptional copy of a book of great importance in the history of censorship, scarce in collectible condition. A very near Fine book in a Very Good dust jacket with fading to the spine panel, a small crease to the rear flap, a few small spots of rubbing, and a couple of tiny closed tears.

Offered by Evening Star Books.


 

Susan Sontag True Author of Ex-Husband's Book, Biography Claims

"A new biography of Susan Sontag is set to claim that the American writer was the true author of her first husband Philip Rieff’s seminal work Freud: The Mind of the Moralist..."

 

Private Libraries That Inspire

The Wall Street Journal profiles the private libraries of Jay Walker, Don Elledge, and Richard and Donna Clayton in this article from April 25.  ABAA-member John Windle provided some context.

 

Brattle Book Shop in The Heights Magazine

Nice profile of ABAA_member Brattle Book Shop in Boston College's The Heights Magazine...

 

A 500-Year-Old Tale of Intrigue, Greed and Betrayal

The New York Times reviews The Lost Gutenberg: The Astounding Story of One Book’s Five-Hundred-Year Odyssey by Margaret Leslie Davis.

 

Longtime ABAA-member William Pinkney III has passed away. Obituary...

 

Carnegie Library Theft Update

A Geneva Bible recovered from the Netherlands heads the list of many books and maps recovered from the Carnegie Library thefts. Read more... 

(Reminder: you can check the list of missing material here...)

 

Rare ‘Harry Potter’ Book Featuring Misspelled Title Fetches $90,000 (LA Times)

First editions of Harry Potter and the Philosopher's Stone are still in demand, but there are fabulous items to be found elsewhere in the realm of Harry Potter books, and not all carry mouth-watering price tags! Read our updated introduction to Collecting Harry Potter...

 

ILAB LAUNCHES PROVENANCE SYMPOSIUM VIDEO ARCHIVE

In March 2019, the International League of Antiquarian Booksellers, the Antiquarian Booksellers' Association of America, and the Grolier Club presented a symposium to consider issues surrounding provenance, theft, and forgery as they affect the rare-book trade. The various talks and panels were recorded, and are now available to watch online. Learn more...

 

 

Two ABAA Members Among "The Best Bookstores in All 50 States"

Mental Floss names Maryland's Second Story Books and NYC's Strand Bookstore among the best. 

 

Jail Time Assessed for Theft of Mormon Books and Photographs from Utah Library

RareBookHub reports that "Kevin Mark Ronald Schuwer has been sentenced to four months in jail for the theft of eight books and a photograph from the Brigham Young University Library." Read more...

 


Previous stories...

 

April Fool's Day Humor

London's Institute of English Studies pranked bibliophiles on April 1st by announcing their new "MA/MRes programme in the History of Book Scent" on Twitter. Several amused correspondents reported that it was the use of the dreaded comic sans in the announcement that gave the joke away, not the subject matter... 

MA in Book Scent

And on the subject of the much-romanticized smell of "old books," filmmaker Kyle Lavore’s short film “That Smell” introduces the world to “the secret and persecuted world of book sniffing.” The film has won numerous awards at festivals in the US and Europe, possibly indicating the truly international appeal of the distinctive antiquarian book aroma. Watch “That Smell” on Vimeo...

“You don’t read the books that you smell? Then you are missing out on the whole experience!”

 

Kane Memorial Scholarship

In memory of long-time member George Robert Kane (Oct. 6, 1913–Nov. 28, 2009), the Northern California Chapter of the Antiquarian Booksellers’ Association of America has decided to offer an Educational Scholarship to people currently working in or actively pursuing a career in the book trade seeking to further their knowledge. The Scholarship will pay tuition cost (up to $1,500) for participation in a course of study offered by the following programs in the Summer/Fall of 2019: California Rare Book School (Los Angeles); Colorado Antiquarian Book Seminar (Colorado Springs); Rare Book School (Charlottesville, Virginia). Further details... 

 

Florence Shay Scholarship to the Colorado Antiquarian Book Seminar

In honor of long-time member Florence Shay (1922-2012), the Midwest Chapter of the ABAA offers an educational scholarship to booksellers from the Midwest Chapter region to attend the 2019 Colorado Antiquarian Book Seminar. Further details can be found here...

 

Microsoft Announces it will Shut Down Ebook Program and Confiscate its Customers' Libraries

No, this isn't some story about life in an authoritarian society pulled from some science-fiction novel (but it is reported by science-fiction author Cory Doctorow); Microsoft are shutting their ebookstore down, and because their files incorporate Digital Rights Management software the files are being deleted from their "owners" virtual bookshelves. While buyers will be refunded for the books they thought they purchased, it will no doubt be a huge inconvenience, and may make others think twice before buying ebooks. 

Thankfully, bricks 'n' mortar bookstores may have a replacement for this failing ebook industry: physical printed books and a promise that bookstore owners will not break into your house to steal "their" books back if they ever go out of business. It's a business model that just might catch on... 

 

Historic Manuscripts Saved From Fire at Karpeles Manuscript Library Museum

"Historic artifacts, including a copy of the proclamation of France's approval of the Louisiana Purchase and a yearbook from Fidel Castro's high school, were rescued Tuesday night from a four-alarm fire that damaged the Karpeles Manuscript Library Museum in St. Louis." Read more...

 

New Exhibition at Les Enluminures: The Lombard Haggadah

"For Passover, Les Enluminures presents a series of events that center on a remarkable medieval manuscript: a Haggadah with seventy-five watercolor paintings created in the circle of the famous artist Giovannino de Grassi (d. 1398) in Milan in the late fourteenth century. Telling the story of the flight of the Jews from Egypt based on the biblical book of Exodus, the Haggadah was - and still is - used during the Seder, the ritual meal of the first night of Passover. Its text has been richly illustrated by many artists in different countries for over seven hundred years." (Learn more about this exhibition...)

Lombard HaggadahEXHIBITION: Friday April 12, 2019 to Sunday April 20, 2019

LECTURE: Wednesday April 10, 2019

CONFERENCE: Sunday April 14, 2019

Full details...

 

Seth Kaller, Inc. Announces Display of Historic Documents During Dallas Run of Hamilton

Exciting news for history buffs and Broadway fans in Texas: "Dallas Summer Musicals (DSM), in partnership with the Dallas Public Library and Seth Kaller Inc., announced today that a collection of Revolutionary War and Founding Era documents will be on display at the Music Hall at Fair Park during the Dallas engagement of HAMILTON from April 2 to May 5. The centerpiece of the display will be the Dallas Public Library's rare, July 4, 1776 broadside of the Declaration of Independence..." (Read more...

ParksCitiesPeople: The unique collection of historic documents will be on display, free of charge, in the lobby of the Music Hall at Fair Park through May 5.

 

The Boston Globe profiled Greg Gibson, ABAA member and gun-reform advocate, who recently made a short documentary interviewing the man who murdered Gibson's son.

 

Dan Whitmore on the Art and Joy of the First Edition Book

 

The ABAA is accepting entries for the 2019 National Collegiate Book Collecting Contest...

Entries must be received by June 13, 2019.

 

The Washington Post outlines plans to make the Library of Congress more accessible and visitor-friendly, and the inevitable fears that any change is too much change...

 

Get ready for "The Booksellers" documentary, described as a "behind the scenes look at the New York rare book world," and featuring interviews with many ABAA members. No release date at the moment, but let the excited anticipation begin. 

 

Victoria Dailey, an emeritus member of the ABAA, recently published a new article in the LA Review of Books. "Pavement Nymphs and Roadside Flowers: Prostitutes in Paris After the Revolution" begins like so many conversations with bibliophiles do:

"Some years ago I acquired a small, modest-looking French book published in 1826 that would become the source of my interest in women and prostitution in Paris, especially after the French Revolution..."

Read Pavement Nymphs and Roadside Flowers...

 

The Unforged Truth Behind "Can You Ever Forgive Me?"

Actress Melissa McCarthy is an Oscar contender for her role as biographer turned literary forger Lee Israel in the film Can You Ever Forgive Me? The film spins Israel’s criminal career for laughs, but the truth was less humorous.

David LowenherzABAA-member David Lowenherz (Lion Heart Autographs) was one of the antiquarian book dealers deceived by Israel and her partner Jack Hock, and also the man who alerted the FBI to her schemes. Hock and Israel were arrested after a sting operation that involved Lowenherz wearing a wire to record Hock’s “confession” while selling some stolen letters. Lowrenherz recently wrote an intriguing review comparing the film to reality for Reel Chicago, because, as Lowenherz states, "the facts are, in some ways, more compelling and devastating than what the film shows."

 

 

ABAA-member The Raab Collection share a few of the steps that go into authenticating historical documents, such as these signed by Alexander Hamilton.
 

 

 

 

Don't miss our weekly selected highlights from around the site...

Selected Highlights Animation

 

 


 

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Books of the Week

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Our members list new acquisitions and recently catalogued items almost every day of the year. Below, you'll find a few highlights from these recent additions...

 

La Gallerie des Femmes Fortes

by Pierre Le Moyne

Femmes Fortes Animation
La Gallerie des Femmes Fortes, in its twenty sections, pictures and discusses twenty womenfrom history who exemplify leadership qualities of both mind and body, including those qualitiesof the warrior. Le Moyne created a compendium of heroines from four epochs: early Jewish,barbarian (i.e. non-Greeks), Roman, and Christian figures. Each heroine is pictured in a largeengraving (emblematic of her strengths). The engraving is followed by a description, a sonnet,an eulogy, a moral reflection, a moral question, and an example drawn for modern history.

Offered by Golden Legend.

 

X-1 Test Pilots Signed Photograph (Chuck Yeager, Slick Goodlin, Scott Crossfield, Pete Everest, Bob Campine, Joe Cannon, John H. Griffith)

X1

Original black and white photograph of a Bell X1-6062 supersonic aircraft signed by eight iconic test pilots including Chuck Yeager, Slick Goodlin, Gus Lundquist, Scott Crossfield, Pete Everest, Bob Campine, Joe Cannon, and John H. Griffith. In fine condition. Matted and framed. The entire piece measures 16.5 inches by 14.5 inches. The rocket-engine-powered Bell X-1 was conceived as a part of a joint supersonic research project conducted by the National Advisory Committee for Aeronautics, U.S. Army Air Forces, and U.S. Air Force. In 1945, the X-1, piloted by Chuck Yeager, became the first manned airplane to exceed the speed of sound in level flight.

Offered by Raptis Rare Books.

 

A vast collection of ca. 2500 photographic postcards (ehagaki) of kabuki actors in costume, along with a large selection of kabuki-related vernacular photographs

Kabuki Postcards

Japan: ca. 1912-80. A large and impressive ensemble of Japanese photographic postcards depicting kabuki actors. Photographic postcards effectively replaced ukiyo-e woodblock prints which were enormously popular through 1900. This collection documents the rise and fall of great actors, the evolution of costume styles, the various sets and decorations employed on stage, as well as the proliferation of photographic postcards as mementos and collectible memorabilia. Offered with this collection is a series of vernacular photographic prints of actors, many from the early 20th century. Japan's postal system was established in 1870 as part of many Meiji era reforms to modernize the country.

All postcards were produced by the government until 1900. Initially, postcards served a commemorative purpose, printed with images of famous events and holidays. Following the Russo-Japanese War in 1904-5, many thousands of postcards celebrating victories were sold and demand increased exponentially. By the 1910s, progress in photographic printing enabled the mass-production of photographic postcards, such as those represented in the present collection. Such postcards featuring legendary kabuki actors superseded the genre of woodblock prints yakusha-e (actor prints), an offshoot of ukiyo-e. This new type of memorabilia, called ehagaki (picture postcard), developed in parallel to buromaido (photographs of movie and kabuki stars).

Our comprehensive collection of postcards and photographs contains examples of both. Actors are generally depicted in costume on stage or in a photo studio; however, there are a large number depicting them away from the stage, often with their families. These mementos were either distributed in advance of a performance for promotional purposes or sold at the theater to devotees. An avid community of collectors for this material emerged within a short time. On many of the postcards there are notes or messages which note the date of the performance, the actors who performed, and the name of the play. Others have this information printed. There are also several examples of postcards printed with dialogue from iconic scenes. One series of photographs has been signed in red or black ink by the great kabuki actor depicted, Sawamura Yujiro. Another series bears the stamps provided by theaters to those attending so that they could commemorate and show off their visits. A few more depict the cast on stage during a performance for their "curtain call." Many candid photographs show the actors as they prepare for a performance, applying their makeup, rehearsing lines, and putting on their costumes.

Another highlight of our collection is its considerable number of early photographic celebrity "stills" of the kabuki actors. They were likely produced in the early 1910s and reveal costumes and makeup from the period. These earlier examples were clearly not intended as postcards since they lack an indicated location for the stamp, a message, and an address. It is possible these are precursors to mass-produced buromaido and photographic postcards which constitute the bulk of this collection. Printed on larger format paper that is rather thick, these photographs would have been far more expensive. One series, in particular, consists of photographs taken among the audience during a performance, with the heads of fellow attendees in the way.

Celebrated actors represented on the postcards in this collection include (with last names first): Nakamura Utaemon, Onoe Baiko, Nakamura Ganjiro, Ichimura Hazaemon, Ichikawa Sadanji, Onoe Kikugoro, Nakamura Kichiemon, Ichikawa Danjuro, Matsumoto Koshiro, Kataoka Nizaemon, Nakamura Senjaku, Nakamura Kanzaburo, Nakamura Kinnosuke, Yorozuya Kinnosuke, Onoe Matsusuke, Sawamura Sonnosuke, Bando Tamasaburo, Ichikawa Danshiro, Ichikawa Ennosuke, Ichikawa Ebizo, Bando Mitsugoro, Nakamura Fukusuke, Ichikawa Chusha, Nakamura Shikan, Jutsukawa Enjaku, Onoe Shoroku, Sawamura Kinjuro, Sawamura Yujiro, Nakamura Tokizo, Kawarazaki Tokizo, Kawarazaki Kunitaro, Bando Hikosaburo, etc., etc.

DATING THE POSTCARDS: We are able to date the ehagaki based on several features. Layout: Division between address and message on the verso of the postcard 1910-1918 - The dividing line leaves the bottom third of the card for the message. 1918-present - In most cases, the line divides the reverse of the card into halves. Reading: "Postcard" (or yubin ha(ka)gaki) label on verso. Pre-1945 - Japanese is printed right to left. Post-1945 - Japanese is printed left to right. Reading of hagaki: Pronunciation of middle syllable. Pre-1933 - Written hakaki without consonant mark. Post-1933 - Written hagaki with consonant mark. Thickness: Postcards on thicker stock are generally older. We know of no comparable collection of this material related to Japanese theater outside of Japan. Our ensemble of several thousand photographic postcards is in fine condition. A few of the earlier examples are slightly worn or faded but overall the postcards and photographs are in an excellent state of preservation. ❧ Kenji Sato, "Postcards in Japan: A Historical Sociology of a Forgotten Culture," in International Journal of Japanese Sociology, (2002) no. 11, accessed online.

Offered by Jonathan A. Hill, Bookseller.

 

The Fairy Books: Blue, Red, Green, Yellow, Pink, Grey, Violet, Crimson, Brown, Orange, Olive and Lilac

by Andrew Lang (Editor)

The Fairy Books

London: Longmans, Green & Company, 1910. First Edition. Very Good. First edition. Andrew Lang's Color Fairy Books, complete in twelve volumes, all first impressions of the first edition: Blue (1889), Red (1890), Green (1892), Yellow (1894), Pink (1897), Grey (1900), Violet (1901), Crimson (1903), Brown (1904), Orange (1906), Olive (1907), Lilac (1910). The volumes average in Very Good, with fading to spines, foxing, light edge wear, soiling, or rubbing, bookplates or previous ownership markings, and toning to pages. Tear to cloth at base of spine of The Blue Fairy Book; Inner hinges tender or exposed in the Lilac, Orange and Grey; Corner clipped from front free endpaper in The Lilac Fairy Book. A lovely set Andrew Lang's Color Fairy Books, beautifully decorated in ornate gilt stamping. 

Offered by Burnside Rare Books.

 

Sir Lancelot of the Lake

by Lucy Allen Paton (Translation)

Sir Lancelot of the Lake
New York: Harcourt, Brace and Company, 1929. First edition. Hardcover. Fine/Good. 8vo. xx, 420pp. Illustrated from the manuscript. Red cloth, printed paper spine label. Label a little scuffed, neat presentation on the front free endpaper, else a near fine copy, The dustwrapper is worn and soiled but still presentable. The French prose romance of the 13th century translated by Paton from the Ms in the Bibliothéque Nationale.

Offered by Thorn Books.

 

The Oak, an Illustrated Monthly Magazine, Part I, May, 1868

The Oak, first issue

The Oak, an Illustrated Monthly Magazine, Part I, May, 1868. London: Houlston & Wright, Paternoster Row, 1868. [xvi; double frontispiece: Disraeli and a George Cruikshank illustration "The Yokel and the Acorn" for "Aesop Revived"; 64 pages; vi] 22.5 cm. 8vo. Advertising on the verso of the covers, 16 pages of introductory advertising and 6 pages following the text.

The portrait of Disraeli was drawn by Jack Dodds from a photograph by Southall. A biographical sketch of Disraeli is a featured article. This copy has not been opened. This is the first issue. One other copy is located at Yale. Covers detached. Internal condition near-pristine. First edition. Cohn 608. 

Offered by Gosen Rare Books. 

 

Vintage Official US Treasury Poster (Signed by John Bradley) 1945

Now All Together

n.d.. Original, twice signed, Vintage Official U.S. Treasury Poster with the official U.S. Government Printing Office stamp, dated 1945, followed with the code of 0-637980, and with the statement 'Official U.S. Treasury Poster / U.S. Marines at Iwo Jima, painted by C.C. Beall from Associated Press Photo" along the bottom edge. 18.5" x 26". Personally owned by John Bradley, and handed down to his son, James Bradley. Signed by both John Bradley and Renee Gagnon. The poster has strong vibrant colors with a 1/4" reinforcement to the verso top edge. A few locations of thinning paper, and a few very tiny pin holes, all of which are not visible unless the poster is held up to light. Expected folds, else near fine.

A signed magnificent original poster; personally owned by John Bradley and handed down to his son James Bradley, who has certified the piece was from his personal collection.

One of the most iconic images of U.S. Marines Iwo Jima , this picture was first caught as a photograph by Joe Rosenthanl of the Associated press and eventually won the Pulitzer prize. This image was later memorialized in Arlington Virginia as a national moment. Signed by both John Bradley as "John H. Bradley Ph. M2C Navy" and Renee A. Gagnon as "Pfc Rene A. Gagnon U.S.M.C."

The flag raising at Iwo Jima occurred twice in the battle. The first was at 8 AM on February 23, when Bradley and Navy corpsman, PhM2c. Gerald Ziehme (replaced PhM3c. Langley who was wounded in action on February 21), were part of the 40-man combat patrol (mostly from Third Platoon, Easy Company) were sent to climb up the east slope of Mount Suribachi to seize and occupy the crest and to raise an American flag to signal that the mountaintop was captured. On top, the Marines found a steel pipe to attach the flag unto. The flagstaff was taken to the highest position on the crater. Seeing the raising of the national colors immediately caused loud cheering from the Marines, sailors, and Coast Guardsmen on the beach below and from the men on the ships near the beach. After the flag was raised, Bradley, who was with the group of Marines near the flagstaff, pitched in to help the flagstaff stay vertical in the terrific winds on the volcano.

The Second Flag raising, the one memorialized by the Pulitzer prize winning photo, was initiated using a larger flag in order for the American flag to be seen more easily from the ships, beaches, and land off and around Mount Suribachi. Marine Sgt. Michael Strank was ordered to ascend Mount Suribachi with Marines from his squad and raise the replacement flag and return with the first flag that was flying on top.

A moment of enormous historical importance, beautifully memorialized in this stunning twice signed poster by two heros from Iwo Jima. John Bradley was one of the first flag raisers at Iwo Jima, and an awardee of both the Navy Cross and the Purple Heart for his contributions during the battle, and Rene Gagnon is best known for being one of the six flag-raisers who helped raise the second U.S. flag at Iwo Jima. A spectacular example made that much more significant with its important provenance. Documentation from Bradley's son who authored "Flags of our Fathers". 

Offered by University Archives.

 

Untitled World War I Lithograph known as 'De schop' or 'Et de deux'.

by Louis Raemaekers

WWI Lithograph
n.p.: n.p., 1917. First edition. Framed. Small marginal fold repaired when mounted to board, marginal foxing, still very good.. 1 sheet, mounted. Color lithograph. 33 x 22 cm. One of Raemaekers' iconic images. Signed in the plate and in the margin by the artist. World War I cartoon sketch of Uncle Sam kicking Berntsdorff (sic), wearing a German Helmet, in the rear-end down a flight of stairs (Count Johann Heinrich von Bernstorff [1862-1939] served, until his recall in 1917, as German Ambassador to the United States).

Louis Raemaekers (1869-1956) was the best known propaganda cartoonist of the First World War, with a German bounty on his head of 12,000Guilders. Raemaekers fled to England where he was wildly popular, and his worked was picked up by U.S. papers. Tours of his work brought out thousands of viewers, and Theodore Roosevelt wrote "The cartoons of Louis Raemaekers constitute the most powerful of the honourable contributions made by neutrals to the cause of civilisation in the World War," ("The Genius of Raemaekers," in Land and Water, 1917, Vol.12, p.19 ). See Collection Henri Leblanc: La grande guerre: iconographie, bibliographie, documents divers. t.5- (1915) p. 237.

Offered by Kaaterskill Books.

 

Broadside: Save your Child from Autocracy and Poverty. Buy War Savings Stamps

by Herbert Paus

Save Your Chjild Poster

(Washington, D.C.?): United States Treasury Department, 1917. Unbound. Fine. Illustrated broadside on paper. Measuring 20" x 30". Printed in color. Art by Herbert Paus. Illustration of an infant standing next to the torch of The Statue of Liberty. Old folds, else fine. A lovely copy of an attractive poster. 

Offered by Between the Covers Rare Books.

 

Jerry, the Backwoods Boy; or, The Parkhurst Treasure (Alger Series No. 95)

by Horatio Alger, Jr.

Jerry, the Backwood's Boy

Street & Smith Corporation Publishers, 1919. Trade Paperback. Good. 1919 printing (Bennett p. 188). Wrappers rubbed with a couple light creases, 1 inch chip from spine base. We have more books available by this author!. 248, [2] pp. A young adult novel by the author of numerous 'rag to riches' stories in the late 19th and early 20th centuries. Many of Alger's works were released in pulp paperback editions from 1900 to 1926. ABOUT THE AUTHOR: "Horatio Alger, Jr.

Offered by Yesterday's Muse.

 

Escape on Venus

by Edgar Rice Burroughs, John Coleman (Illustrations)

Escape on Venus (Edgar Rice Burroughs)
Tarzana: Edgar Rice Burroughs, Inc, 1946. First Edition. Hardcover. Near Fine/Very Good. Burroughs, John Coleman. First printing, octavo size, 347 pp. Acclaimed science fiction and fantasy writer Edgar Rice Burroughs (1875-1950) authored numerous stories set in diverse landscapes, from outer space to deep beneath the Earth, and he is best known for creating the characters of Tarzan and John Carter of Mars. "Escape on Venus" is the fourth book in Burroughs' Venus series, featuring the protagonist Carson Napier and his adventures on the planet Venus, called Amtor by its inhabitants. This volume is the first edition of Burroughs' novel, and is illustrated by John Coleman Burroughs (1913-1979), the son of Edgar Rice Burroughs, best known for illustrating numerous works by his father; his dark illustrations depict the grittiness of fantastic worlds and the creatures that populate them.

DESCRIPTION: Full blue pebbled cloth, red lettering on the front board and spine, top edge stained red, fore-edge rough cut, front endpapers with a map of Amtor in dark blue, frontispiece a black-and-white illustration by John Coleman Burroughs, full-page black-and-white illustrations by Burroughs throughout; octavo size (7.75" by 5.25"), pagination: [1-6] 7-347. In a paper dust jacket with full-colour illustration and black lettering on the front panel, black-and-white illustration and lettering on the spine, a list of novels by the author on the rear panel, a description of the book on the front flap, and a description of another novel by the author on the rear flap; the dust jacket is unclipped, but there is no price listed.

CONDITION: Volume is near fine, with clean boards, a strong, square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; some rubbing to the corners and edges, and bottom front corner is gently bumped, else fine. The dust jacket is very good, unclipped, with bright colours, clean overall with light soiling to the edges, overall edge wear with some small chipping to the head and tail of the spine and corners, and three small pieces of tape to the verso.

Offered by Swan's Fine Books.

 

GREATER LONDON PLAN 1944

by Patrick Abercrombie

GREATER LONDON PLAN 1944
London: His Majesty's Stationery Office, 1944. First Edition. Hardcover. Quarto 221 pages, VG/G+; spine is beige with black lettering; dust jacket is in a mylar covering, has moderate wear along the top and bottom edges, with chipping at the top and bottom of the spine, has several small closed and open tears, has several pieces of tape on the inside, has rubbing and discoloration throughout; binding has minor wear along the top and bottom edges, has heavy bumping on the fore edge corners, boards have minor warping; pages have minor age toning and warping; profusely illustrated with maps and photographs; contains a two part separate map of the masterplan.

After the German aerial invasion of Britain in World War II, so much of London had been destroyed that the British government organized and commissioned a large scale plan to rebuild and restructure the city. This was the largest rebuilding London had experienced since the Great Fire of 1666. 

Offered by Second Story Books.

 

Canterbury Tales 

by Geoffrey Chaucer

Canterbury Tales Animation

With Wood Engravings by Eric Gill [GOLDEN COCKEREL PRESS]. CHAUCER, Geoffrey. The Canterbury Tales. With wood engravings by Eric Gill. Waltham Saint Lawrence in Berkshire: Printed and published at the Golden Cockerel Press, 1929-1931. One of 485 numbered copies on Batchelor handmade paper, out of a total edition of 500 copies. Stated "File Copy" on colophon page, in lieu of a limitation number. Four folio volumes 12 x 7 1/2 inches; 307 x 190 mm). One full-page illustration, twenty-nine half-page illustrations, 269 decorative borders, tail-pieces, and line-fillers, and sixty-one initial letters (printed in black, red, or blue), all engraved on wood by Eric Gill. Bound by Sangorski & Sutcliffe in quarter niger morocco over patterned boards. Gilt-lettered spine with raised bands. Top edge gilt, others uncut. Spines lightly sunned to different degrees. A few very tiny chips to spines. Tips slightly bumped and with some rubbing. Housed in a morocco-tipped cloth slipcase.

Overall a handsome and desirable set which shows very well and the text is very clean. Most of the borders are leaf and stem, but among the leaves, hiding or beckoning, climbing or leaning out, are girls and men, kings and boys, priests and nuns who take part or seem to be commenting upon the stories...the pattern continues, affectionate and cheeky, erotic, enjoyable and relevant, decorative and explanatory, a balance of taste and eye. Borders are repeated, sometimes in new combinations. To start a new tale we have more elaborate and descriptive work with a red or blue initial letter...There they are, the characters in the tale, with their stage scenery...One other quality in these borders should be noticedótheir mannerism, the distortion of human figures sometimes so that they almost share the forms of leaf and stemóand sometimes grow from them. It is another, rather touching aspect of Gillís idea and all these manners work towards a single artóthe poetry, people, leaves, decoration and explanation. Author, artist and printer have shared one concept and expressed itî (Colin Franklin, The Private Presses, pp. 143-144). Chanticleer 63. Gill 281. HBS 68192.

Offered by Heritage Book Shop.

 

The Ristigouche and Its Salmon Fishing. With a Chapter on Angling Literature

by Dean Sage

The Ristigouche and its Salmon FIshing

Edinburgh: David Douglas, 1888. First edition, Number 88 of 105 copies. Aquatint title page partly printed in red after G. Reid by Annan and Swan, aquatint frontispiece after Reid by Annan and Swan, 16 etched plates after and by Stephen Parrish, Mrs. A.L. Merritt, C.A. Platt, H. Sandham, and others on japan paper, 63 etched, engraved, and wood-engraved headpieces, tailpieces, historiated initials, vignettes, and other ornaments after and by Merritt, Platt, J. Adam, and others, double-page lithographed map after and by J. Bartholomew on japan paper. 1 vols. Folio. Original olive green cloth with salmon and osprey design on upper cover, decorative endpapers. 

Some slight toning of spine, occasional spotting throughout, else fine. In custom green half morocco slipcase and chemise. First edition, Number 88 of 105 copies. Aquatint title page partly printed in red after G. Reid by Annan and Swan, aquatint frontispiece after Reid by Annan and Swan, 16 etched plates after and by Stephen Parrish, Mrs. A.L. Merritt, C.A. Platt, H. Sandham, and others on japan paper, 63 etched, engraved, and wood-engraved headpieces, tailpieces, historiated initials, vignettes, and other ornaments after and by Merritt, Platt, J. Adam, and others, double-page lithographed map after and by J. Bartholomew on japan paper. 1 vols. Folio. Family Copy, Inscribed to His Son. A book of almost legendary beauty, rarity, and importance, recounting the author's adventures at Camp Harmony on the Restigouche River in New Brunswick, and drawing upon his long experience fishing the river.

Dean Sage's contributions to angling literature are few in number but profoundly influential: "Ten Days' Sport on Salmon Rivers", published in the Atlantic in 1875, is a classic account. His library catalogue (2 vols.,1896, 1904) remains an important document in the history of angling bibliography and collecting. Sage's section on "The Atlantic Salmon," in Salmon and Trout (1902), is a synthesis of his own first hand knowledge as a fisherman and his assessment of the extensive literature. The Ristigouche and Its Salmon Fishing remains the work for which Sage is best known. A family copy of one of the pinnacles of nineteenth-century angling literature, inscribed to the author's son: "Henry M. Sage from D. Sage Nov 1896" Heckscher sale (1909) lot 1681 ($180.00); Catalogue de la bibliothèque de pêche de M.G. Albert Petit (1921), no. 1861; Phillips p. 328; Gee, Sportsman's Library p. 100; Sherwin sale (1946) lot 428; Wetzel p. 206; Bruns S4; Litchfield p. 58; Hampton (2008) p. 245; Bibliotheca Salmo Salar 117; Heller 2:469; not in Lande. Provenance: Henry M. Sage, with his bookplate.

Offered by James Cummins, Bookseller. 

 

Oriental Ceramic Art Illustrated by Examples from the Collection of W. T. Walters

by BUSHELL, STEPHEN W. 

Ceramics Animation
New York: D. Appleton, 1897. Limited to 500 (likely less). Hardbound. VG++ Ex art museum library set never used. An extremely fine set of this monumental work (22" x 17"), preserved in the original five woolen, silk and ivory chemises (each cover woven with two characters, Tao Shuo, 'Ceramics Records'), Grouped in pairs within these 5 covers, the books themselves bound with yellow paper, each with a descending dragon painted with green and red, and highlighted with gilt, below the title, 'Oriental Ceramic Art', and above 'Collection of W.T. Walters', followed by the section number (front cover) or a centered squarish image of a elongated vase with ornatesurrounding design (rear cover), the spines enforced with yellow silk. viii+429 pp with 116 mounted color plates each with textual tissue guards and 411 text illus. Etched frontispiece portrait. Separate (and much smaller) text volume: S. W. Bushell, Oriental ceramic art, 4to, original red cloth, xiii+1+942 pp. no illustrations (but with a previous owner paper label at base of spine, Top edge gilt).

As important as it is in the literature of oriental ceramics (important text by Bushell about Asian Ceramics, focusing primarily on Chinese imperial and export wares), the major importance of this great work is in the field of American chromolithography. It was the greatest test of Prang's skill as a lithographer. Katharine McClinton writes (in The Chromolithographs of Louis Prang); Three artists, including James Callowhill, worked for seven years producing paintings of the porcelains from which the color lithographs were made. Each plate required from twenty to forty-four separate stones." An excerpt from the introduction to this set further exclaims "The plates in color with which this work is illustrated were made by Louis Prang, of Boston. The work of every European house of importance was examined before Mr. Prang was asked to make lithographs of three pieces of porcelain of different colors - his immediate success determined the question, and when two years later some twenty of the plates were shown to French lithographers in Paris, their criticism was that the impressions had been fortified by color from the brush; they could not believe that work of such excellence could be produced by simple lithography. This very satisfactory opinion has been since confirmed by many lithographers, and it is conceded that these plates represent the highest type of work that has been produced in that branch of art." It is unknown how many sets were printed. As with the limited editions of privately published books on jades by Heber Bishop, dated 1906, the majority of Oriental Ceramic Art books were presumably given to major institutions, heads of state and friends of the collector.

This set is comprised of ten volumes of bound sheets. The sheets are each individually bound with cloth or silk tape to the bound edge of a short piece of paper, insuring a smooth and luxurious experience when opening the book and passing the pages from right to left. I have also seen this publication issued in ten parts which were comprised of loose sheets inserted into a portfolio of similar cover design as this set. These editions appear to have an orange binding tape along the bound edge of the boards, as well as folding flaps to keep the sheets within the covers.

The books record ceramics from the collection of William Thompson Walters (1820-1894) who was a celebrated devotee of art. William Walters was appointed Art Commissioner from the United States to the Paris Exposition Universelle of 1867 and 1878, and to the Vienna exposition in 1873. The text is written by Stephen Wootton Bushell (1844-1908), a physician to the British legation in Beijing whose writings made him one of the most important foreigners in promoting the understanding of Chinese ceramics in the Victorian period. In 1883, he was appointed by the Victoria and Albert Museum to buy Chinese ceramics, and in total Bushell purchased 240 pieces for the museum. In 1889, William Walters commissioned Louis Prang & Co., the foremost practitioners of the art of chromolithography, to reproduce choice examples of Chinese porcelain from his extensive collection. Chromolithography, now called color lithography, is a printmaking technique that uses a separate stone for each layer of color needed to produce the finished print. Prang's artisans engaged in the painstaking work of recording every detail of Walters' vases to produce richly colored lithographs that faithfully captured the surface and color of each ceramic piece. The production of the book took nearly sixteen years and brought together some of the nation's finest artists and craftspeople. The resulting publication, Oriental Ceramic Art by Dr. Stephen W. Bushell, was both a catalog of the collection and a work of art unto itself. When the book was released it immediately set a new standard for both the understanding of East Asian ceramics and for the art collection catalogue. To this day it remains a monument of great importance in the history of chromolithography and documents the foundation of one of America's greatest collections of Asian porcelain.

Offered by Mullen Books.

 

“No Nation is Drunken where Wine is Cheap”: Jefferson’s Famous Letter on Government and Wine

by Thomas Jefferson

Thomas Jefferson Letter

The retired founding father offers thoughts on the political economy of wine importation and foretells the future stability and prosperity of France after Napoleon. "…her constitution, as now amended, gives as much of self-government as perhaps she can yet bear… No nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage."

Autograph Letter Signed, to the Baron Hyde de Neville, December 13, 1818, Monticello. 2 pp., 7⅞ x 9⅝ in.


Complete Transcript:

Monticello Dec. 13. 18.

I thank your Excellency for the notice, with which your letter favors me, of the liberation of France from the occupation of the Allied powers. To no one, not a native, will it give more pleasure. in the desolation of Europe to gratify the atrocious caprices of Bonaparte, France sinned much: but she has suffered more than retaliation. once relieved from the Incubus of her late oppression, she will rise like a giant from her slumbers. her soil and climate, her arts and eminent science, her central position and free constitution, will soon make her greater than she ever was. and I am a false prophet if she does not, at some future day, remind of her sufferings those who have inflicted them the most eagerly. I hope however she will be quiet for the present, and risk no new troubles. her constitution, as now amended, gives as much of self-government as perhaps she can yet bear, and will give more when the habits of order shall have prepared her to receive more. besides the gratitude which every American owes her, as our sole ally during the war of independence, I am additionally affectioned by the friendships I contracted there, by the good dispositions I witnessed, and by the courtesies I received.

I rejoice, as a Moralist, at the prospect of a reduction of the duties on wine, by our national legislature. it is an error to view a tax on that liquor as merely a tax on the rich. it is a prohibition of it's use to the midling class of our citizens, and a condemnation of them to the poison of whisky, which is desolating their houses. no nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage. it is in truth the only antidote to the bane of whisky. fix but the duty [2] at the rate of other merchandise, and we can drink wine here as cheaply as we do grog: and who will not prefer it? it's extended use will carry health and comfort to a much enlarged circle. every one in easy circumstances (as the bulk of our citizens are) will prefer it to the poison to which they are now driven by their government. and the treasury itself will find that a penny apiece from a dozen is more than a groat from a single one. this reformation however will require time. our merchants know nothing of the infinite variety of cheap and good wines to be had in Europe; and particularly in France, in Italy, and the Graecian islands: as they know little also of the variety of excellent manufactures and comforts to be had any where out of England. nor will these things be known, nor of course called for here, until the native merchants of those countries, to whom they are known, shall bring them forward, exhibit & send them at the moderate profits they can afford. this alone will procure them familiarity with us, and the preference they merit in competition with corresponding articles now in use.

Our family renews with pleasure their recollections of your kind visit to Monticello, and joins me in tendering sincere assurances of the gratification it afforded us, and of our great esteem & respectful consideration

Th: Jefferson

Historical Background

Jefferson imported both wines and grape vines for cultivation from Europe. His cellar had vintages from France, Italy, Spain, Greece, Portugal, Hungary, and Germany, and he advised other chief executives on the best wines to serve at federal functions. He concludes his letter to Baron de Neuville by recalling the pleasure of their last visit together; an event at which fine wine was undoubtedly served: "Our family renews with pleasure their recollections of your kind visit to Monticello, and joins me in tendering sincere assurances of the gratification it afforded us, and of our great esteem & respectful consideration."

Rather than a letter on prohibition, Jefferson actually extols the virtues of moderation, putting forth the idea that the consumption of wine is much more salubrious than whiskey drinking. "No nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage." Although the subject of Jefferson's letter may seem to change abruptly, he had in fact already mentioned France's "soil and climate" as two of her great gifts, and the topic of wine duties was an appropriate one to discuss with the French minister. Madigan was projecting his own hostility to the eighteenth amendment when he described this letter as setting forth Jefferson's "views on the prohibition question." It is actually a carefully reasoned tribute to the health and economic benefits of wine, and one of longest passages on oenology by America's first great wine connoisseur. John Hailman's book, Thomas Jefferson on Wine (University Press of Mississippi, 2006), notes that "One of Jefferson's favorite topics in later life was how wine promoted sobriety," to which end he lobbied President Monroe and Treasury Secretary Alexander Dallas to lower import duties on French wine. Hailman cites a brief extract from this letter, lauding it because "it has so many quotable passages" (pp. 353–54).

An extraordinary and revealing letter, beginning with a warm encomium to France, "our sole ally during the war of independence," at the conclusion of the Napoleonic Wars. Jefferson, in contrast, reveals his longstanding antipathy to England and discomfiture at America's dependence on trade with England.

Provenance

Helen Fahnestock Hubbard (Parke-Bernet, March 27, 1956, lot 63). While the recipient of this letter is not indicated, the manuscript was purchased about 1930 by Thomas Madigan, who reveals in Word Shadows of the Great
that "Among the papers of Baron de Neuville, French Minister to the United States … I came across a letter of Thomas Jefferson in which the great democrat set forth his views on the prohibition question."

Offered by Seth Kaller, Inc.

 

O TO BE A DRAGON

by Marianne Moore

O Top Be a Dragon, Marianne Moore

New York: Viking Press, 1959. 1st edition, cloth, with printed dust jacket. A presentation copy, inscribed to Holly Stevens, the daughter of poet Wallace Stevens. The inscription reads: "Mine originally, Holly, since / it had an unintentional stripe / on the jacket that was there to / stay -- (now a dragon): yours / from a complimented author / pleased that you want it / Marianne / Sept 17, 1959" in black fountain pen ink on the FEP. The date is the publication date of the title, and Moore has additionally dated the copyright page "September 17" in her hand.

In typical Moore whimsy, the poet has created a drawing of a dragon on the dust jacket front cover, incorporating the "unintentional stripe" referred to in her inscription, and has titled the drawing "Dragon attacked by gnat" using the same black fountain pen ink as the inscription. A letter of provenance from the son of Holly Stevens is laid in. (Abbott A17.1.) Minimal sunning to jacket, else a fine representation of a remarkable association copy.

Offered by Jett W. Whitehead Rare Books.

 

A Game of Thrones (Advance Reading Copy)

by George R.R. Martin

A Game of Thrones

New York: Bantam Books, 1996. First Edition. Wraps. Very good/very good. 8vo. Original wraps in dust jacket. ADVANCE READING COPY (stated). Very good overall. Mild touches of curling and trivial small tears at edges of jacket. Pages lightly toned. Else sound and clean. 663pp. 

Scarce ARC of this Locus-winning first title in Martin's Song of Fire and Ice series, the basis for the wildly popular show.

Offered by Brian Cassidy, Bookseller.

 

LaRose (Signed, First Edition)

by Louise Erdrich

LaRose

NY: Harper, 2016. First edition, first prnt. Signed by Erdrich on the title page. Additionally, a facsimile of two ms pages with Erdrich's revisions printed on both sides of an illustrated broadside on heavy card stock is laid-in. Also laid-in is an illustrated bookmark from Birchbark Books, Erdrich's Minneapolis bookshop. Upon publication of the book, Birchbark sold an unspecified number of signed copies with the facsimile ms pages. Unread copy in Fine condition in a Fine dustjacket with an archival cover.. Signed by Author. First Edition. Hardcovers. 8vo - over 7¾" - 9¾" tall.

Offered by Revere Books.

 

Go Tell it on the Mountain

by James Baldwin

Go Tell It On the Mountain

A near fine first edition (so stated on the copyright page) in a near fine dust jacket. Previous owner's signature on the rear pastedown. Housed in a custom-made collector's slipcase. 

Offered by Bookbid.

 

 

View all new listings on abaa.org...

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Collection: Famous Doodles

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ABAA-member Claudia Strauss-Schulson, her son Todd and daughter Caren, have written a book -- Scrawl: An A to Z of Famous Doodles -- based on the extensive collection of illustrated letters and sketches built by the late David Schulson, founder of David Schulson Autographs, Ltd. (now Schulson Autographs). We asked the three Strauss-Schulsons to tell us about the book and the collection on which it draws.

 

ABAA: How did this collection come about?

Claudia Strauss-Schulson: The collection began with the intent to combine art with history. The collection built out from illustrated letters to include drawings of all sorts from the full range of human endeavor. The criteria for selecting a letter or drawing for the collection had to do with adding diversity and curiosity as the collection grew.

Scrawl

ABAA: How large is it?

Claudia: Larger than the number of pieces in Scrawl.

 

ABAA: You must come across doodles and marginalia all the time in your area of specialty. What gave you the idea to turn the collection into a book?

Todd Strauss-Schulson: In the months after Dad died, Caren and I had the idea of turning the private collection into an art book. Dad loved this material, and we grew up with it. The exciting part was not to do another historical book of letters, not academic or stuffy.  We wanted to do an art book that contextualized this material as art objects, as we had learned from him.

Caren Strauss-Schulson: Our dad was the perfect balance of serious and playful, and Rizzoli completely translated this sensibility in the design of the book.

 


ABAA: What factors did you use to curate the materials that ended up in the book? 

Claudia: Visual appeal, familiar names, cultural and historical range.

Caren: The pieces in the book are our favorites. It was important to us that the book appeals to all ages, targeting a younger demographic, and not just collectors.

 

ABAA: Which of you curated the selections? Were there any disagreements?

Caren: We all did it together over the course of a few weeks. The process was fun, we sat on the floor in the basement all together leafing through the collection and reminiscing and really seeing, as if it was the first time, the breadth and depth of this collection. The whole book is a celebration and a memorial. So, it was fun to work as a family and tend to his treasures. It’s surreal to have a tangible product that we as a family produced together.

Strauss-Schulsons

ABAA: Is there anything that did not make the final cut that you wish would have?   

Claudia: Yes, a sketch by Rene Magritte of an animal creeping out of a cap.

 

ABAA: What do doodles tell us about the artist or author?

Todd: There is something unconscious about a doodle. Your hand does it when your mind is busy doing other things. You doodle when you’re talking on the phone or bored in class or in a work meeting. They are almost like physicalized daydreams. What was so fun about growing up around this stuff was that I would sit in junior high and fill the margins of my textbooks with doodles, and then come home and dad had just bought some Eisenhower doodles on White House stationery. It obliterated any hierarchy. These great thinkers, artists, scientists, leaders… they all doodle. And their doodles are whimsical, and childlike in a way. Like mine. You get the sense that as a species, this drive to draw and create is fundamental. We all do it, it unifies and reveals our true nature in some ways.

Eisenhower Doodle

Caren: A doodle can also provide story and context, opening up a window to the thought process or “behind the scenes” of these great artists and thinkers. It can create a sense of intimacy and a deeper way to experience a person and their work.
 

ABAA: Do you think doodling is an art form we’re in danger of losing in the digital age?

Todd: Yes. Who wants to doodle when you can just send an emoji? We lose both the fun and insight doodling offers.

Caren: Everything is digital, I rarely have a pen or pencil in my hand. Both handwriting and the act of doodling is an art form we are in danger of losing, which is why this book is more important than ever!

Claudia: Doodling is also relaxing; it’s playful.


ABAA: Do you each have a favorite drawing or doodle in this book?

Claudia: In Scrawl, my personal favorite is Churchill’s signed and dated sketch of a Spitfire (or Hurricane).

Churchill Doodle

Todd: When I was seven, Dad would torture me with this Roland Topor. I thought the image was so scary—a field of women’s heads growing out of the ground like cabbage. Hair being braided… it was eerie in a way that gave me nightmares. And each night before bed dad would take the framed drawing off the wall and walk it into my room and say goodnight with it in his hands… like a prank! I had nightmares about it for years. Today it’s on the wall of my apartment… because I’m not scared anymore.

Topor Doodle

I remember the day Dad bought a collection of these pornographic dick pics by Fellini. He showed them all to me all giddy, explaining that they were hilarious self-portraits and that Fellini was a cartoonist before he was a filmmaker. In one drawing his penis was yelling at him, in the one pictured here a jockey is riding his phallus. I loved them… my mother, on the other hand, hated them. Dad wanted to put them on the walls of the house, I vividly remember her saying to him “over my dead body, and keep them away from the kids!” For me, it’s a personal victory to get one of these in the book. Dad is somewhere giggling at it still.

Fellini Dick Pic

Caren:

(1) Claude Monet: I love the use of doodling in this autograph letter by Claude Monet. It was written to his art supplier while painting his very famous Water Lilies series. In this letter, he is ordering a dozen flat brushes that he needs in order to complete his works. He sketches the brush, to ensure nothing gets lost in translation, demonstrating the exact dimensions of the flat paintbrush. I love seeing this impressionist painter doodle for a very practical purpose.

MOnet Doodle

(2) Antoine de Saint-Exupery: Growing up The Little Prince was my favorite book. To this day it is the only book I have ever read in one sitting. This original pencil sketch hung outside my bedroom door and would evoke the same emotions I felt when first reading the story. Seeing the author’s early depiction of the Little Prince offers a window into the thought process of the character, a sense of intimacy and a deeper way to experience the work. I also can't forget the sketch of the Boa Constrictor swallowing an elephant which, as stated in the book, resembles a hat and always brings a smile to my face.

Saint-Exupery Doodle

 

Scrawl

 

Scrawl: An A to Z of Famous Doodles
Written by Claudia Strauss-Schulson, Todd Strauss-Schulson, and Caren Strauss-Schulson (New York: Rizzoli Publishers, 2019) is now available.

Latest Rare Book Catalogs

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Browse the latest catalogs, newsletters, and e-lists of rare books, fine bindings, incunabula, print ephemera, and much more from the members of the ABAA below. (Also includes podcasts, blogs posts, and other digital formats.)

 *New*  indicates any catalogs added this week. 

 

AARDVARK BOOKS/EZRA THE BOOKFINDER

 

CHARLES AGVENT

 

Featured item:

 

Walt Whitman, LEAVES OF GRASS.

Walt Whitman

Including Sands At Seventy ... 1st Annex, Good Bye My Fancy ... 2nd Annex, A Backward Glance O'er Travel'd Roads, and Portrait from Life. Philadelphia: David McKay, 1891-92. Ninth Edition. Original green cloth, uncut, top edge gilt. Illustrated with a frontispiece portrait of Whitman, another portrait of Whitman inserted at page 29, and four folding facsimiles of Whitman's writing. BAL 21441: Printing 1, Binding C. "Deathbed" Edition, Whitman's final arrangement of his work. This copy SIGNED on the title page by Pennsylvania ornithological artist Conrad Roland with his pencil notes in "A Backward Glance O'er Travel'd Roads" as well as a full-page of pencil notes at the rear about Whitman. In addition tipped in before the title page is a fine ORIGINAL INK AND SEPIA WATERCOLOR DRAWING of Whitman by Roland. Paper split at front gutter with cover a little loose. Two small portrait reproductions tipped in with one offsetting to the text opposite. Trivial wear to the binding. Near Fine. 

Offered by Charles Agvent, and featured in their new catalog "Walt Whitman" (item #4).

 

ANDERSON BUTLER RARE BOOKS

 

ANTIPODEAN BOOKS, MAPS, PRINTS

 

NICK ARETAKIS

 

ARTISAN BOOKS & BINDERY

 

ATHENA RARE BOOKS

 

AUGER DOWN BOOKS

 

BACK OF BEYOND BOOKS

 

LORNE BAIR RARE BOOKS 

 

W. C. BAKER RARE BOOKS & EPHEMERA

 

BARTLEBY'S BOOKS 

 

BAUMAN RARE BOOKS

 

BAY LEAF USED & RARE BOOKS

 

Featured item:

 

Attaboy; Annie Owens, eds. Hi-Fructose: The New Contemporary Art Magazine, Vol. 34.

Hi Fructose Animation

Richmond, CA: OuchFactory YumClub, Vol. 34, 2015. Wraps, 21.2 by 27.6 cm, 114 pp. plus 16- page bound-in Gary Taxali insert, heavily illus. Fine. Signed on the cover by Margaret Keane, who was at the forefront of the 1960s “Big Eyes” art movement. This issue also includes Faig Ahmed, Joanne Nam, Patrick Dougherty, Tricia Cline, Jonathan Viner, Gary Taxali, Tristan Eaton, Kris Kuksi, Floria Sigismondi, and a ten-page feature on Keane.

Offered by Bay Leaf Used & Rare Books, and featured in "E-list #27: Art" (item #4).

 

 

B&B RARE BOOKS

 

BEASLEY BOOKS

 

STUART BENNETT RARE BOOKS

 

F.A. BERNETT BOOKS

 

BETWEEN THE COVERS, RARE BOOKS

 

BIBLIOCTOPUS

 

BICKERSTAFF'S BOOKS, MAPS, &.

 

ROBIN BLEDSOE BOOKS

 

BLIND HORSE BOOKS

 

BOLERIUM BOOKS

 

THE BOOKPRESS, LTD.

 

BOOKS TELL YOU WHY, INC.

 

BOREAS FINE ART

 

BOSTON BOOK COMPANY

 

BOSTON RARE MAPS, INC.

 

IAN BRABNER, RARE AMERICANA

 

MARILYN BRAITERMAN

 

DAVID BRASS RARE BOOKS

 

BRATTLE BOOK SHOP

 

BRICK ROW BOOKSHOP

 

BROMER BOOKSELLERS

 

BUDDENBROOKS, INC.

 

BURNSIDE RARE BOOKS

 

ANDREW CAHAN, BOOKSELLER, LTD.

 

CAROLINIANA

 

CARPE DIEM FINE BOOKS

 

BRIAN CASSIDY, BOOKSELLER

 

CHURCHILL BOOK COLLECTOR

 

THE COLOPHON BOOK SHOP

 

W.S. COTTER RARE BOOKS

 

ROY CLARE ANTIQUARIAN BOOKS

 

CRAWFORD DOYLE BOOKSELLERS

 

JAMES CUMMINS BOOKSELLER

 

Featured item:

Indispensable Accomplishments (Series of Six Hand Colored Aquatints)

by Robert Frankland

Robert Frankland Aquatint

London: Published June 24th, 1811, by H. Humphrey, No. 27, St. James St, 1811.

First edition. Engraved title leaf with , six hand colored aquatint plates, signed in the plate "R.F. invt et fecit". 1 vols. Oblong 4to. Original (?) plain paper wrappers, stab-stitched, housed in a modern blue morocco slipcase and chemise, by Aquarius. The Alfred Barmore Maclay, Le Vivier (JOHN POYNTON) copy. Tooley 158 (under "Billesdon Coplow"); Siltzer p. 122; Biscotti, Six Centuries of Foxhunting, p. 148; Schwerdt I, pp. 186-187; Schwerdt I, pp. 186-187. Item #311425 

The engraved title leaf comprises four lines of whimsical verse and a paragraph of descriptive text signed "Billesdon Coplow"; the six numbered plates depict incidents of foxhunting: 1) Going along a slapping pace 2) Topping a flight of rails ... 3) Charging an Ox-fence 4) Going in and out clever 5) Facing a Brook 6) Swishing at a rasper.
A classic of English sporting illustration and the inspiration for Alken's Qualified Horses and Unqualified Riders.

Offered by James Cummins, Bookseller, and featured in their "Catalog 140: Sporting."

 

L.W. CURREY, INC.

 

DEWOLFE & WOOD 

 

DIVISION LEAP

 

WEBB DORDICK

  • Catalog #88, Medical Books from the Fifteenth to the Twentieth Centuries -- This catalog is print-only. To request a copy, contact MedBks@aol.com...

 

THOMAS DORN BOOKSELLER

 

JAMES M. DOURGARIAN, BOOKMAN

 

ECLECTIBLES

 

ELK RIVER BOOKS

 

LES ENLUMINURES

 

EUREKA BOOKS

 

EVENING STAR BOOKS

 

Featured item:

National Clearinghouse for Drug Abuse Information. Marihuana; Narcotics; LSD; Sedatives: Some Questions and Answers

Narcotics Pamphlet

Washington DC: U.S. Department of Health, Education, and Welfare Public Health Service, Health Services and Mental Health Administration, National Institute of Mental Health, 1971. 4 pamphlets (each one a folded sheet), pictorial covers. Price of 10 cents ($5.50 per 100 and $6.75 per 100 for Marihuana) on the rear cover of each pamphlet. An occasional hint of foxing and edge wear, overall a beautiful, bright set of pamphlets on illicit drug usage. Each pamphlet is illustrated with psychedelic art on the front covers and in the middle sections, brilliantly reflecting the style of the early 70s. For the sedatives pamphlet, OCLC shows only one holding (at the National Library of Medicine). For each drug discussed, the pamphlets cover the current science on the effects of the drugs, how the drugs interact with the human body, and what the law dictates for possession and distribution of each drug under the Comprehensive Drug Abuse Prevention and Control Act of 1970.

The pamphlets discuss the effects of the drugs on young and expecting users, and they outline the nicknames drug dealers use for each substance. "Marihuana" notably is spelled with an h in the pamphlet offered here, not reflecting the use of the "j" in the spelling of the word to make the drug seem more foreign and therefore frightening ("The Mysterious History of Marijuana", NPR). Issued by the U.S. Department of Health, Education, and Welfare (Public Health Service), which from 1953 until 1979 was a cabinet level office now known as the U.S. Department of Health and Human Services ("A History of the Department of Health, Education, and Welfare", U.S. Government). The Clearinghouse had several publications from 1970 onward throughout the decade ("The Online Books Page", UPenn). A fascinating set of pamphlets that covers the science of the time on these substances, the history of the drugs, the laws surrounding their usage and distribution, and some of the stereotypes associated with the drugs. 

Offered by Evening Star Books, and featured in their "May 2019" list (item #3).

 

JOSEPH J. FELCONE, INC.

 

ARTHUR FOURNIER FINE & RARE

 

RODGER FRIEDMAN RARE BOOK STUDIO

 

FRANKLIN GILLIAM RARE BOOKS

  • OCCASIONAL LIST 22: A Miscellany: Original Art Work; Small Archive of Major English Watercolourist; Interesting Theatrical Pieces; Manuscript Material, Etc., Etc. -- available on request from fgrare@fgrarebooks.com...

 

GOLDEN LEGEND 

 

THOMAS A. GOLDWASSER RARE BOOKS

 

GOVI RARE BOOKS

 

JAMES GRAY BOOKSELLER

 

RICK GRUNDER-BOOKS

 

DAVID A. HAMILTON AMERICANA BOOKS

 

HARPER'S BOOKS

 

DONALD A. HEALD RARE BOOKS

 

JONATHAN A. HILL, BOOKSELLER, INC.

 

JEFF HIRSCH BOOKS

 

HONEY & WAX BOOKSELLERS

 

HOUSE OF MIRTH PHOTOS

 

JOHN HOWELL FOR BOOKS

 

S. HOWLETT-WEST BOOKS

 

IMPERIAL FINE BOOKS

 

JAMES S. JAFFE RARE BOOKS

 

JOHNSON RARE BOOKS & ARCHIVES

 

 

KAATERSKILL BOOKS

 

SETH KALLER, INC.

 

JOHN KEHOE BOOKSELLER

 

KEVIN F.  KELLY, BOOKSELLER

 

KELMSCOTT BOOKSHOP

 

Featured item:

Victorian Trade Cards (in Binder)
Victorian Trade Cards
A charming collection of Victorian lithographic trade cards and illustrations of various sizes and shapes. Trade cards were a popular advertising device in the mid to late 19th century. This collection of about 130 items was compiled by someone who thought it fitting to trim some of the cards to feature a particular image from them, leaving incomplete text. Most if the items, however, are intact. They comprise cards, a few postcards, and other illustrations that, where identified, come from east coast locations such as Providence RI, Springfield MA, and New York state. The items are in good to very good condition. They are housed in 30 plastic sleeves inserted into a modern three-ring binder. Size: about 8.5 x 11 inches. Very Good. 

Offered by Kelmscott Bookshop, and featured in their recent catalog "Scrapbooks, Albums, and More." (Item  #2.)

 

BEN KINMONT, BOOKSELLER

  • 27 New Gastronomy Acquisitions + 1 Radical Plea for Freedom, 1556-1897 (London Book Fair List) -- available on request from bkinmont@gmail.com 

 

 ERIC CHAIM KLINE BOOKSELLER

 

JOHN W. KNOTT, JR., BOOKSELLER

 

KUBIK FINE BOOKS, LTD.

  • Catalog #74: 100 Rare Books -- with an emphasis on history and military affairs. Please request from mail@kubikbooks.com...

 

KUENZIG BOOKS

 

MICHAEL LAIRD RARE BOOK & MANUSCRIPTS

 

LANGDON MANOR BOOKS

 

Featured item:


Banks, Spencer T., Original Artwork for a Weekly All African American Comic Strip, “Pokenia.”

Pokenia Animation

(St. Louis, Missouri: 1939). Sixteen pen and ink multi-panel comic strips on artist's board measuring from 63⁄4” x 141⁄4” to 71⁄4” x 17”. Generally good plus to very good, all with moderate to heavy edge wear, occasional chip, stain or crease; artwork is crisp and fresh.

This is a collection of original art for a comic strip entitled, “Pokenia.” The artist, Spencer T. Banks served in the Navy during World War II and ultimately made a living in St. Louis as a commercial artist. His works were displayed at the City Art Museum in exhibits of African American artists sponsored by the St. Louis Urban League in both 1939 and 1941. A 1946 article in the St. Louis Post-Dispatch described Banks' works that were exhibited at the People's Art Center. It stated he trained at that facility and that he was going to attend the Art Institute in Chicago, though we have been unable to determine if he ever enrolled.

Pokenia was apparently meant to be a soap opera continuity strip à la Mary Worth, a genre which started gaining popularity in the 1940s. Alice Ormes' “Torchy Brown in Dixie To Harlem” began running at the Pittsburgh Courier in 1937 and was one of the first strips centered on a black female character. The strips we have are sequentially numbered in pencil: 3-7, 9-18 and 30. Strip number 3 shows Pokenia receiving a sales job at a department store. Her looks caused the other women at the store to fear they would lose their husbands or boyfriends to Pokenia. She worked at the flowers counter in a store where all the employees and patrons appear to be African American. We see men fawning over her, her rejection of the advances of her floor supervisor, Jammey B. Fullasoot, and her slowly developing romantic relationship with the store's bookkeeper, Eddie. She also showed her integrity when she found her boss' wallet and returned it whole. The last strip showed Eddie awakening a recently passed-out Pokenia, but without the preceding or subsequent installments, we don't know the background or what happened next.

According to the good folks at the St. Louis County Library, Banks published two strips in the St. Louis Argus starting around September, 1939: Pokenia and another called “Pookie.” We are unable to determine if he successfully syndicated them. Comic strips featuring a mostly black cast done by African American artists are infrequent entrants in the historical record. In “Black Comics: Politics of Race and Representation” (London: Bloomsbury, 2013), Dr. Sheena R. Howard documented several early comic strips featuring African American characters created by black artists. These include “Bungleton Green” at the Chicago Defender which began in 1920, “Sunny Boy Sam” at the Pittsburgh Courier which started in 1928 and Ollie Harrington's “Dark Laughter” in 1935. These are therefore early examples of a comic strip by a black artist featuring African
American characters as well as one of the earliest to have a woman as its central character. Unique and worthy of further research.

Offered by Langdon Manor Books, and featured in "Catalog 8: African Americana" (item #15).

 

ANDREW LANGER, BOOKSELLER

 

THE LAWBOOK EXCHANGE, LTD.

 

DAVID M. LESSER, FINE ANTIQUARIAN BOOKS

 

LIBER ANTIQUUS, EARLY PRINTED BOOKS & MANUSCRIPTS

 

LIGHTHOUSE BOOKS

 

LITTLE SAGES BOOKS

 

KEN LOPEZ BOOKSELLER 

 

J. & J. LUBRANO MUSIC ANTIQUARIANS

 

LUX MENTIS BOOKSELLERS

 

Featured item:

Rock Against Racism (Australian Poster).

Rock Against Racism

Carlton, Australia, nd [circa 1976]. First Printing. Light edge were, small tear/loss on the right edge, else bright and clean. Screenprinted in black and pink ink. Approx. 20x29.5" Very Good. 

"Nazis Are No Fun" "Smash the National Front." Rock Against Racism came into being in response to several well known musicians [looking at you Bowie] said some reasonably horrible things and really catalyzed when Eric Clapton "made a drunken declaration of support for former Conservative minister Enoch Powell (known for his antiimmigration Rivers of Blood speech) at a concert in Birmingham. Clapton told the crowd that England had "become overcrowded" and that they should vote for Powell to stop Britain from becoming "a black colony". He also told the audience that Britain should "get the foreigners out, get the wogs out, get the coons out", and then he repeatedly shouted the National Front slogan "Keep Britain White"." No known copy of this poster in any institutional collection. A remarkable find. 

Offered by Lux Mentis, and featured in their latest catalog Punk, Anarcho, & Counter Culture (item #20).

 

MAC DONNELL RARE BOOKS

  • List of 77 Mark Twain First Editions and Ephemera available by request from info@macdonnellrarebooks.com (specify elist or paper copy). 

 

MAIN STREET FINE BOOKS & MANUSCRIPTS

 

KENNITH MALLORY, BOOKSELLER

 

JEFFREY D. MANCEVICE, INC.

 

MANHATTAN RARE BOOK COMPANY

 

MARGOLIS & MOSS

  • Illustrated Catalog on Carlos Merida (1891–1984) -- Mexican painter, sculptor, writer and graphic designer -- available by request from mmbooks@comcast.net
  • Latin America

 

E.M. MAURICE BOOKS

 

BRUCE MCKITTRICK RARE BOOKS, INC.

 

MUSINSKY RARE BOOKS

 

MYSTERY PIER BOOKS

 

NUDELMAN RARE BOOKS

 

OAK KNOLL BOOKS

 

OLD FLORIDA BOOKSHOP

 

OLD IMPRINTS

 

OLD WEST BOOKS

 

MICHAEL J. OSBORNE BOOKS

 

PALINURUS ANTIQUARIAN BOOKS

 

PARIGI BOOKS

 

 R & A PETRILLA, ANTIQUARIAN BOOKSELLERS 

 

PHILADELPHIA RARE BOOKS & MANUSCRIPTS

 

PHILLIP J. PIRAGES FINE BOOKS & MEDIEVAL MANUSCRIPTS

 

EDWARD T. POLLACK FINE ARTS

 

QUILL & BRUSH

 

THE RAAB COLLECTION

 

RABELAIS BOOKS ON FOOD & DRINK

 

Featured item:


The Frugal Housekeeper's Kitchen Companion, or Guide to Economical Cooking containing Instructions in the art of cooking every kind of meats and vegetables, and in making plain and fancy cakes, puddings, pastry, confectionery, ice creams, jellies, and other delicacies

by Eliza Ann Wheeler

Kitchen Companion

Dedicated to those American housewives who are not ashamed of economy. New-York: Published by H. Phelps & Co., 124 Nassau Street, 1847. Octavo ( x cm.), [3], 4-96 pages. Illustrated. Appendix. Table of contents. Publisher's advertisements.  

FIRST EDITION. This small recipe collection was issued several times by various publishers through 1874, including a Toronto printing (1874) by James Spencer. Illustrated with carving instructions and one image of a rooster at dawn. Some light foxing and dampstaining throughout; corners bumped and some pages with short dog ears. Still remarkably sound and legible. In publishers decorated wrappers, printed in blue and red. A good copy. The wrappers are edgeworn and the entire work is whole-punched in the upper left, with a short loop of cord for hanging. A single slip of blue paper with a manuscript recipe, "Recipe for Sponge Cake", pinned to the title page. A handsome addition, and with an attribution on the verso, "Mrs. Lamb". Rare.  
 
(OCLC locates seven copies of this first issue (and one copy of an 1847 printing issued by Ensign, Bridgeman, & Fanning); Lowenstein 412; compare Bitting, page 492).
 

Offered by Rabelais Books on Food & Drink, and featured in their new list Fresh Arrivals: No. 67 (item #1).

 

RICHARD C. RAMER, OLD & RARE BOOKS  

 

RAPTIS RARE BOOKS

 

READ'EM AGAIN BOOKS

 

WILLIAM REESE COMPANY

 

L&T RESPESS BOOKS

 

B&L ROOTENBERG RARE BOOKS & MANUSCRIPTS

 

BARRY LAWRENCE RUDERMAN ANTIQUE MAPS, INC.

 

RULON-MILLER BOOKS

 

SANCTUARY BOOKS

 

KEN SANDERS RARE BOOKS

 

Featured item:

 

Signed, Limited Edition Poster by Artist Leia Bell: Poetry is Wanted Here 

Poetry is Wanted Here

Alex Caldiero (Hosted By) Ken Sanders with Producer Lara Jones. Third Thursday of Every Month 10:30-11:00 AM. KCPW 88.3 FM (Poster). 2007. Poster in mustard yellow, black, and white [15 1/2 x 12"] Fine. Signed, dated, and numbered by Leia Bell in the bottom margin. The poet, Alex Caldiero, has signed the poster below his portrait. One in an edition of 75.

Offered by Ken Sanders Rare Books and featured in their new "Leia Bell Catalog" (item #16).

 

 

SAVOY BOOKS

 

E.K. SCHREIBER

 

SCHUBERTIADE MUSIC & ARTS

 

SCHULSON AUTOGRAPHS

 

SCIENTIA BOOKS

 

GARRETT SCOTT, BOOKSELLER

 

SECOND LIFE BOOKS

 

SECOND STORY BOOKS

 

MARC SELVAGGIO, BOOKS & EPHEMERA

 

ED SMITH BOOKS

 

TAMINO AUTOGRAPHS

 

 TAVISTOCK BOOKS

 

TEN POUND ISLAND BOOK COMPANY

 

MICHAEL R. THOMPSON RARE BOOKS

 

THORN BOOKS

 

Featured Item:

 

The High King

by Lloyd Alexander

The High King

New York: Holt, Rinehart and Winston, (1968). First edition, first printing. Hardcover. Tall 8vo. Publisher's blue printed cloth. Short closed tear at the spine tip, nicely mended, neat ownership name on the half title, else a very good copy. Dustwrapper is not price-clipped and bears the Newbery Award sticker. There is a small stain on the inside suggesting that the Holt Library Binding Sticker was once present. Aside from this, the jacket is lightly rubbed and shows a bit of wear at the heel of the spine else is in very good condition. The fifth and final installment of the Prydain Cycle. Very good / Very good. 

Offered by Thorn Books, and featured in thir new catalog, "King Arthur."

 

TOMBERG RARE BOOKS

 

Featured item:

 

INTERNATIONAL LADIES' GARMENT WORKERS' UNION
Signature of 450,000: This publication is a presentation of the 65th Anniversary Convention of the International Ladies' Garment Workers' Union, Miami Beach, Florida, May 1965.

ILGWU Animation
New York: ILGWU, 1965. 64 pages. Compilation of photographs that tell the history of the ILGWU to commemorate the union's 65th anniversary. Original union receipt, showing purchase of this book, tipped in. Side-stapled with tanning to edges of back cover. Mild wear to front cover with a minute crease to the edge of the right upper corner; lower right corned and pages slightly creased as well, not effecting text. Circular stain on the letter "u" of title, not effecting readability, else very good.

Offered by Tomberg Rare Books, featured in E-list #20 (item #11). This item is not listed on abaa.org.

 

TRIOLET RARE BOOKS

 

UNIVERSITY ARCHIVES

 

VAMP & TRAMP, BOOKSELLERS

 

THE VEATCHS ARTS OF THE BOOK

 

Featured item:

 

Nine Rare Italian Color Xylographed Papers

Remondini & Rizzi.

Decorated Papers

18th century & later. Full sized, unused sheets. Six of the papers are known or presumed to have been printed by the Remondini factory. Three are later printings by Rizzi from the original Remondini blocks and bear the Stampa Remondiniani PESP blindstamp. Most in very good condition. The stars of the group are a matched pair (each 16 x 13 inches): Remondini's view of Venice surround by a large bouquet on a blue diaper pattern background, along with its Rizzi recreation. There are 3 Remondini bookbinding papers (17 1/2 x 14 1/2). Two sheets of Remondini wall paper (21 1/2 x 17 1/2). These have some fraying and are in good condition. There are 2 more Rizzi PESP recreations of binding papers. 

Full, unused papers such as these are rare. The papers were printed on a hand press, using vegetable dyes (probably in paste, rather than ink) on wood blocks; sometimes with copper pins or strips mounted on them for tiny details. A different block was cut for each design and for each color. The papers were typically stored folded in half. When a paper has two identical images with a narrow space between, it was meant to be cut in half.

Remondini, establishing his printshop in Bassano in 1649, was soon renowned for his wood block and copper prints and block-printed papers. He dominated the c18 market, employing a thousand persons, with 38 printing presses, a paper mill, die foundry, and a trade school of woodcarving. When the firm closed in 1861, about a thousand of the old blocks were rescued by a group of 4 enthusiasts: Pasoli, Esengrini, Suardi, and Ponti (hence the P E S P stamp). They granted Giuseppe Rizzi of Varese a license to print them—if he used the original methods. The last Rizzi died in 1939. As part of the nobles’ bequest some 400 remaining woodblocks were given to the Museo Civico in Bassano.

Offered by The Veatchs Arts of the Book, and featured in Remondini & Rizzi Decorated Papers. This item is not listed on abaa.org.

 

WALKABOUT BOOKS

 

JEFF WEBER RARE BOOKS

 

Featured Item:

 

KOPAL, Zdenek (1914-1993); Robert W. CARDER. Mapping of the Moon; past and present. 

Lunar Chart

Drodrecht-Holland & Boston: D. Reidel, 1974. Series: Astrophysics and Space Science Library, vol. 50. 8vo. viii, 237, [3] pp. Illustrated (3 plates are folding), index. Gray cloth with blue printed lettering. Ownership signature of John Westfall. ISBN: 9027703981 First edition. Important work. Includes a history of lunar mapping 1600-1960.

"Kopal was born and grew up in Litomyšl (Czechoslovakia, now Czech Republic). In his early astronomical career, he studied variable stars and in particular close eclipsing binary stars. He attended Cambridge University in 1938 and later that year he went to Harvard College Observatory. After the war he became head of the astronomy department at the University of Manchester. He later assisted NASA with the Apollo program as an external expert. He was Editor-in-Chief of the journal Astrophysics and Space Science since its foundation in 1968 until his death in 1993." (Wikipedia)

Offered by Jeff Weber Rare Books, and featured in their Catalog 215 (item #28).

 

 

ADAM WEINBERGER RARE BOOKS

 

WHITMORE RARE BOOKS

 

Featured item:

Alice’s Adventures in Wonderland

by Lewis Carroll

Alice

London: Macmillan & Co., 1866. Second (first published) edition. The book that forever changed the face of children’s literature. In the original publisher’s red, gilt-stamped cloth, gilt edges, light blue end papers, Burn & Co. binder’s ticket on lower pastedown. A Very Good copy, recased, preserving the original spine. Minor spotting and soiling to the cloth. Contemporary owner’s signature on the front end paper. Early issue with the inverted “S” on the last line of the contents page. Housed in a custom clamshell case.

Cleverly crafted by Oxford don Charles Dodgson under the pen name Lewis Carroll, Alice’s Adventures in Wonderland remains one of the most influential pieces of children’s literature ever written. The book has been published in more than 112 languages and defined the popular “nonsense” genre of writing in the 19th century. While teaching mathematics and living at Christ Church College, Dodgson developed a close friendship with the daughters of the college dean and told them tales of Wonderland. Alice, ten years of age at the time, begged Dodgson to write them down and soon after the story took shape.

While the original manuscript given to Alice, which was hand written and illustrated by Dodgson, remains with the British Library, Dodgson published the story in 1865 with accompanying illustrations by John Tenniel. The first 2,000 copies were not distributed because Tenniel was dissatisfied with the print quality. Macmillan quickly reprinted the book using this 1866 title page, with copies available as early as November 1865, making this the first “published” edition available for purchase at bookstores. The 2,000 unbound sheets that were rejected by Tenniel were sent to the U.S. publisher, Appleton & Co., who bought the rights and used them as the first U.S. edition approximately six months later in 1866. Very Good.

Offered by Whitmore Rare Books and featured in "Catalog 19" (item #10).

 

JOHN WINDLE ANTIQUARIAN BOOKSELLER

 

CHARLES B. WOOD, BOOKSELLER

 

WOODBURN BOOKS

 

YESTERDAY'S MUSE BOOKS

--

 

Remember, you can always browse and download the latest catalogs published by ABAA members on ABAA.org by visiting the following link: https://www.abaa.org/catalog/... (You can also access this page by selecting 'Booksellers' from the top menu, scroll to the bottom of the page to 'Member Catalogs', and click on 'View All'.)

 

Photo credit: Various items from Old Imprints' new catalog, A Magazine's Eye View of the 20th Century.


 

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Our members list new acquisitions and recently catalogued items almost every day of the year. Below, you'll find a few highlights from these recent additions...

 

Illustrated letterhead with accompanying illustrated advertising cover for Gulden's Mustard, Capers, and Olives

by Charles Gulden

Olive Letter (Charles Gulden)

New York: Charles Gulden, 1908. Envelope or Cover. Very good. This colorful letter from Gulden's Mustard contains a mimeographed notice (signed in print by Charles Gulden) informing stores the company has obtained a temporary injunction against a rival firm to prevent the sale of Chance & Son's "Don Caesar" olives, whose name and packaging was quite similar to Gulden's "Don Carlos" brand. The multi-color letterhead features a jar of Gulden's Mustard with its famous marketing spoon and two gold medals that had been awarded to the company. The illustrated advertising envelope features the same illustration in black and white. It is franked with a 2-cent red Washington stamp (Scott #309), tied with a New York machine postmark. Apparently, the cover was first mailed without a stamp as it was applied over an earlier postmark, and an additional circular red handstamp reads, "Held for Postage S." All in nice shape. Guilden's, known for its spicy brown mustard, is the oldest continuously operating and third largest mustard brand operating in the United States. The company was founded in 1869 by Charles Gulden, and its popularity soared after he began attaching a small metal spoon to each jar. The mustard won gold medals at the Chicago and Paris world's fairs. Today, Gulden's is part of the international ConAgra Foods conglomerate and is made in Milton, Pennsylvania. The Third Circuit Court of Appeals ruled in Gulden's favor in August of 1910. A colorful record of an established food company's effort to protect its product line from infringement by competitors.

Offered by Read 'Em Again Books.

 

Dello spaventevole e miserabile avenimento [sic] del fuoco acceso in Monte Vergine nel Regno di Napoli

Spaventevole

Napoli: Giovanni Iacomo Carlino, 1611. Only known edition.

An account of a fatal fire that burned the remote Abbey of Montevergine (in the mountains near Avellino) on the night of May 21, 1611, apparently hit by a fireball or other celestial source (such as lightning). The account is significant in that it blames the destruction on "young men in women's clothing, and young women dressed as men" (page 15), and characterizes the fire as a "vendetta" sent by 'an angry heaven" (page 6). Indeed, the sanctuary of Montevergine is a pilgrimage site for lesbian, gay, bisexual, transexual, and questioning Catholic worshippers who call the image of the "BlackMadonna" that is housed there "the Mother of Transformations," or "Mamma Schiavona." (This image is reproduced on the title page of the booklet.) The sanctuary was rebuilt in the 1950s, and it remains the site of an annual gathering of LGBTQ pilgrims..

Quarto (20 cm); 16 pages. Large woodcut vignette of famous "Black Madonna" of Montevergine on title page; two woodcut initials. Bound in red on white woodblock decorated paper. Somewhat worn near sewing, but otherwise a very well preserved copy of a very rare publication. No copies located in North America, or outside of Naples.

Offered by Rodger Friedman Rare Book Studio.

 

The LIFE And ADVENTURES Of MARTIN CHUZZLEWIT, His Relatives, Friends and Enemies; Comprising His Wills and His Ways: With an Historical Record of What He Did, and What He Didn’t: Showing, Moreover, Who Inherited the Family Plate, Who Came in for the Silver Spoons, and Who for the Wooden Ladles. The Whole Forming a Complete Key to the House of Chuzzlewit.

Martin Chuzzlewit

Edited by Boz. With Illustrations by “Phiz.” Charles Dickens [1812 - 1870]. New York: Harper & Brothers, [1843 - 1844]. 2nd US edition, following that of Winchester (Arents PARTS, p. 30; Edgar & Vail, p. 22; Gimbel A73; Smith AMERICAN, pp. 199 - 205; Wilkins, p. 24). Not in the Calinescu Collection Catalogue, nor the McGuire Collection Catalogue. 7 parts, complete. Text double column, ~ 48 pp per part. Duplicate copy of Part II. Volume prelims in Part VII, per usual publisher practice. 14 steel engraved plates, 2 per part. 8vo. 9-1/2” x 5-7/8”. Part I lacks wrappers [originally buff paper]; Parts II - VII in printed greenish blue paper wrappers [Part VI lacking most of front wrapper]. Red cloth chemise, with red morocco quarter leather slipcase with red cloth boards. General wear, chipping & staining. Part II - V & VII with same prior owner signature at top of front wrapper. Part V with significant staining to rear wrapper. Part VII with ink splot to front wrapper. In general, and with a nod to the missing wrappers, a Good set of a rare Dickensiana item. [Item Number: 33560.1]. Only the second set we’ve handled in 30 years.

Offered by Tavistock Books, and featured in their "Summer Catalog 2019" (item #2). (This item is also listed on abaa.org.)

 

The Edible Woman (First American Edition)

by Margaret Atwood

Edible Woman

Boston: Little, Brown. Very Good in Very Good dust jacket. 1969. Hardcover. The author's first novel. Stated first American edition. Small stamp on front paste-down, else very good in a very good (age toning, foxing on verso), price clipped dust jacket; 281 pages.

Offered by Grendel Books.

 

Charles Rambert, Grande Semaine d'Aviation Rouen. Rouen du 19 au 26 Juin 1910

Aviation Poster

Rouen: Girieud, 1910. First edition of this iconic aviation poster. Chromolithograph mounted on boards. 37 x 51 inches, Some mild marginal stains but a bright and attractive image The Wright Brothers conquered heavier-than-air flight in 1903 and just seven years later "a rash of aviation meetings broke out in the spring of 1910 in places as diverse as Saint Petersburg, Vienna, Budapest, Bournemouth, Boston, Lanark and New York City," as well as Rouen (Villard / Allen p. 57). "Created by Charles Rambert, an artist of the Swiss school this imaginative, signed poster reveals the Slavic influence under which Renard worked. Born at Lausanne in 1867, he studied in Russia as a pupil of K. Kryshitsky, which suggested the mustachioed pilot could well be a Russian (though in fact it was Leon Moran who circled the spires of Notre Dame) The beauty, originality, and sly humor of the artist's design [make this poster] a memorable work of art. Flying past the spires of the cathedral, then under repair, the pilot of a sprightly (though improbable-looking) monoplane cheerfully salutes two ecclesiastical statues in a niche who throw up their hands in amazement at the miracle of human flight" (Looping the Loop p. 59).

"When the French Aero-Club published its list of sanctioned meetings in early 1910 one of the major ones was the one in Rouen in mid-June, with an announced prize fund of 200,000 francs. The meeting was organized by the Automobile-Club de Normandie, supported by the Ligue Nationale Aerienne and the sports daily L'Auto. The organization committee was headed by Marcel Debons, president of the Automobile-Club de Normandie, and comprised many members of the Automobile-Club and representatives from local industries and businesses. A suitable site was found, in the form of the military exercise grounds "Les Bruyeres", six kilometres southwest of the city centre, where a typical 1910 temporary airfield with all its installations and a three-kilometre course was built...The meeting attracted a quality field of twenty pilots, all except four having participated in previous meetings. It was reported that a total of 50,000 francs had been paid as guaranteed appearance money. The biggest name was the famous Hubert Latham, but several others, like Joseph Christiaens, Charles van den Born, "Geo" Chavez, Bertram Dickson and Léon Morane had won big prizes at previous meetings, and Émile Dubonnet had recently made a highly publicized flight across Paris, winning the "La Nature" cross-country flight prize. Several new airplane types would for the first time be displayed at a meeting in France, for example the Hanriot monoplane. The new Breguet biplane would also be on display, as would the new two-seat Gnome-engined Bleriot, model XI-2 bis."(The First Air Races)."

Offered by Nat DesMarais Rare Books, and featured in their catalog "Early Aviation and Automobiles" (item #7). This item is not listed on abaa.org.

 

The Zoo; Described and Illustrated

by Robert & Moira Gibbings

The Zoo

London: Baynard Press. Small Octavo. [15] unnumbered pages. After producing some advertising material, he and his wife worked to produce the Zoo in 1922 which is considered the first and rarest of his works. (see Kirkus, Robert Gibbings, A Bibliography #1 (page 5). The bibliographer notes: "I have seen only one copy of this book which is not in the British Museum or the library of the Zoological Society." According to OCLC all reported copies are in microfilm. Kirkus further notes that the records of the Bayard Press suffered during World War II but C.R. Sinnett, the Press's director remembered that the printing costs had been underwritten by the LondonUnderground. It certainly proceeded his Twelve Wood Engravings privately printed by the same printer Sanders, Phillips in 1922. Moira Gibbings, Martin J. Andrews, The Life and Work of Robert Gibbings takes the 1922 as his first book. The Bodleian has a copy in Box 1 of items printed by the Baynard Press. The text gives an account of a day trip to the zoo by two children and their well-traveled 'Uncle Max', and was produced for London Underground as a piece of publicity. Then, in 1923 Golden Cockerel Press began to commission him for many of their finest works and he began his long association in what has been called the revival of British wood engraving. A fine copy bound in pictorial stiff paper wraps

Offered by Alcuin Autographs.

 

La Gallerie des Femmes Fortes

by Pierre Le Moyne

Femmes Fortes Animation
La Gallerie des Femmes Fortes, in its twenty sections, pictures and discusses twenty womenfrom history who exemplify leadership qualities of both mind and body, including those qualitiesof the warrior. Le Moyne created a compendium of heroines from four epochs: early Jewish,barbarian (i.e. non-Greeks), Roman, and Christian figures. Each heroine is pictured in a largeengraving (emblematic of her strengths). The engraving is followed by a description, a sonnet,an eulogy, a moral reflection, a moral question, and an example drawn for modern history.

Offered by Golden Legend.

 

X-1 Test Pilots Signed Photograph (Chuck Yeager, Slick Goodlin, Scott Crossfield, Pete Everest, Bob Campine, Joe Cannon, John H. Griffith)

X1

Original black and white photograph of a Bell X1-6062 supersonic aircraft signed by eight iconic test pilots including Chuck Yeager, Slick Goodlin, Gus Lundquist, Scott Crossfield, Pete Everest, Bob Campine, Joe Cannon, and John H. Griffith. In fine condition. Matted and framed. The entire piece measures 16.5 inches by 14.5 inches. The rocket-engine-powered Bell X-1 was conceived as a part of a joint supersonic research project conducted by the National Advisory Committee for Aeronautics, U.S. Army Air Forces, and U.S. Air Force. In 1945, the X-1, piloted by Chuck Yeager, became the first manned airplane to exceed the speed of sound in level flight.

Offered by Raptis Rare Books.

 

A vast collection of ca. 2500 photographic postcards (ehagaki) of kabuki actors in costume, along with a large selection of kabuki-related vernacular photographs

Kabuki Postcards

Japan: ca. 1912-80. A large and impressive ensemble of Japanese photographic postcards depicting kabuki actors. Photographic postcards effectively replaced ukiyo-e woodblock prints which were enormously popular through 1900. This collection documents the rise and fall of great actors, the evolution of costume styles, the various sets and decorations employed on stage, as well as the proliferation of photographic postcards as mementos and collectible memorabilia. Offered with this collection is a series of vernacular photographic prints of actors, many from the early 20th century. Japan's postal system was established in 1870 as part of many Meiji era reforms to modernize the country.

All postcards were produced by the government until 1900. Initially, postcards served a commemorative purpose, printed with images of famous events and holidays. Following the Russo-Japanese War in 1904-5, many thousands of postcards celebrating victories were sold and demand increased exponentially. By the 1910s, progress in photographic printing enabled the mass-production of photographic postcards, such as those represented in the present collection. Such postcards featuring legendary kabuki actors superseded the genre of woodblock prints yakusha-e (actor prints), an offshoot of ukiyo-e. This new type of memorabilia, called ehagaki (picture postcard), developed in parallel to buromaido (photographs of movie and kabuki stars).

Our comprehensive collection of postcards and photographs contains examples of both. Actors are generally depicted in costume on stage or in a photo studio; however, there are a large number depicting them away from the stage, often with their families. These mementos were either distributed in advance of a performance for promotional purposes or sold at the theater to devotees. An avid community of collectors for this material emerged within a short time. On many of the postcards there are notes or messages which note the date of the performance, the actors who performed, and the name of the play. Others have this information printed. There are also several examples of postcards printed with dialogue from iconic scenes. One series of photographs has been signed in red or black ink by the great kabuki actor depicted, Sawamura Yujiro. Another series bears the stamps provided by theaters to those attending so that they could commemorate and show off their visits. A few more depict the cast on stage during a performance for their "curtain call." Many candid photographs show the actors as they prepare for a performance, applying their makeup, rehearsing lines, and putting on their costumes.

Another highlight of our collection is its considerable number of early photographic celebrity "stills" of the kabuki actors. They were likely produced in the early 1910s and reveal costumes and makeup from the period. These earlier examples were clearly not intended as postcards since they lack an indicated location for the stamp, a message, and an address. It is possible these are precursors to mass-produced buromaido and photographic postcards which constitute the bulk of this collection. Printed on larger format paper that is rather thick, these photographs would have been far more expensive. One series, in particular, consists of photographs taken among the audience during a performance, with the heads of fellow attendees in the way.

Celebrated actors represented on the postcards in this collection include (with last names first): Nakamura Utaemon, Onoe Baiko, Nakamura Ganjiro, Ichimura Hazaemon, Ichikawa Sadanji, Onoe Kikugoro, Nakamura Kichiemon, Ichikawa Danjuro, Matsumoto Koshiro, Kataoka Nizaemon, Nakamura Senjaku, Nakamura Kanzaburo, Nakamura Kinnosuke, Yorozuya Kinnosuke, Onoe Matsusuke, Sawamura Sonnosuke, Bando Tamasaburo, Ichikawa Danshiro, Ichikawa Ennosuke, Ichikawa Ebizo, Bando Mitsugoro, Nakamura Fukusuke, Ichikawa Chusha, Nakamura Shikan, Jutsukawa Enjaku, Onoe Shoroku, Sawamura Kinjuro, Sawamura Yujiro, Nakamura Tokizo, Kawarazaki Tokizo, Kawarazaki Kunitaro, Bando Hikosaburo, etc., etc.

DATING THE POSTCARDS: We are able to date the ehagaki based on several features. Layout: Division between address and message on the verso of the postcard 1910-1918 - The dividing line leaves the bottom third of the card for the message. 1918-present - In most cases, the line divides the reverse of the card into halves. Reading: "Postcard" (or yubin ha(ka)gaki) label on verso. Pre-1945 - Japanese is printed right to left. Post-1945 - Japanese is printed left to right. Reading of hagaki: Pronunciation of middle syllable. Pre-1933 - Written hakaki without consonant mark. Post-1933 - Written hagaki with consonant mark. Thickness: Postcards on thicker stock are generally older. We know of no comparable collection of this material related to Japanese theater outside of Japan. Our ensemble of several thousand photographic postcards is in fine condition. A few of the earlier examples are slightly worn or faded but overall the postcards and photographs are in an excellent state of preservation. ❧ Kenji Sato, "Postcards in Japan: A Historical Sociology of a Forgotten Culture," in International Journal of Japanese Sociology, (2002) no. 11, accessed online.

Offered by Jonathan A. Hill, Bookseller.

 

The Fairy Books: Blue, Red, Green, Yellow, Pink, Grey, Violet, Crimson, Brown, Orange, Olive and Lilac

by Andrew Lang (Editor)

The Fairy Books

London: Longmans, Green & Company, 1910. First Edition. Very Good. First edition. Andrew Lang's Color Fairy Books, complete in twelve volumes, all first impressions of the first edition: Blue (1889), Red (1890), Green (1892), Yellow (1894), Pink (1897), Grey (1900), Violet (1901), Crimson (1903), Brown (1904), Orange (1906), Olive (1907), Lilac (1910). The volumes average in Very Good, with fading to spines, foxing, light edge wear, soiling, or rubbing, bookplates or previous ownership markings, and toning to pages. Tear to cloth at base of spine of The Blue Fairy Book; Inner hinges tender or exposed in the Lilac, Orange and Grey; Corner clipped from front free endpaper in The Lilac Fairy Book. A lovely set Andrew Lang's Color Fairy Books, beautifully decorated in ornate gilt stamping. 

Offered by Burnside Rare Books.

 

Sir Lancelot of the Lake

by Lucy Allen Paton (Translation)

Sir Lancelot of the Lake
New York: Harcourt, Brace and Company, 1929. First edition. Hardcover. Fine/Good. 8vo. xx, 420pp. Illustrated from the manuscript. Red cloth, printed paper spine label. Label a little scuffed, neat presentation on the front free endpaper, else a near fine copy, The dustwrapper is worn and soiled but still presentable. The French prose romance of the 13th century translated by Paton from the Ms in the Bibliothéque Nationale.

Offered by Thorn Books.

 

The Oak, an Illustrated Monthly Magazine, Part I, May, 1868

The Oak, first issue

The Oak, an Illustrated Monthly Magazine, Part I, May, 1868. London: Houlston & Wright, Paternoster Row, 1868. [xvi; double frontispiece: Disraeli and a George Cruikshank illustration "The Yokel and the Acorn" for "Aesop Revived"; 64 pages; vi] 22.5 cm. 8vo. Advertising on the verso of the covers, 16 pages of introductory advertising and 6 pages following the text.

The portrait of Disraeli was drawn by Jack Dodds from a photograph by Southall. A biographical sketch of Disraeli is a featured article. This copy has not been opened. This is the first issue. One other copy is located at Yale. Covers detached. Internal condition near-pristine. First edition. Cohn 608. 

Offered by Gosen Rare Books. 

 

Vintage Official US Treasury Poster (Signed by John Bradley) 1945

Now All Together

n.d.. Original, twice signed, Vintage Official U.S. Treasury Poster with the official U.S. Government Printing Office stamp, dated 1945, followed with the code of 0-637980, and with the statement 'Official U.S. Treasury Poster / U.S. Marines at Iwo Jima, painted by C.C. Beall from Associated Press Photo" along the bottom edge. 18.5" x 26". Personally owned by John Bradley, and handed down to his son, James Bradley. Signed by both John Bradley and Renee Gagnon. The poster has strong vibrant colors with a 1/4" reinforcement to the verso top edge. A few locations of thinning paper, and a few very tiny pin holes, all of which are not visible unless the poster is held up to light. Expected folds, else near fine.

A signed magnificent original poster; personally owned by John Bradley and handed down to his son James Bradley, who has certified the piece was from his personal collection.

One of the most iconic images of U.S. Marines Iwo Jima , this picture was first caught as a photograph by Joe Rosenthanl of the Associated press and eventually won the Pulitzer prize. This image was later memorialized in Arlington Virginia as a national moment. Signed by both John Bradley as "John H. Bradley Ph. M2C Navy" and Renee A. Gagnon as "Pfc Rene A. Gagnon U.S.M.C."

The flag raising at Iwo Jima occurred twice in the battle. The first was at 8 AM on February 23, when Bradley and Navy corpsman, PhM2c. Gerald Ziehme (replaced PhM3c. Langley who was wounded in action on February 21), were part of the 40-man combat patrol (mostly from Third Platoon, Easy Company) were sent to climb up the east slope of Mount Suribachi to seize and occupy the crest and to raise an American flag to signal that the mountaintop was captured. On top, the Marines found a steel pipe to attach the flag unto. The flagstaff was taken to the highest position on the crater. Seeing the raising of the national colors immediately caused loud cheering from the Marines, sailors, and Coast Guardsmen on the beach below and from the men on the ships near the beach. After the flag was raised, Bradley, who was with the group of Marines near the flagstaff, pitched in to help the flagstaff stay vertical in the terrific winds on the volcano.

The Second Flag raising, the one memorialized by the Pulitzer prize winning photo, was initiated using a larger flag in order for the American flag to be seen more easily from the ships, beaches, and land off and around Mount Suribachi. Marine Sgt. Michael Strank was ordered to ascend Mount Suribachi with Marines from his squad and raise the replacement flag and return with the first flag that was flying on top.

A moment of enormous historical importance, beautifully memorialized in this stunning twice signed poster by two heros from Iwo Jima. John Bradley was one of the first flag raisers at Iwo Jima, and an awardee of both the Navy Cross and the Purple Heart for his contributions during the battle, and Rene Gagnon is best known for being one of the six flag-raisers who helped raise the second U.S. flag at Iwo Jima. A spectacular example made that much more significant with its important provenance. Documentation from Bradley's son who authored "Flags of our Fathers". 

Offered by University Archives.

 

Untitled World War I Lithograph known as 'De schop' or 'Et de deux'.

by Louis Raemaekers

WWI Lithograph
n.p.: n.p., 1917. First edition. Framed. Small marginal fold repaired when mounted to board, marginal foxing, still very good.. 1 sheet, mounted. Color lithograph. 33 x 22 cm. One of Raemaekers' iconic images. Signed in the plate and in the margin by the artist. World War I cartoon sketch of Uncle Sam kicking Berntsdorff (sic), wearing a German Helmet, in the rear-end down a flight of stairs (Count Johann Heinrich von Bernstorff [1862-1939] served, until his recall in 1917, as German Ambassador to the United States).

Louis Raemaekers (1869-1956) was the best known propaganda cartoonist of the First World War, with a German bounty on his head of 12,000Guilders. Raemaekers fled to England where he was wildly popular, and his worked was picked up by U.S. papers. Tours of his work brought out thousands of viewers, and Theodore Roosevelt wrote "The cartoons of Louis Raemaekers constitute the most powerful of the honourable contributions made by neutrals to the cause of civilisation in the World War," ("The Genius of Raemaekers," in Land and Water, 1917, Vol.12, p.19 ). See Collection Henri Leblanc: La grande guerre: iconographie, bibliographie, documents divers. t.5- (1915) p. 237.

Offered by Kaaterskill Books.

 

Broadside: Save your Child from Autocracy and Poverty. Buy War Savings Stamps

by Herbert Paus

Save Your Chjild Poster

(Washington, D.C.?): United States Treasury Department, 1917. Unbound. Fine. Illustrated broadside on paper. Measuring 20" x 30". Printed in color. Art by Herbert Paus. Illustration of an infant standing next to the torch of The Statue of Liberty. Old folds, else fine. A lovely copy of an attractive poster. 

Offered by Between the Covers Rare Books.

 

Jerry, the Backwoods Boy; or, The Parkhurst Treasure (Alger Series No. 95)

by Horatio Alger, Jr.

Jerry, the Backwood's Boy

Street & Smith Corporation Publishers, 1919. Trade Paperback. Good. 1919 printing (Bennett p. 188). Wrappers rubbed with a couple light creases, 1 inch chip from spine base. We have more books available by this author!. 248, [2] pp. A young adult novel by the author of numerous 'rag to riches' stories in the late 19th and early 20th centuries. Many of Alger's works were released in pulp paperback editions from 1900 to 1926. ABOUT THE AUTHOR: "Horatio Alger, Jr.

Offered by Yesterday's Muse.

 

Escape on Venus

by Edgar Rice Burroughs, John Coleman (Illustrations)

Escape on Venus (Edgar Rice Burroughs)
Tarzana: Edgar Rice Burroughs, Inc, 1946. First Edition. Hardcover. Near Fine/Very Good. Burroughs, John Coleman. First printing, octavo size, 347 pp. Acclaimed science fiction and fantasy writer Edgar Rice Burroughs (1875-1950) authored numerous stories set in diverse landscapes, from outer space to deep beneath the Earth, and he is best known for creating the characters of Tarzan and John Carter of Mars. "Escape on Venus" is the fourth book in Burroughs' Venus series, featuring the protagonist Carson Napier and his adventures on the planet Venus, called Amtor by its inhabitants. This volume is the first edition of Burroughs' novel, and is illustrated by John Coleman Burroughs (1913-1979), the son of Edgar Rice Burroughs, best known for illustrating numerous works by his father; his dark illustrations depict the grittiness of fantastic worlds and the creatures that populate them.

DESCRIPTION: Full blue pebbled cloth, red lettering on the front board and spine, top edge stained red, fore-edge rough cut, front endpapers with a map of Amtor in dark blue, frontispiece a black-and-white illustration by John Coleman Burroughs, full-page black-and-white illustrations by Burroughs throughout; octavo size (7.75" by 5.25"), pagination: [1-6] 7-347. In a paper dust jacket with full-colour illustration and black lettering on the front panel, black-and-white illustration and lettering on the spine, a list of novels by the author on the rear panel, a description of the book on the front flap, and a description of another novel by the author on the rear flap; the dust jacket is unclipped, but there is no price listed.

CONDITION: Volume is near fine, with clean boards, a strong, square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; some rubbing to the corners and edges, and bottom front corner is gently bumped, else fine. The dust jacket is very good, unclipped, with bright colours, clean overall with light soiling to the edges, overall edge wear with some small chipping to the head and tail of the spine and corners, and three small pieces of tape to the verso.

Offered by Swan's Fine Books.

 

GREATER LONDON PLAN 1944

by Patrick Abercrombie

GREATER LONDON PLAN 1944
London: His Majesty's Stationery Office, 1944. First Edition. Hardcover. Quarto 221 pages, VG/G+; spine is beige with black lettering; dust jacket is in a mylar covering, has moderate wear along the top and bottom edges, with chipping at the top and bottom of the spine, has several small closed and open tears, has several pieces of tape on the inside, has rubbing and discoloration throughout; binding has minor wear along the top and bottom edges, has heavy bumping on the fore edge corners, boards have minor warping; pages have minor age toning and warping; profusely illustrated with maps and photographs; contains a two part separate map of the masterplan.

After the German aerial invasion of Britain in World War II, so much of London had been destroyed that the British government organized and commissioned a large scale plan to rebuild and restructure the city. This was the largest rebuilding London had experienced since the Great Fire of 1666. 

Offered by Second Story Books.

 

Canterbury Tales 

by Geoffrey Chaucer

Canterbury Tales Animation

With Wood Engravings by Eric Gill [GOLDEN COCKEREL PRESS]. CHAUCER, Geoffrey. The Canterbury Tales. With wood engravings by Eric Gill. Waltham Saint Lawrence in Berkshire: Printed and published at the Golden Cockerel Press, 1929-1931. One of 485 numbered copies on Batchelor handmade paper, out of a total edition of 500 copies. Stated "File Copy" on colophon page, in lieu of a limitation number. Four folio volumes 12 x 7 1/2 inches; 307 x 190 mm). One full-page illustration, twenty-nine half-page illustrations, 269 decorative borders, tail-pieces, and line-fillers, and sixty-one initial letters (printed in black, red, or blue), all engraved on wood by Eric Gill. Bound by Sangorski & Sutcliffe in quarter niger morocco over patterned boards. Gilt-lettered spine with raised bands. Top edge gilt, others uncut. Spines lightly sunned to different degrees. A few very tiny chips to spines. Tips slightly bumped and with some rubbing. Housed in a morocco-tipped cloth slipcase.

Overall a handsome and desirable set which shows very well and the text is very clean. Most of the borders are leaf and stem, but among the leaves, hiding or beckoning, climbing or leaning out, are girls and men, kings and boys, priests and nuns who take part or seem to be commenting upon the stories...the pattern continues, affectionate and cheeky, erotic, enjoyable and relevant, decorative and explanatory, a balance of taste and eye. Borders are repeated, sometimes in new combinations. To start a new tale we have more elaborate and descriptive work with a red or blue initial letter...There they are, the characters in the tale, with their stage scenery...One other quality in these borders should be noticedótheir mannerism, the distortion of human figures sometimes so that they almost share the forms of leaf and stemóand sometimes grow from them. It is another, rather touching aspect of Gillís idea and all these manners work towards a single artóthe poetry, people, leaves, decoration and explanation. Author, artist and printer have shared one concept and expressed itî (Colin Franklin, The Private Presses, pp. 143-144). Chanticleer 63. Gill 281. HBS 68192.

Offered by Heritage Book Shop.

 

The Ristigouche and Its Salmon Fishing. With a Chapter on Angling Literature

by Dean Sage

The Ristigouche and its Salmon FIshing

Edinburgh: David Douglas, 1888. First edition, Number 88 of 105 copies. Aquatint title page partly printed in red after G. Reid by Annan and Swan, aquatint frontispiece after Reid by Annan and Swan, 16 etched plates after and by Stephen Parrish, Mrs. A.L. Merritt, C.A. Platt, H. Sandham, and others on japan paper, 63 etched, engraved, and wood-engraved headpieces, tailpieces, historiated initials, vignettes, and other ornaments after and by Merritt, Platt, J. Adam, and others, double-page lithographed map after and by J. Bartholomew on japan paper. 1 vols. Folio. Original olive green cloth with salmon and osprey design on upper cover, decorative endpapers. 

Some slight toning of spine, occasional spotting throughout, else fine. In custom green half morocco slipcase and chemise. First edition, Number 88 of 105 copies. Aquatint title page partly printed in red after G. Reid by Annan and Swan, aquatint frontispiece after Reid by Annan and Swan, 16 etched plates after and by Stephen Parrish, Mrs. A.L. Merritt, C.A. Platt, H. Sandham, and others on japan paper, 63 etched, engraved, and wood-engraved headpieces, tailpieces, historiated initials, vignettes, and other ornaments after and by Merritt, Platt, J. Adam, and others, double-page lithographed map after and by J. Bartholomew on japan paper. 1 vols. Folio. Family Copy, Inscribed to His Son. A book of almost legendary beauty, rarity, and importance, recounting the author's adventures at Camp Harmony on the Restigouche River in New Brunswick, and drawing upon his long experience fishing the river.

Dean Sage's contributions to angling literature are few in number but profoundly influential: "Ten Days' Sport on Salmon Rivers", published in the Atlantic in 1875, is a classic account. His library catalogue (2 vols.,1896, 1904) remains an important document in the history of angling bibliography and collecting. Sage's section on "The Atlantic Salmon," in Salmon and Trout (1902), is a synthesis of his own first hand knowledge as a fisherman and his assessment of the extensive literature. The Ristigouche and Its Salmon Fishing remains the work for which Sage is best known. A family copy of one of the pinnacles of nineteenth-century angling literature, inscribed to the author's son: "Henry M. Sage from D. Sage Nov 1896" Heckscher sale (1909) lot 1681 ($180.00); Catalogue de la bibliothèque de pêche de M.G. Albert Petit (1921), no. 1861; Phillips p. 328; Gee, Sportsman's Library p. 100; Sherwin sale (1946) lot 428; Wetzel p. 206; Bruns S4; Litchfield p. 58; Hampton (2008) p. 245; Bibliotheca Salmo Salar 117; Heller 2:469; not in Lande. Provenance: Henry M. Sage, with his bookplate.

Offered by James Cummins, Bookseller. 

 

Oriental Ceramic Art Illustrated by Examples from the Collection of W. T. Walters

by BUSHELL, STEPHEN W. 

Ceramics Animation
New York: D. Appleton, 1897. Limited to 500 (likely less). Hardbound. VG++ Ex art museum library set never used. An extremely fine set of this monumental work (22" x 17"), preserved in the original five woolen, silk and ivory chemises (each cover woven with two characters, Tao Shuo, 'Ceramics Records'), Grouped in pairs within these 5 covers, the books themselves bound with yellow paper, each with a descending dragon painted with green and red, and highlighted with gilt, below the title, 'Oriental Ceramic Art', and above 'Collection of W.T. Walters', followed by the section number (front cover) or a centered squarish image of a elongated vase with ornatesurrounding design (rear cover), the spines enforced with yellow silk. viii+429 pp with 116 mounted color plates each with textual tissue guards and 411 text illus. Etched frontispiece portrait. Separate (and much smaller) text volume: S. W. Bushell, Oriental ceramic art, 4to, original red cloth, xiii+1+942 pp. no illustrations (but with a previous owner paper label at base of spine, Top edge gilt).

As important as it is in the literature of oriental ceramics (important text by Bushell about Asian Ceramics, focusing primarily on Chinese imperial and export wares), the major importance of this great work is in the field of American chromolithography. It was the greatest test of Prang's skill as a lithographer. Katharine McClinton writes (in The Chromolithographs of Louis Prang); Three artists, including James Callowhill, worked for seven years producing paintings of the porcelains from which the color lithographs were made. Each plate required from twenty to forty-four separate stones." An excerpt from the introduction to this set further exclaims "The plates in color with which this work is illustrated were made by Louis Prang, of Boston. The work of every European house of importance was examined before Mr. Prang was asked to make lithographs of three pieces of porcelain of different colors - his immediate success determined the question, and when two years later some twenty of the plates were shown to French lithographers in Paris, their criticism was that the impressions had been fortified by color from the brush; they could not believe that work of such excellence could be produced by simple lithography. This very satisfactory opinion has been since confirmed by many lithographers, and it is conceded that these plates represent the highest type of work that has been produced in that branch of art." It is unknown how many sets were printed. As with the limited editions of privately published books on jades by Heber Bishop, dated 1906, the majority of Oriental Ceramic Art books were presumably given to major institutions, heads of state and friends of the collector.

This set is comprised of ten volumes of bound sheets. The sheets are each individually bound with cloth or silk tape to the bound edge of a short piece of paper, insuring a smooth and luxurious experience when opening the book and passing the pages from right to left. I have also seen this publication issued in ten parts which were comprised of loose sheets inserted into a portfolio of similar cover design as this set. These editions appear to have an orange binding tape along the bound edge of the boards, as well as folding flaps to keep the sheets within the covers.

The books record ceramics from the collection of William Thompson Walters (1820-1894) who was a celebrated devotee of art. William Walters was appointed Art Commissioner from the United States to the Paris Exposition Universelle of 1867 and 1878, and to the Vienna exposition in 1873. The text is written by Stephen Wootton Bushell (1844-1908), a physician to the British legation in Beijing whose writings made him one of the most important foreigners in promoting the understanding of Chinese ceramics in the Victorian period. In 1883, he was appointed by the Victoria and Albert Museum to buy Chinese ceramics, and in total Bushell purchased 240 pieces for the museum. In 1889, William Walters commissioned Louis Prang & Co., the foremost practitioners of the art of chromolithography, to reproduce choice examples of Chinese porcelain from his extensive collection. Chromolithography, now called color lithography, is a printmaking technique that uses a separate stone for each layer of color needed to produce the finished print. Prang's artisans engaged in the painstaking work of recording every detail of Walters' vases to produce richly colored lithographs that faithfully captured the surface and color of each ceramic piece. The production of the book took nearly sixteen years and brought together some of the nation's finest artists and craftspeople. The resulting publication, Oriental Ceramic Art by Dr. Stephen W. Bushell, was both a catalog of the collection and a work of art unto itself. When the book was released it immediately set a new standard for both the understanding of East Asian ceramics and for the art collection catalogue. To this day it remains a monument of great importance in the history of chromolithography and documents the foundation of one of America's greatest collections of Asian porcelain.

Offered by Mullen Books.

 

“No Nation is Drunken where Wine is Cheap”: Jefferson’s Famous Letter on Government and Wine

by Thomas Jefferson

Thomas Jefferson Letter

The retired founding father offers thoughts on the political economy of wine importation and foretells the future stability and prosperity of France after Napoleon. "…her constitution, as now amended, gives as much of self-government as perhaps she can yet bear… No nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage."

Autograph Letter Signed, to the Baron Hyde de Neville, December 13, 1818, Monticello. 2 pp., 7⅞ x 9⅝ in.


Complete Transcript:

Monticello Dec. 13. 18.

I thank your Excellency for the notice, with which your letter favors me, of the liberation of France from the occupation of the Allied powers. To no one, not a native, will it give more pleasure. in the desolation of Europe to gratify the atrocious caprices of Bonaparte, France sinned much: but she has suffered more than retaliation. once relieved from the Incubus of her late oppression, she will rise like a giant from her slumbers. her soil and climate, her arts and eminent science, her central position and free constitution, will soon make her greater than she ever was. and I am a false prophet if she does not, at some future day, remind of her sufferings those who have inflicted them the most eagerly. I hope however she will be quiet for the present, and risk no new troubles. her constitution, as now amended, gives as much of self-government as perhaps she can yet bear, and will give more when the habits of order shall have prepared her to receive more. besides the gratitude which every American owes her, as our sole ally during the war of independence, I am additionally affectioned by the friendships I contracted there, by the good dispositions I witnessed, and by the courtesies I received.

I rejoice, as a Moralist, at the prospect of a reduction of the duties on wine, by our national legislature. it is an error to view a tax on that liquor as merely a tax on the rich. it is a prohibition of it's use to the midling class of our citizens, and a condemnation of them to the poison of whisky, which is desolating their houses. no nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage. it is in truth the only antidote to the bane of whisky. fix but the duty [2] at the rate of other merchandise, and we can drink wine here as cheaply as we do grog: and who will not prefer it? it's extended use will carry health and comfort to a much enlarged circle. every one in easy circumstances (as the bulk of our citizens are) will prefer it to the poison to which they are now driven by their government. and the treasury itself will find that a penny apiece from a dozen is more than a groat from a single one. this reformation however will require time. our merchants know nothing of the infinite variety of cheap and good wines to be had in Europe; and particularly in France, in Italy, and the Graecian islands: as they know little also of the variety of excellent manufactures and comforts to be had any where out of England. nor will these things be known, nor of course called for here, until the native merchants of those countries, to whom they are known, shall bring them forward, exhibit & send them at the moderate profits they can afford. this alone will procure them familiarity with us, and the preference they merit in competition with corresponding articles now in use.

Our family renews with pleasure their recollections of your kind visit to Monticello, and joins me in tendering sincere assurances of the gratification it afforded us, and of our great esteem & respectful consideration

Th: Jefferson

Historical Background

Jefferson imported both wines and grape vines for cultivation from Europe. His cellar had vintages from France, Italy, Spain, Greece, Portugal, Hungary, and Germany, and he advised other chief executives on the best wines to serve at federal functions. He concludes his letter to Baron de Neuville by recalling the pleasure of their last visit together; an event at which fine wine was undoubtedly served: "Our family renews with pleasure their recollections of your kind visit to Monticello, and joins me in tendering sincere assurances of the gratification it afforded us, and of our great esteem & respectful consideration."

Rather than a letter on prohibition, Jefferson actually extols the virtues of moderation, putting forth the idea that the consumption of wine is much more salubrious than whiskey drinking. "No nation is drunken where wine is cheap; and none sober, where the dearness of wine substitutes ardent spirits as the common beverage." Although the subject of Jefferson's letter may seem to change abruptly, he had in fact already mentioned France's "soil and climate" as two of her great gifts, and the topic of wine duties was an appropriate one to discuss with the French minister. Madigan was projecting his own hostility to the eighteenth amendment when he described this letter as setting forth Jefferson's "views on the prohibition question." It is actually a carefully reasoned tribute to the health and economic benefits of wine, and one of longest passages on oenology by America's first great wine connoisseur. John Hailman's book, Thomas Jefferson on Wine (University Press of Mississippi, 2006), notes that "One of Jefferson's favorite topics in later life was how wine promoted sobriety," to which end he lobbied President Monroe and Treasury Secretary Alexander Dallas to lower import duties on French wine. Hailman cites a brief extract from this letter, lauding it because "it has so many quotable passages" (pp. 353–54).

An extraordinary and revealing letter, beginning with a warm encomium to France, "our sole ally during the war of independence," at the conclusion of the Napoleonic Wars. Jefferson, in contrast, reveals his longstanding antipathy to England and discomfiture at America's dependence on trade with England.

Provenance

Helen Fahnestock Hubbard (Parke-Bernet, March 27, 1956, lot 63). While the recipient of this letter is not indicated, the manuscript was purchased about 1930 by Thomas Madigan, who reveals in Word Shadows of the Great
that "Among the papers of Baron de Neuville, French Minister to the United States … I came across a letter of Thomas Jefferson in which the great democrat set forth his views on the prohibition question."

Offered by Seth Kaller, Inc.

 

O TO BE A DRAGON

by Marianne Moore

O Top Be a Dragon, Marianne Moore

New York: Viking Press, 1959. 1st edition, cloth, with printed dust jacket. A presentation copy, inscribed to Holly Stevens, the daughter of poet Wallace Stevens. The inscription reads: "Mine originally, Holly, since / it had an unintentional stripe / on the jacket that was there to / stay -- (now a dragon): yours / from a complimented author / pleased that you want it / Marianne / Sept 17, 1959" in black fountain pen ink on the FEP. The date is the publication date of the title, and Moore has additionally dated the copyright page "September 17" in her hand.

In typical Moore whimsy, the poet has created a drawing of a dragon on the dust jacket front cover, incorporating the "unintentional stripe" referred to in her inscription, and has titled the drawing "Dragon attacked by gnat" using the same black fountain pen ink as the inscription. A letter of provenance from the son of Holly Stevens is laid in. (Abbott A17.1.) Minimal sunning to jacket, else a fine representation of a remarkable association copy.

Offered by Jett W. Whitehead Rare Books.

 

A Game of Thrones (Advance Reading Copy)

by George R.R. Martin

A Game of Thrones

New York: Bantam Books, 1996. First Edition. Wraps. Very good/very good. 8vo. Original wraps in dust jacket. ADVANCE READING COPY (stated). Very good overall. Mild touches of curling and trivial small tears at edges of jacket. Pages lightly toned. Else sound and clean. 663pp. 

Scarce ARC of this Locus-winning first title in Martin's Song of Fire and Ice series, the basis for the wildly popular show.

Offered by Brian Cassidy, Bookseller.

 

 

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Browse the latest catalogs, newsletters, and e-lists of rare books, fine bindings, incunabula, print ephemera, and much more from the members of the ABAA below. (Also includes podcasts, blogs posts, and other digital formats.)

 *New*  indicates any catalogs added this week. 

 

AARDVARK BOOKS/EZRA THE BOOKFINDER

 

CHARLES AGVENT

 

ANDERSON BUTLER RARE BOOKS

 

ANTIPODEAN BOOKS, MAPS, PRINTS

 

NICK ARETAKIS

 

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Attaboy; Annie Owens, eds. Hi-Fructose: The New Contemporary Art Magazine, Vol. 34.

Hi Fructose Animation

Richmond, CA: OuchFactory YumClub, Vol. 34, 2015. Wraps, 21.2 by 27.6 cm, 114 pp. plus 16- page bound-in Gary Taxali insert, heavily illus. Fine. Signed on the cover by Margaret Keane, who was at the forefront of the 1960s “Big Eyes” art movement. This issue also includes Faig Ahmed, Joanne Nam, Patrick Dougherty, Tricia Cline, Jonathan Viner, Gary Taxali, Tristan Eaton, Kris Kuksi, Floria Sigismondi, and a ten-page feature on Keane.

Offered by Bay Leaf Used & Rare Books, and featured in "E-list #27: Art" (item #4).

 

 

B&B RARE BOOKS

 

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BOOKS TELL YOU WHY, INC.

 

BOREAS FINE ART

 

BOSTON BOOK COMPANY

 

BOSTON RARE MAPS, INC.

 

IAN BRABNER, RARE AMERICANA

 

MARILYN BRAITERMAN

 

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L.W. CURREY, INC.

 

NAT DESMARAIS RARE BOOKS

 

DEWOLFE & WOOD 

 

DIVISION LEAP

 

WEBB DORDICK

  • Catalog #88, Medical Books from the Fifteenth to the Twentieth Centuries -- This catalog is print-only. To request a copy, contact MedBks@aol.com...

 

THOMAS DORN BOOKSELLER

 

JAMES M. DOURGARIAN, BOOKMAN

 

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National Clearinghouse for Drug Abuse Information. Marihuana; Narcotics; LSD; Sedatives: Some Questions and Answers

Narcotics Pamphlet

Washington DC: U.S. Department of Health, Education, and Welfare Public Health Service, Health Services and Mental Health Administration, National Institute of Mental Health, 1971. 4 pamphlets (each one a folded sheet), pictorial covers. Price of 10 cents ($5.50 per 100 and $6.75 per 100 for Marihuana) on the rear cover of each pamphlet. An occasional hint of foxing and edge wear, overall a beautiful, bright set of pamphlets on illicit drug usage. Each pamphlet is illustrated with psychedelic art on the front covers and in the middle sections, brilliantly reflecting the style of the early 70s. For the sedatives pamphlet, OCLC shows only one holding (at the National Library of Medicine). For each drug discussed, the pamphlets cover the current science on the effects of the drugs, how the drugs interact with the human body, and what the law dictates for possession and distribution of each drug under the Comprehensive Drug Abuse Prevention and Control Act of 1970.

The pamphlets discuss the effects of the drugs on young and expecting users, and they outline the nicknames drug dealers use for each substance. "Marihuana" notably is spelled with an h in the pamphlet offered here, not reflecting the use of the "j" in the spelling of the word to make the drug seem more foreign and therefore frightening ("The Mysterious History of Marijuana", NPR). Issued by the U.S. Department of Health, Education, and Welfare (Public Health Service), which from 1953 until 1979 was a cabinet level office now known as the U.S. Department of Health and Human Services ("A History of the Department of Health, Education, and Welfare", U.S. Government). The Clearinghouse had several publications from 1970 onward throughout the decade ("The Online Books Page", UPenn). A fascinating set of pamphlets that covers the science of the time on these substances, the history of the drugs, the laws surrounding their usage and distribution, and some of the stereotypes associated with the drugs. 

Offered by Evening Star Books, and featured in their "May 2019" list (item #3).

 

JOSEPH J. FELCONE, INC.

 

ARTHUR FOURNIER FINE & RARE

 

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  • OCCASIONAL LIST 22: A Miscellany: Original Art Work; Small Archive of Major English Watercolourist; Interesting Theatrical Pieces; Manuscript Material, Etc., Etc. -- available on request from fgrare@fgrarebooks.com...

 

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  • 27 New Gastronomy Acquisitions + 1 Radical Plea for Freedom, 1556-1897 (London Book Fair List) -- available on request from bkinmont@gmail.com 

 

 ERIC CHAIM KLINE BOOKSELLER

 

JOHN W. KNOTT, JR., BOOKSELLER

 

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  • Catalog #74: 100 Rare Books -- with an emphasis on history and military affairs. Please request from mail@kubikbooks.com...

 

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MICHAEL LAIRD RARE BOOK & MANUSCRIPTS

 

LANGDON MANOR BOOKS

 

Featured item:


Banks, Spencer T., Original Artwork for a Weekly All African American Comic Strip, “Pokenia.”

Pokenia Animation

(St. Louis, Missouri: 1939). Sixteen pen and ink multi-panel comic strips on artist's board measuring from 63⁄4” x 141⁄4” to 71⁄4” x 17”. Generally good plus to very good, all with moderate to heavy edge wear, occasional chip, stain or crease; artwork is crisp and fresh.

This is a collection of original art for a comic strip entitled, “Pokenia.” The artist, Spencer T. Banks served in the Navy during World War II and ultimately made a living in St. Louis as a commercial artist. His works were displayed at the City Art Museum in exhibits of African American artists sponsored by the St. Louis Urban League in both 1939 and 1941. A 1946 article in the St. Louis Post-Dispatch described Banks' works that were exhibited at the People's Art Center. It stated he trained at that facility and that he was going to attend the Art Institute in Chicago, though we have been unable to determine if he ever enrolled.

Pokenia was apparently meant to be a soap opera continuity strip à la Mary Worth, a genre which started gaining popularity in the 1940s. Alice Ormes' “Torchy Brown in Dixie To Harlem” began running at the Pittsburgh Courier in 1937 and was one of the first strips centered on a black female character. The strips we have are sequentially numbered in pencil: 3-7, 9-18 and 30. Strip number 3 shows Pokenia receiving a sales job at a department store. Her looks caused the other women at the store to fear they would lose their husbands or boyfriends to Pokenia. She worked at the flowers counter in a store where all the employees and patrons appear to be African American. We see men fawning over her, her rejection of the advances of her floor supervisor, Jammey B. Fullasoot, and her slowly developing romantic relationship with the store's bookkeeper, Eddie. She also showed her integrity when she found her boss' wallet and returned it whole. The last strip showed Eddie awakening a recently passed-out Pokenia, but without the preceding or subsequent installments, we don't know the background or what happened next.

According to the good folks at the St. Louis County Library, Banks published two strips in the St. Louis Argus starting around September, 1939: Pokenia and another called “Pookie.” We are unable to determine if he successfully syndicated them. Comic strips featuring a mostly black cast done by African American artists are infrequent entrants in the historical record. In “Black Comics: Politics of Race and Representation” (London: Bloomsbury, 2013), Dr. Sheena R. Howard documented several early comic strips featuring African American characters created by black artists. These include “Bungleton Green” at the Chicago Defender which began in 1920, “Sunny Boy Sam” at the Pittsburgh Courier which started in 1928 and Ollie Harrington's “Dark Laughter” in 1935. These are therefore early examples of a comic strip by a black artist featuring African
American characters as well as one of the earliest to have a woman as its central character. Unique and worthy of further research.

Offered by Langdon Manor Books, and featured in "Catalog 8: African Americana" (item #15).

 

ANDREW LANGER, BOOKSELLER

 

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J. & J. LUBRANO MUSIC ANTIQUARIANS

 

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MAC DONNELL RARE BOOKS

  • List of 77 Mark Twain First Editions and Ephemera available by request from info@macdonnellrarebooks.com (specify elist or paper copy). 

 

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  • Illustrated Catalog on Carlos Merida (1891–1984) -- Mexican painter, sculptor, writer and graphic designer -- available by request from mmbooks@comcast.net
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Featured item:

 

ALADDIN HOMES, "BUILT IN A DAY" -- Catalog No. 29, 1917.

Aladdin Homes

Bay City, Michigan: Aladdin Company, 1917. First Edition. Hardcover. pp: 120, (4)order form & ads; illustrations throughout, many in color, some folding. Bound in black grained cloth, gilt cover title, spine roughened. 8.75" x 5.5" Good.

Early pages explain The Aladdin Plan; their Board of Seven designers, builders and manufacturers; conservation of materials; etc. Most of the book presents a wide variety of residential styles with explanatory text, architectural renderings (many in color), floor plans, and prices.

Offered R&A Petrilla, Antiquarian Booksellers, and featured in their new catalog, "Trade Catalogs."

 

 

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Featured Item:

 

The High King

by Lloyd Alexander

The High King

New York: Holt, Rinehart and Winston, (1968). First edition, first printing. Hardcover. Tall 8vo. Publisher's blue printed cloth. Short closed tear at the spine tip, nicely mended, neat ownership name on the half title, else a very good copy. Dustwrapper is not price-clipped and bears the Newbery Award sticker. There is a small stain on the inside suggesting that the Holt Library Binding Sticker was once present. Aside from this, the jacket is lightly rubbed and shows a bit of wear at the heel of the spine else is in very good condition. The fifth and final installment of the Prydain Cycle. Very good / Very good. 

Offered by Thorn Books, and featured in thir new catalog, "King Arthur."

 

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Remember, you can always browse and download the latest catalogs published by ABAA members on ABAA.org by visiting the following link: https://www.abaa.org/catalog/... (You can also access this page by selecting 'Booksellers' from the top menu, scroll to the bottom of the page to 'Member Catalogs', and click on 'View All'.)

 

Photo credit: Various items from Old Imprints' new catalog, A Magazine's Eye View of the 20th Century.


 

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Collecting Dell Mapbacks

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One phrase you might hear at a rare-book fair is mapbacks. No, that’s not some sort of tattoo favored by rare map dealers; a "mapback" is the informal name for a series of pulp paperback books published by Dell between 1943 and 1950.

Map BackInitially, the back cover of these books featured bland art, but starting with the fifth book in the series, Four Frightened Women by George Harmon Coxe, Dell added an illustration showing the locale where the book’s events took place. (Note: the previous book in the series, The American Gun Mystery by Ellery Queen, was later reprinted with a map on the back cover, but it was the fifth book in the series that was the first to feature a map.)

The “maps” were not all conventional maps by any means, with cut-away illustrations of buildings being a frequent option the various artists used when the action was largely confined to one house or building.

A Dell Book

Dell paperbacks were distinguished airbrushed art and a distinctive Keyhole collophon with an eye peering through, a nod to the lurid mysteries they mainly published in the paperback line — although they soon began to add thrillers, romance, western titles, even historical novels and nonfiction as the series grew in popularity. The keyhole logo soon accreted a number of variations to denote genre, and (according to Piet Schreuders in The Book of Paperbacks) in 1949 it ceased to be used on the rear of mapbacks).

 

Curtains for the Copper

by Thomas Polsky

Curtains for the Copper
New York: Dell Publishing Company. First edition. Softcover. Dell Book 29, a mapback. A tight very good copy with some minor creases to the corners of the wrappers and some of the usual tanning to the pages. Otherwise, a very nice copy.

Offered by Jeff Hirsch Rare Books.

 

Initially, there was no numbering on this series, but Dell began adding a number to enhance collectability with Thomas Polsky’s Curtains for the Copper in 1944 (according to the wonderful resource The Mapback Index). Eventually the keyhole design was changed to incorporate the number.

Collectors have long had great affection for the Dell mapbacks, and their original large print runs and popularity means that most are not difficult to come by, but institutional respect was slower to develop — in part because of the sheer number of volumes and the small paperback format posed problems for institutional storage. Despite the fact that the Library of Congress was required to receive two complimentary copies of any and all copyrighted works published in the United States since 1870, the Library had routinely rejected copyright receipts of mass-market paperbacks because they didn’t have the space to store them! It wasn’t until the 1970s that the Library made an effort to incorporate mass market paperbacks in their collection, and in 1976, Helen Meyer, the Chairman of Dell Publishing, donated a complete archive of 8500 Dell paperbacks to the library.

 

The Big City After Dark - New York: Confidential! the lowdown on its bright life (1950) edition

by Jack Lait & Brad Mortimer

The Big City After Dark Animation
New York: Dell, 1950. Paperback. 240p., mapback paperback reprint of the 1948 original, very worn pictorial wraps. Dell Book 400. Several sections on gay and lesbian interest. 

Offered by Bolerium Books.

 

Today, most mapbacks are available for modest prices in fair condition. There are of course titles that are harder to find, and a wide gulf between copies in fair and fine condition! There are several good books and websites that explore the history of the Dell paperbacks, mapbacks, and pulp paperbacks in general, and these are good resources if you wish to build up a collection of mapbacks or other mass-market paperbacks from the era.

 

 

ABAA members have many Dell mapbacks listed on abaa.org — search by the keyword mapback — and many more that they have not posted online. If you are hunting for a specific title or titles, we encourage you to contact an ABAA member near you directly, so they can help you locate the best copy. Here is a sample of the titles currently available:

 

 

Silent are the Dead (Dell Mapback Series No. 225)

by George Harmon Coxe

Silent are the Dead 
Dell, 1941. Mass Market Paperback. Near Fine. Wrappers very faintly creased, pages faintly toned. 1941 Mass Market Paperback. 240 pp. Flash Casey snaps a photo that holds the key to a corrupt lawyer's murder. Casey shouldn't have had to go back for more pictures of Stanford Endicott. He was at the court with the other newspaper photographers when the wealthy lawyer was arraigned, and got pictures of him smiling as he put on a hat to hide his bald head. But before Casey can get the negatives developed, a pair of urchins steal his camera case and expose the plates to the sun. At his editor's orders, Casey visits Endicott's office for another round of photos. The picture he takes there is altogether more interesting: Stanford Endicott, dead on his office floor. Casey hears a sound in the next room and knows the murderer is close. He gives chase out the front door, and takes a picture just as the killer drives away. Suddenly, Flash Casey has a bigger story than he bargained for.

Offered by Yesterday's Muse.

 

 

Brandy for a Hero (Dell Mapback)

by William O'Farrell

Brandy for a Hero
New York: Dell Publishing Co. (306). Very Good+. [1949] (c.1948). 1st printing thus. Softcover. NO ISBN . [nice tight copy, mild edgewear, some soft creasing in front cover, inked number at top of first inside page]. Mass Market PB "The Story of a Night of Terror." The rear cover crime map depicts "The Old Fort Skating-Rink, where death pursues a doctor" (a cutaway view of the building, with a map of Manhattan as background). 

Offered by ReadInk.

 

 

THE CONTINENTAL OP

by Dashiell Hammett

The Continental Op, Dashiell Hammett (Animation)
New York: Dell #129, 1946. Hammett, Dashiell. THE CONTINENTAL OP. NY: DELL #129 [1946]. First Printing. A FINE copy with only the most minor of blemishes. Great mapback of the streets of San Francisco.. Fine.

Offered by Lakin & Markey Rare Books.

 

 

NIGHTMARE TOWN

by Dashiell Hammett

Nightmare Town

New York: Dell Publishing Company, Inc., [1950].. Small octavo, cover art by Robert Stanley, pictorial wrappers. First mass market paperback edition. Dell #379 A Dell mapback. Collects four stories, "Nightmare Town," "The Scorched Face," "Albert Pastor at Home" and "Corkscrew." First book publication for all. The first story appeared in ARGOSY ALL STORY WEEKLY, the second in BLACK MASK, the last two in ESQUIRE. Introduction by Ellery Queen. Reading crease at spine edge, spine ends rubbed, a near fine copy. 

Offered by L.W. Currey.

 

 

They Can't All Be Guilty (Dell Mapback No. 401)

by M.V. Heberden

They Can't all be Guilty, by M.V. Heberden

Dell Publishing Company, 1950. Mass Market Paperback. Good. Light creasing to spine. 1950 Mass Market Paperback. We have more books available by this author!. 240 pp. By the author of Murder of a Stuffed Shirt, Vicious Pattern, Drinks on the Victim, and Murder Cancels All Debts.

Offered by Yesterday's Muse.

 

 

The Affair at the Boat Landing

by A. B. Cunningham

The Affair at the Boat landing
New York: Dell Publishing Company, 1943. Paperback. 224pp. Sextodecimo [16 cm] Illustrated wraps. The text block edges have the publisher's blue stain. Very good. The covers are mildly creased and rubbed. Slight spine slant. There are several very tiny moisture stains on the top edge of the text block. Browned pages. A Dell Book. Dell 410. Map Back. A Sheriff Jess Roden Murder Mystery. Cover painting by Robert Stanley. Numerous well-known authors had their books reprinted as Dell Map Backs such as Rex Stout, David Dodge, Agatha Christie and Dashiell Hammett. According to William H. Lyles, author of Putting Dell on the Map: A History of the Dell Paperbacks, "Dell achieved more variety than any of its early competitors. It did so, at first, with an instantly identifiable format of vibrant airbrushed covers for its predominantly genre fiction, varying 'eye-in-keyhole' logos, maps on the back covers, lists of the books' characters, and 'tantalizer-pages.'"

Offered by Ken Sanders Rare Books.

 

 

Wolf in Man's Clothing

Mignon G. Eberhart

Wolf in Man's Clothing
New York: Dell, 1942. Softcover. Very Good. Mass market paperback. Pages lightly age-toned with bottom corners creased, about very good with modest edgewear. A Nurse Keate Murder Mystery. A Dell Book 136, complete with map on rear wrapper.

Offered by Between the Covers Rare Books.

 

 

The Robbed Heart

by Clifton Cuthbert 

The Robbed Heart, Clifton Cuthbert

New York: Dell, [194-?]. Mass Market Paperback. 191p., first wraps edition, light handling wear. Cuthbert explores black/white relations with jazz themes, set in Harlem. *Rideout author. A Dell 'Mapback'.

Offered by Bolerium Books.

 

 

SHE (Near Mint, Unread)

by H. Rider Haggard

She, H. Rider Haggard

New York: Dell #339, 1949. Haggard, H. Rider. SHE. New York: Dell #339, 1949. First Edition thus. A Near Fine unread copy of one of the iconic "good girl art" paperbacks from the golden age of GGA by Lou Marchetti. The stunning black cover is especially prone to wear but this example is a beauty. The mapback reverse is equally pristine. Uncreased and square, with full gloss. Not much point having this book unless you acquire it this nice (just our opinion). "She who must be obeyed" is one of Haggard's great creations and if you haven't read the book, you're missing out. But don't read this particular copy!. First Edition Thus. Mass Market Paperback. 

Offered by Lakin & Marley Rare Books.

 

 

Honor Bound

by Faith Baldwin

Honor Bound

New York: Dell Publishing Company, 1940. Paperback. 240pp. Sextodecimo [16 cm] Illustrated wraps. Publisher's blue stain on the text block edges. Very good. The covers are lightly creased. There is a previous owner's faint ink stamp on the front cover, and again on the first blank page. Abraded along the inside margins of the free endsheets and the internal sides of the covers. Browned pages. A Dell Book. Dell 116. Map Back. The intricately rendered scene-of-the-crime/action representations on the back of the Dell Map Backs made them popular and collectible. Numerous well-known authors had their books reprinted as Dell Map Backs such as Rex Stout, David Dodge, Agatha Christie and Dashiell Hammett. 

Offered by Ken Sanders Rare Books.

 

 

THE BOOK OF PAPERBACKS; A Visual History of the Paperback

by Piet Schreuders (Translated from the Dutch by Josh Pachter)

Book of Paperbacks
London: Virgin Books, 1981. Stiff pictorial wrappers. A VG copy. xi, 259 pp. Illustrated in color and b/w. 8vo., 9" x 6" 

Offered by Tavistock Books.

 

 

DELL PAPERBACKS, 1942 TO MID-1962

by William Lyles

Dell Paperbacks

Westport: Greenwood Press, 1983. cloth. Dell. 8vo. cloth. xxxv, 471, (3) pages. A catalog-Index of Dell paperbacks.

Offered by Oak Knoll Books.

 

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Search for other Dell mapbacks on abaa.org... 

 

 

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Books of the Week

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Our members list new acquisitions and recently catalogued items almost every day of the year. Below, you'll find a few highlights from these recent additions...

 

Early Photographs from the Collection of William S. Burroughs

William S. Burroughs Photographs

[ca 1950s]. An album containing early photographs by and of William S. Burroughs and other figures of the Beat generation, including photo collages and partial collages, with annotations by Burroughs; a photobooth portrait; a passport photo; a negative of an unpublished Brion Gysin photograph of Burroughs from 1959 (with contemporary archival print); and other images. 32 photographs in all, plus calling cards of Bruno Heinrich and Charles Henri Ford, and a copy of Driffs magazine -- "The Antiquarian and Second Hand Book Fortnightly" -- which includes Part 1 of Iain Sinclair's "Definitive Catalogue" of the Beats -- this part being devoted entirely to theworks of William Burroughs, with this album as item number 80 in the catalogue. The photographs are primarily from the early 1950s -- the ones annotated by Burroughs having dates from 1952 to 1954.

Several photographs are taped together, forming early visual collages, while a number of the individual photos have sellotape along their edges, suggesting they were at one time part of a larger collage. The collages, or collage fragments, represent some of Burroughs' earliest attempts to use visual images in the way he was using words -- to transcend time and space, and link together various aspects of his life and world, in ways that correlate to a "mindscape" -- akin to the connections between the stories he wrote during that period that were collectively known as the Interzone, which was also an early title for Naked Lunch. Brion Gysin, in his 1964 essay, 'Cut ups: A Project for Disastrous Success,' wrote that "Burroughs was more intent on Scotch-taping his photos together into one great continuum on the wall, where scenes faded and slipped into one another, than occupied with editing the monster manuscript" -- i.e., Naked Lunch, aka his Word Hoard. And Burroughs wrote in one of his Adding Machine essays: "I was back in my old garden room at the Villa Muniria [in Tangier], and it was here that I first started making photo-montages." This was March 1961. 

The provenance of this group of materials is "the legendary Hardiment suitcase," belonging to poet Melville Hardiment, a friend of Burroughs during the years 1960-62, who is also known as the first person to have given Burroughs LSD, apparently without Burroughs' advance knowledge. Hardiment's wife at the time was Harriet Crowder, a photographer who is well-known for having taken the portrait of Burroughs on the LP "Call Me Burroughs." Hardiment bought a number of items from Burroughs in that time period and famously kept them in a suitcase. According to his second wife, Pat Hardiment, Melville would sell off the contents bit by bit, when he needed money. One group of materials ended up at the University of Kansas, and is known there as the Burroughs-Hardiment Collection: this group went from Hardiment to the bookseller Pat Zanelli, to bookseller Larry Wallrich, and then to the university. A second group of photographs and collages went into the collection of photographer Richard Lorenz, and were exhibited in the 1996 show at the Los Angeles County Museum of Art -- "Ports of Entry: William S. Burroughs and the Arts." By 1996, Burroughs' influence on the visual arts was sufficiently deep and widespread to justify a museum show of its own. The photos and collages in the Lorenz collection were of the same subjects, from the same time period, with the same annotations as the Kansas photos, and would appear to have also come from Hardiment's suitcase. Several of the Lorenz images remain taped together forming collages, or mini-collages; many others, though, now stand alone, although by the evidence they were once part of a larger construct. 

This third group, offered here, went from Hardiment to Iain Sinclair, likely again via Pat Zanelli (Sinclair recalls buying the lot from a woman bookseller, and Zanelli is the most likely candidate). Like the photos in Kansas and those in the Lorenz collection, many of these have sellotape on the edges, and like the collages in the Lorenz collection, some are still taped together, forming collages themselves or representing collage fragments. Tape shadows on the versos of some of the images both here and at the University of Kansas hint that Burroughs may have created the collages and then, when he began experimenting with the cut-up technique in writing, have cut-up the collages with the intent of applying this same technique to visual imagery. The Lorenz items were not presently available for examination of their versos, but some evidence supports this notion, such as that some of the images in the collages were partially torn away, and that there was evidence of the collages having been part of a larger grouping previously. William S. Burroughs is known as a key figure of the literary avant garde of the 20th century, and the impact of his work on the visual arts -- both his own artwork and others' works derived from his literary writings -- was sufficient to justify a major museum show and catalog. These snapshots and snapshot collages represent some of his earliest efforts to explore the ideas he was working on in his writing using visual materials. Isaac Gewirtz, the curator of the Burroughs archive in the Berg Collection at the New York Public Library, wrote in his book on Burroughs, Beatific Soul, that the Interzone was an "imaginary city" which was "a combination of New York, Mexico City, and Tangier" in which Burroughs "construct[ed] hallucinatory, interconnected narratives for its numerous characters." These groups of photographs show Burroughs venturing even farther afield and including "Tetuan" [i.e., Tetouan], in Morocco; Huanuco, in Peru; and Paris, as part of his interzone, or mindscape. The Huanuco photographs and a Pucallpa, Peru calling card date from Burroughs' trip to South American to meet with Harvard ethno-botanist Richard Evans Schultes (aka "Dr. Schindler" in The Yage Letters) to try ayahuasca for the first time. Early, seminal material from William S. Burroughs, an icon of the Beat Generation, whom Norman Mailer, in 1962, called "the only American novelist living today who may conceivably be possessed by genius." No Binding. 

Offered by Ken Lopez - Bookseller. 

 

Junkie

by William Lee (William S. Burroughs)

Junkie (Ace Double)

New York: Ace Books, Inc, 1953. First edition. Paperback Original. Very Good +. First printing of William S. Burroughs first book, written under a pseudonym. Considered unprintable until Allen Ginsberg championed the work to a pulp paperback publisher, A.A. Wyn. Bound as an Ace Double with Narcotic Agent by Maurice Helbrant, Burroughs first work was largely overlooked by literary critics and libraries. This copy Very Good+ to Near Fine, appearing unread. Minor creasing at the corners and lower spine with a short tear. Pages browning as usual. Considered a seminal text for the Beat generation, Junkie is a semi-autobiographical work drawn from Burroughs' own experiences using and selling heroin. Written at the urgining of Allen Ginsberg, the book also benefited from Ginsberg's editing and promoting. It was ultimately produced in paperback form, which allowed it to gain cult status among his own generation, but cause delays in it being recognized by institutions or non-Beat intellectuals. Very Good +.

Offered by Whitmore Rare Books.

 

Experiments and Observations on Electricity, Made at Philadelphia in America...to which are added, Letters and Papers on Philosophical Subjects. The Whole Corrected, Methodized, Improved, and now first collected into one volume, and illustrated with copper plates

by Benjamin Franklin

Benjamin Franklin
London: Printed for David Henry, 1769. Quarto. (8 1/2 x 6 7/8 inches). [2],iv,[2],496[i.e. 504],[16]pp. including leaf of errata and advertisement "concerning this fourth edition." Seven engraved plates (four folding). Half title. Contemporary speckled calf, expertly rebacked to style retaining the original red morocco lettering piece Provenance: F. G. Smyth (armorial bookplatex) The fourth, first collected, and by far the most desirable edition, containing for the first time complete notes on all the experiments, as well as the correspondence between Peter Collinson, Franklin, and other collaborators: "The most important scientific book of 18th centuryAmerica" (PMM).

Franklin began experimenting with electricity as early as 1745, demonstrating the electrical property of lightning and inventing the lightning conductor. This volume includes summaries of his work with Leyden jars, charged clouds and lightning rods, as well as his famous kite and key experiment. In addition to the electrical experiments it contains the important discovery of the course of storms over North America, and other important meteorological observations. The work caused a sensation in the scientific world when first published in 1751, and ranked in the eyes of many of Franklin's contemporaries far beyond any of his political achievements. Harvard and Yale awarded him honorary degrees in 1753; he received the highest award of the Royal Society, the Copley Medal, the same year; and he was elected to the Society in 1756, the first American to be so honored. This fourth edition is the first complete edition of the original work; the earlier editions were issued in separately-published parts. Here, Franklin edited this new one-volume edition himself, significantly revising the text, adding for the first time a number of his own philosophical letters and papers, introducing footnotes, correcting errors, and adding an index. This copy with the errata/advertisement leaf which is often lacking. "America's first great scientific contribution" (Howes). 

Offered by Donald A. Heald Rare Books.

 

BOOK OF HOURS (Use of Rome), illuminated manuscript on parchment in Latin and French

Book of Hours

REMARKABLE EXAMPLE OF A PERFECTLY PRESERVED PARISIAN RENAISSANCE BOOK OF HOURS WITH BINDING, CLASPS, AND PICTURES ALL INTACT. Illuminated manuscript on parchment, in Latin and French, France, Paris, c. 1500. Dimensions 220 x 130 mm., 90 folios, complete, written in a single column of 30 lines in a pleasing formal bâtarde book hand, rubrics in red, one-line initials throughout, numerous two-line initials, 14 LARGE AND 23 SMALL FINELY EXECUTED MINIATURES by the workshop of JEAN COENE IV (=MASTER OF THE PARIS ENTRIES).

BINDING: Bound in ORIGINAL, unrepaired blind-stamped leather, with raised bands, two original openwork silver clasps, original catch plates and anchor plates, remnants of velvet chemise beneath, vellum pastedowns, all edges gilt. In a modern brown cloth clamshell box with leather spine label.

ILLUSTRATION: This exceptional Book of Hours was clearly a premium production, almost certainly done by the master Jean Coene IV (active c. 1490-1520) himself. The harmonious composition of each scene, the use of vibrant color combinations, and the confident line strokes clearly indicate the work of a practiced hand.

PROVENANCE: The manuscript's original owner was Jean Martin, an official in the French government, whose name and important genealogical dates are written in the back of this volume. Front pastedown contains an armorial bookplate of Monsieur le Marquis de Dollon (1769- 1856); later in a private collection.

CONDITION: few marks and a little rubbing to the leather, small stain affecting top margin of one gathering, trivial erosion to paint, light rubbing to one or two miniatures, but all imperfections are very minor. Overall in outstanding condition. Full description and images available. 

Offered by Les Enluminures.

 

MR WILLIAM SHAKESPEAR'S COMEDIES, HISTORIES AND TRAGEDIES. PUBLISHED ACCORDING TO THE TRUE ORIGINAL COPIES. UNTO WHICH IS ADDED, SEVEN PLAYS, NEVER BEFORE PRINTED IN FOLIO

by WIlliam Shakespeare

Fourth Folio

London: Printed for H. Herringman, and are to be sold by Joseph Knight and Francis Saunders, 1685. Fourth Folio. Hardcover. Folio; Fine; bound in imitation period style, with old leather used for the boards, new spine, and endpapers using old-style paper; bookplates preserved onto front pastedown; pages measure 360mm x 234mm.; The First leaf with with the portrait and verses have been restored in the margins with modern blank paper, not affecting the text and engraving. There are marginal repairs to the title page, where the top lines of the title page margin have been restored in facsimile. Two leaves, signatures 313-314, have been supplied from another copy. The portrait, title page, and first few leaves have slightly more wear than the remainder. There are minor stains, minor closed tears, slight wear, and extremely minor worming to the lower margin, almost exclusively to last few signatures.; Variant imprint, without the usual "for H. Herringman, E. Brewster, R. Chiswell, and R. Bently", but rather "Printed for H. Herringman, and are to be sold by Joseph Knight and Francis Saunders". First State, with borders on all pages; With the bookplates of both Sir John Leveson-Gower of Trentham (1675-1709) and Thomas Fowler (1760-1815).

Detailed information about the provenance available upon request. This is the only edition among the four Shakespeare Folios in which each play does not begin a fresh page. Unlike other three folios, the Fourth Folio is not a page-for-page reprint of the earlier edition. The text is clearly divided into three sections, each starting a fresh set of pagination: the Comedies (Signatures. A-Z, paged 1-272), the Histories and the Tragedies up to the end of Romeo and Juliet (Signatures. 2B-2Z, *3A-*3E, paged 1-328), and the rest of the Tragedies and the seven apocryphal plays (Signatures: 3A-4C, paged 1-303). [Meisei University] Two pages of Love's Labour's Lost (Sig. L1 and L1v) are conspicuous in that the text is set continuously and in smaller type (8-point rather than 12-point.) They were apparently reset to print the text equivalent to 3 pages into 2, after noticing that they had missed a page. 2B1, 2C1, 2C3, 2E3, 2O1 have the signatures hand-corrected (or in the case of 2E3, entirely in hand, or in 2O1, thick 'OO' covering an incorrect 'Pp'), as usual, due to the printer misprinting some signatures. [Dawson 1951] The Fourth Folio "reprints the folio of 1664 without change except in the way of modernizing the spelling, and of increasing the number of initial capitals within the sentence." [Lee, 1922] "The Fourth Folio, published in 1685, included the same 43 plays in the same sequence as the Third - and indeed exactly echoed its claim on the title page to have "added" 7 plays "Never before Published in Folio." These were in fact also reprinted from the Third Folio." 

Offered by Second Story Books.

 

Ulysses (First Edition)

by James Joyce

Ulysses

Paris: Shakespeare and Co, 1922. First edition. Original wrappers. Very Good. FIRST EDITION IN UNRESTORED ORIGINAL WRAPPERS. Number 349 of 750 printed on handmade paper (out of a total edition of 1000). Paris: Shakespeare and Co., 1922. Quarto, original blue-green wrappers, early custom half-leather box. Wrappers with light rubbing to edges, wear to spine with approximately one-inch chip below first spine band, very mild crease to about first 30 leaves; front wrapper holding, but very tender at joint. Some wear to slipcase. A very good copy of what is generally considered the most influential novel of the twentieth-century; rare in unrestored original wrappers. 

Offered by Manhattan Rare Book Company.

 

Paul Revere’s Iconic Boston Massacre Print

Paul Revere Print

1770 · Boston, MA. 

Revere's print quickly became one of the most successful examples of political propaganda of all time. The depiction of the event, and a poem printed below, vilify the British Army and list the first casualties of the American Revolution: "Unhappy Boston! see thy Sons deplore, Thy hallow'd Walks besmear'd with guiltless Gore...The unhappy Sufferers were Mess[ieur]s Saml Gray, Saml Maverick, Jams Caldwell, Crispus Attucks & Pat[ric]K Carr Killed. Six wounded; two of them (Christr Monk & John Clark) Mortally..." Rushed into print less than a month after the event, Revere's print helped unite the colonists and, in American minds, cast the British as aggressive oppressors— making rebellion easier to justify. PAUL REVERE.
Engraving. "The Bloody Massacre perpetrated in King-Street Boston on March 5th 1770 by a party of the 29th Reg." Printed by Edes & Gill, Boston, Mass., 1770. First edition, second state (clock showing 10:20), original hand coloring. 1 p., LVG watermark, 9⅝ x 12 in.

Historical Background

By the spring of 1770, New England's metropolis had been smoldering with discontent. In 1765, Parliament had imposed the Stamp Act. Though repealed, it was soon replaced by Townshend's "Intolerable Acts," including new taxes. Then, the Crown's commissioners of customs, fearing (with good reason) for their safety, had requested military support. In 1768, several infantry regiments, accompanied by a small artillery train, were tasked with keeping order in the city. Nearly 2,000 soldiers lived amongst Boston's population of just 15,000. The quartering of the troops in private homes was seen as an additional affront to America's already injured liberty. British soldiers soon became a despised caste.

The details of the Boston Massacre are murky. Contemporary witnesses, chroniclers and the soldiers and subjects at the heart of the matter told very different stories. In any case, on March 2, 1770, a scuffle broke out between workers at a rope walk and a number of soldiers who supplemented their wages with occasional work. The incident was repeated the following day. On the night of the 5th, the riot known as the Boston Massacre began when a group of apprentices, teenagers for the most part, heckled and harassed a lone sentry at the customs house. As the crowd continued to gather, a small relief arrived at the scene, determined to extricate the soldier. Epithets, and snowballs and ice were hurled. A thrown club struck a soldier; when he rose to his feet, he fired his musket. Enraged, the crowd advanced en masse. They were met by a volley of bullets. Three men were killed outright, two more died of their wounds, and several more were severely injured.

Boston was horrified as Church bells rang throughout the city, and sermons and speeches and town meetings railed against the British atrocity. On March 26, an advertisement in the Boston Evening Post
announced that "A Print, containing a Representation of the late horrid Massacre in King-Street," was available for purchase. Edes & Gill, which printed the engraving for Revere, shows a charge on their ledger for 200 copies on March 28.)

The scene was actually drawn and engraved by Henry Pelham, but Revere somehow acquired a copy. Revere, primarily a silversmith, also had a reputation as an engraver. He advertised and rushed out his version, trumping Pelham by a crucial week, ensuring that Revere's production would dominate the market.

The Boston Massacre print is a propaganda masterpiece. Rather than picturing true riotous confusion on all sides, it depicts murderous and calculating Redcoats firing a uniform volley into a crowd of unarmed
civilians who are already tending to their fallen peers. The British officer has his sword raised, apparently ordering his men to open fire. A rifle barrel, presumably from a hidden British soldier, can be seen firing from the window of the "Butcher Shop" above the Customs House, drawing a potent connection between the butchery of the day and the hated customs officers who were being protected by the British garrison. In spite of the presence of a crescent moon above, the event appears as if in daylight rather than accurately after dark. There is no evidence of the snowballs or hurled ice or other provocations of the patriots. In addition to the evocative caption-title, Revere affixed a lurid poem beneath the image accompanied by an inaccurate list of casualties (two men listed as "mortally" injured would eventually recover). The combined effect on the colonial audience was immediate and dramatic: Boston's population was outraged, and anti-British sentiment surged throughout the colonies as news spread.

Among those killed were Crispus Attucks (1723-1770), who was variously described as African American, mulatto, and Native American, perhaps a Nantucket. He was born into slavery in Framingham, Massachusetts, and ran away in 1750 to become a sailor and dock worker. Samuel Gray was a rope maker and notorious street brawler. Samuel Maverick (1752/53-1770) was a seventeen-year-old apprentice to Isaac Greenwood, who was a carpenter in Boston. Maverick lived with Greenwood's family and responded to the street bells that night, thinking there was a fire. Shot in the stomach, he died the next morning. James Caldwell (1752/53-1770) was also seventeen and was a sailor on the brig Hawk, under the command of Capt. Thomas Morton. Between 1768 and 1770, it traveled between the West Indies and Boston. Patrick Carr (1739/40-1770) was born in Ireland and became a leather-worker in Boston. Shot in the abdomen, Carr died nine days later. He insisted that the soldiers fired in self-defense, and he bore no malice toward them. The two persons listed as mortally wounded—Christopher Monk (1752/53-1780) and John Clark (b. 1752)—did not die immediately from their wounds. Only seventeen years old when shot, Monk died ten years later, likely from complications of the wound to his groin and resulting disability. Clark, another seventeen-year-old, was a twin from Medford and was an apprentice to Capt. Samuel Howard in Boston. Wounded in the groin and expected to die, Clark recovered.

Tempers had cooled somewhat by the time the British soldiers and their commanding officer, Capt. Thomas Preston, were tried seven months after the fact. Determined to be fair, radical patriots John Adams, Robert Auchmuty, and Josiah Quincy, Jr. represented the accused, all but two of whom were acquitted. The acquittal saved the soldiers but did not protect the authority that they represented. The Boston Massacre became a rallying cry for the Sons of Liberty and other opponents of the Crown. Every anniversary became an occasion for remembrance and agitation. Revere's image popularized the event, shaping anti-British public opinion throughout the American colonies and hastening the split that followed.

Though it seemed like Revere's prints were everywhere at the time, today, they are scarce and fine copies seldom come on the market. The scarcity, when coupled with the print's status as an icon of the Revolution, ensures continued interest: "It is a corner-stone of any American collection." (Brigham, p. 52).

Condition

Hand-painted water colors, possibly by Boston artist Christian Remick. Ragged edges with some trimming, upper left corner filled, left and right reinforced at margins, ¼ in. nick in edge, tears mended, lined on archival paper. Browning. But fine overall, especially compared to many of the other known copies.

A first state of the engraving shows the clock on the church steeple reading 8 o'clock; only two first impression copies are known. The event actually occurred around 10 pm, and all of the other known copies, including this one, shows the clock at 10:20.

Publication History: cf. David McNeely Stauffer, American Engravers upon Copper and Steel (1907), p. 441, no. 2675 // cf. I. N. Phelps Stokes and Daniel C. Haskell, American Historical Prints: Early Views of American Cities (1932), p. 24 no. C-10 // It is not known whether this example is listed by Brigham.

Offered by Seth Kaller, Inc.

 

Principles of the Science of Colour

by William Benson

Science of Colour (Benson)
1868. BENSON, William. Principles of the Science of Colour concisely stated to aid and promote their useful Application in the Decorative Arts. x, 48 pp. Illustrated with 6 uncoloured lithographs, 4 text illustrations of which 2 are hand-coloured and 5 plates with mounted coloured circle patterns. 4to., 275 x 210 mm, bound in original pebbled cloth, with new morocco spine. London: Chapman & Hall, 1868 - [1876]. First Edition, second issue, of this elegant and unusual book. The colour plates in this issue are the same as in the first except that instead of being hand-coloured they are made of circular coloured paper samples mounted by hand. "Benson, an architect, published his unique cube-shaped color solid in 1868. Benson's cube model stands on end with a black to white vertical axis ... Benson's elegant diagrams, along with hand-colored plates, show how the cube may be sliced to reveal the colors that form the interior. He cites Mayer, Runge, and Chevreul as sources for his theories, but criticizes Field as being "too hasty." - Color Documents No. 27. Herbert also comments on the book: "Author's color standard based on a cube tipped on a point, and incorporating the then recent theories of Maxwell and Helmholtz" ("A Color Bibliography, II" in Yale Library Gazette, 1977, p. 143). Despite some foxing, which seems to be in all copies, a sound copy of a scarce book. With a prize presentation label on the front endpaper. Birren Catalogue No. 34.

Offered by Ursus Rare Books.

 

Illustrated letterhead with accompanying illustrated advertising cover for Gulden's Mustard, Capers, and Olives

by Charles Gulden

Olive Letter (Charles Gulden)

New York: Charles Gulden, 1908. Envelope or Cover. Very good. This colorful letter from Gulden's Mustard contains a mimeographed notice (signed in print by Charles Gulden) informing stores the company has obtained a temporary injunction against a rival firm to prevent the sale of Chance & Son's "Don Caesar" olives, whose name and packaging was quite similar to Gulden's "Don Carlos" brand. The multi-color letterhead features a jar of Gulden's Mustard with its famous marketing spoon and two gold medals that had been awarded to the company. The illustrated advertising envelope features the same illustration in black and white. It is franked with a 2-cent red Washington stamp (Scott #309), tied with a New York machine postmark. Apparently, the cover was first mailed without a stamp as it was applied over an earlier postmark, and an additional circular red handstamp reads, "Held for Postage S." All in nice shape. Guilden's, known for its spicy brown mustard, is the oldest continuously operating and third largest mustard brand operating in the United States. The company was founded in 1869 by Charles Gulden, and its popularity soared after he began attaching a small metal spoon to each jar. The mustard won gold medals at the Chicago and Paris world's fairs. Today, Gulden's is part of the international ConAgra Foods conglomerate and is made in Milton, Pennsylvania. The Third Circuit Court of Appeals ruled in Gulden's favor in August of 1910. A colorful record of an established food company's effort to protect its product line from infringement by competitors.

Offered by Read 'Em Again Books.

 

Dello spaventevole e miserabile avenimento [sic] del fuoco acceso in Monte Vergine nel Regno di Napoli

Spaventevole

Napoli: Giovanni Iacomo Carlino, 1611. Only known edition.

An account of a fatal fire that burned the remote Abbey of Montevergine (in the mountains near Avellino) on the night of May 21, 1611, apparently hit by a fireball or other celestial source (such as lightning). The account is significant in that it blames the destruction on "young men in women's clothing, and young women dressed as men" (page 15), and characterizes the fire as a "vendetta" sent by 'an angry heaven" (page 6). Indeed, the sanctuary of Montevergine is a pilgrimage site for lesbian, gay, bisexual, transexual, and questioning Catholic worshippers who call the image of the "BlackMadonna" that is housed there "the Mother of Transformations," or "Mamma Schiavona." (This image is reproduced on the title page of the booklet.) The sanctuary was rebuilt in the 1950s, and it remains the site of an annual gathering of LGBTQ pilgrims..

Quarto (20 cm); 16 pages. Large woodcut vignette of famous "Black Madonna" of Montevergine on title page; two woodcut initials. Bound in red on white woodblock decorated paper. Somewhat worn near sewing, but otherwise a very well preserved copy of a very rare publication. No copies located in North America, or outside of Naples.

Offered by Rodger Friedman Rare Book Studio.

 

The LIFE And ADVENTURES Of MARTIN CHUZZLEWIT, His Relatives, Friends and Enemies; Comprising His Wills and His Ways: With an Historical Record of What He Did, and What He Didn’t: Showing, Moreover, Who Inherited the Family Plate, Who Came in for the Silver Spoons, and Who for the Wooden Ladles. The Whole Forming a Complete Key to the House of Chuzzlewit.

Martin Chuzzlewit

Edited by Boz. With Illustrations by “Phiz.” Charles Dickens [1812 - 1870]. New York: Harper & Brothers, [1843 - 1844]. 2nd US edition, following that of Winchester (Arents PARTS, p. 30; Edgar & Vail, p. 22; Gimbel A73; Smith AMERICAN, pp. 199 - 205; Wilkins, p. 24). Not in the Calinescu Collection Catalogue, nor the McGuire Collection Catalogue. 7 parts, complete. Text double column, ~ 48 pp per part. Duplicate copy of Part II. Volume prelims in Part VII, per usual publisher practice. 14 steel engraved plates, 2 per part. 8vo. 9-1/2” x 5-7/8”. Part I lacks wrappers [originally buff paper]; Parts II - VII in printed greenish blue paper wrappers [Part VI lacking most of front wrapper]. Red cloth chemise, with red morocco quarter leather slipcase with red cloth boards. General wear, chipping & staining. Part II - V & VII with same prior owner signature at top of front wrapper. Part V with significant staining to rear wrapper. Part VII with ink splot to front wrapper. In general, and with a nod to the missing wrappers, a Good set of a rare Dickensiana item. [Item Number: 33560.1]. Only the second set we’ve handled in 30 years.

Offered by Tavistock Books, and featured in their "Summer Catalog 2019" (item #2). (This item is also listed on abaa.org.)

 

The Edible Woman (First American Edition)

by Margaret Atwood

Edible Woman

Boston: Little, Brown. Very Good in Very Good dust jacket. 1969. Hardcover. The author's first novel. Stated first American edition. Small stamp on front paste-down, else very good in a very good (age toning, foxing on verso), price clipped dust jacket; 281 pages.

Offered by Grendel Books.

 

Charles Rambert, Grande Semaine d'Aviation Rouen. Rouen du 19 au 26 Juin 1910

Aviation Poster

Rouen: Girieud, 1910. First edition of this iconic aviation poster. Chromolithograph mounted on boards. 37 x 51 inches, Some mild marginal stains but a bright and attractive image The Wright Brothers conquered heavier-than-air flight in 1903 and just seven years later "a rash of aviation meetings broke out in the spring of 1910 in places as diverse as Saint Petersburg, Vienna, Budapest, Bournemouth, Boston, Lanark and New York City," as well as Rouen (Villard / Allen p. 57). "Created by Charles Rambert, an artist of the Swiss school this imaginative, signed poster reveals the Slavic influence under which Renard worked. Born at Lausanne in 1867, he studied in Russia as a pupil of K. Kryshitsky, which suggested the mustachioed pilot could well be a Russian (though in fact it was Leon Moran who circled the spires of Notre Dame) The beauty, originality, and sly humor of the artist's design [make this poster] a memorable work of art. Flying past the spires of the cathedral, then under repair, the pilot of a sprightly (though improbable-looking) monoplane cheerfully salutes two ecclesiastical statues in a niche who throw up their hands in amazement at the miracle of human flight" (Looping the Loop p. 59).

"When the French Aero-Club published its list of sanctioned meetings in early 1910 one of the major ones was the one in Rouen in mid-June, with an announced prize fund of 200,000 francs. The meeting was organized by the Automobile-Club de Normandie, supported by the Ligue Nationale Aerienne and the sports daily L'Auto. The organization committee was headed by Marcel Debons, president of the Automobile-Club de Normandie, and comprised many members of the Automobile-Club and representatives from local industries and businesses. A suitable site was found, in the form of the military exercise grounds "Les Bruyeres", six kilometres southwest of the city centre, where a typical 1910 temporary airfield with all its installations and a three-kilometre course was built...The meeting attracted a quality field of twenty pilots, all except four having participated in previous meetings. It was reported that a total of 50,000 francs had been paid as guaranteed appearance money. The biggest name was the famous Hubert Latham, but several others, like Joseph Christiaens, Charles van den Born, "Geo" Chavez, Bertram Dickson and Léon Morane had won big prizes at previous meetings, and Émile Dubonnet had recently made a highly publicized flight across Paris, winning the "La Nature" cross-country flight prize. Several new airplane types would for the first time be displayed at a meeting in France, for example the Hanriot monoplane. The new Breguet biplane would also be on display, as would the new two-seat Gnome-engined Bleriot, model XI-2 bis."(The First Air Races)."

Offered by Nat DesMarais Rare Books, and featured in their catalog "Early Aviation and Automobiles" (item #7). This item is not listed on abaa.org.

 

The Zoo; Described and Illustrated

by Robert & Moira Gibbings

The Zoo

London: Baynard Press. Small Octavo. [15] unnumbered pages. After producing some advertising material, he and his wife worked to produce the Zoo in 1922 which is considered the first and rarest of his works. (see Kirkus, Robert Gibbings, A Bibliography #1 (page 5). The bibliographer notes: "I have seen only one copy of this book which is not in the British Museum or the library of the Zoological Society." According to OCLC all reported copies are in microfilm. Kirkus further notes that the records of the Bayard Press suffered during World War II but C.R. Sinnett, the Press's director remembered that the printing costs had been underwritten by the LondonUnderground. It certainly proceeded his Twelve Wood Engravings privately printed by the same printer Sanders, Phillips in 1922. Moira Gibbings, Martin J. Andrews, The Life and Work of Robert Gibbings takes the 1922 as his first book. The Bodleian has a copy in Box 1 of items printed by the Baynard Press. The text gives an account of a day trip to the zoo by two children and their well-traveled 'Uncle Max', and was produced for London Underground as a piece of publicity. Then, in 1923 Golden Cockerel Press began to commission him for many of their finest works and he began his long association in what has been called the revival of British wood engraving. A fine copy bound in pictorial stiff paper wraps

Offered by Alcuin Autographs.

 

La Gallerie des Femmes Fortes

by Pierre Le Moyne

Femmes Fortes Animation
La Gallerie des Femmes Fortes, in its twenty sections, pictures and discusses twenty womenfrom history who exemplify leadership qualities of both mind and body, including those qualitiesof the warrior. Le Moyne created a compendium of heroines from four epochs: early Jewish,barbarian (i.e. non-Greeks), Roman, and Christian figures. Each heroine is pictured in a largeengraving (emblematic of her strengths). The engraving is followed by a description, a sonnet,an eulogy, a moral reflection, a moral question, and an example drawn for modern history.

Offered by Golden Legend.

 

X-1 Test Pilots Signed Photograph (Chuck Yeager, Slick Goodlin, Scott Crossfield, Pete Everest, Bob Campine, Joe Cannon, John H. Griffith)

X1

Original black and white photograph of a Bell X1-6062 supersonic aircraft signed by eight iconic test pilots including Chuck Yeager, Slick Goodlin, Gus Lundquist, Scott Crossfield, Pete Everest, Bob Campine, Joe Cannon, and John H. Griffith. In fine condition. Matted and framed. The entire piece measures 16.5 inches by 14.5 inches. The rocket-engine-powered Bell X-1 was conceived as a part of a joint supersonic research project conducted by the National Advisory Committee for Aeronautics, U.S. Army Air Forces, and U.S. Air Force. In 1945, the X-1, piloted by Chuck Yeager, became the first manned airplane to exceed the speed of sound in level flight.

Offered by Raptis Rare Books.

 

A vast collection of ca. 2500 photographic postcards (ehagaki) of kabuki actors in costume, along with a large selection of kabuki-related vernacular photographs

Kabuki Postcards

Japan: ca. 1912-80. A large and impressive ensemble of Japanese photographic postcards depicting kabuki actors. Photographic postcards effectively replaced ukiyo-e woodblock prints which were enormously popular through 1900. This collection documents the rise and fall of great actors, the evolution of costume styles, the various sets and decorations employed on stage, as well as the proliferation of photographic postcards as mementos and collectible memorabilia. Offered with this collection is a series of vernacular photographic prints of actors, many from the early 20th century. Japan's postal system was established in 1870 as part of many Meiji era reforms to modernize the country.

All postcards were produced by the government until 1900. Initially, postcards served a commemorative purpose, printed with images of famous events and holidays. Following the Russo-Japanese War in 1904-5, many thousands of postcards celebrating victories were sold and demand increased exponentially. By the 1910s, progress in photographic printing enabled the mass-production of photographic postcards, such as those represented in the present collection. Such postcards featuring legendary kabuki actors superseded the genre of woodblock prints yakusha-e (actor prints), an offshoot of ukiyo-e. This new type of memorabilia, called ehagaki (picture postcard), developed in parallel to buromaido (photographs of movie and kabuki stars).

Our comprehensive collection of postcards and photographs contains examples of both. Actors are generally depicted in costume on stage or in a photo studio; however, there are a large number depicting them away from the stage, often with their families. These mementos were either distributed in advance of a performance for promotional purposes or sold at the theater to devotees. An avid community of collectors for this material emerged within a short time. On many of the postcards there are notes or messages which note the date of the performance, the actors who performed, and the name of the play. Others have this information printed. There are also several examples of postcards printed with dialogue from iconic scenes. One series of photographs has been signed in red or black ink by the great kabuki actor depicted, Sawamura Yujiro. Another series bears the stamps provided by theaters to those attending so that they could commemorate and show off their visits. A few more depict the cast on stage during a performance for their "curtain call." Many candid photographs show the actors as they prepare for a performance, applying their makeup, rehearsing lines, and putting on their costumes.

Another highlight of our collection is its considerable number of early photographic celebrity "stills" of the kabuki actors. They were likely produced in the early 1910s and reveal costumes and makeup from the period. These earlier examples were clearly not intended as postcards since they lack an indicated location for the stamp, a message, and an address. It is possible these are precursors to mass-produced buromaido and photographic postcards which constitute the bulk of this collection. Printed on larger format paper that is rather thick, these photographs would have been far more expensive. One series, in particular, consists of photographs taken among the audience during a performance, with the heads of fellow attendees in the way.

Celebrated actors represented on the postcards in this collection include (with last names first): Nakamura Utaemon, Onoe Baiko, Nakamura Ganjiro, Ichimura Hazaemon, Ichikawa Sadanji, Onoe Kikugoro, Nakamura Kichiemon, Ichikawa Danjuro, Matsumoto Koshiro, Kataoka Nizaemon, Nakamura Senjaku, Nakamura Kanzaburo, Nakamura Kinnosuke, Yorozuya Kinnosuke, Onoe Matsusuke, Sawamura Sonnosuke, Bando Tamasaburo, Ichikawa Danshiro, Ichikawa Ennosuke, Ichikawa Ebizo, Bando Mitsugoro, Nakamura Fukusuke, Ichikawa Chusha, Nakamura Shikan, Jutsukawa Enjaku, Onoe Shoroku, Sawamura Kinjuro, Sawamura Yujiro, Nakamura Tokizo, Kawarazaki Tokizo, Kawarazaki Kunitaro, Bando Hikosaburo, etc., etc.

DATING THE POSTCARDS: We are able to date the ehagaki based on several features. Layout: Division between address and message on the verso of the postcard 1910-1918 - The dividing line leaves the bottom third of the card for the message. 1918-present - In most cases, the line divides the reverse of the card into halves. Reading: "Postcard" (or yubin ha(ka)gaki) label on verso. Pre-1945 - Japanese is printed right to left. Post-1945 - Japanese is printed left to right. Reading of hagaki: Pronunciation of middle syllable. Pre-1933 - Written hakaki without consonant mark. Post-1933 - Written hagaki with consonant mark. Thickness: Postcards on thicker stock are generally older. We know of no comparable collection of this material related to Japanese theater outside of Japan. Our ensemble of several thousand photographic postcards is in fine condition. A few of the earlier examples are slightly worn or faded but overall the postcards and photographs are in an excellent state of preservation. ❧ Kenji Sato, "Postcards in Japan: A Historical Sociology of a Forgotten Culture," in International Journal of Japanese Sociology, (2002) no. 11, accessed online.

Offered by Jonathan A. Hill, Bookseller.

 

The Fairy Books: Blue, Red, Green, Yellow, Pink, Grey, Violet, Crimson, Brown, Orange, Olive and Lilac

by Andrew Lang (Editor)

The Fairy Books

London: Longmans, Green & Company, 1910. First Edition. Very Good. First edition. Andrew Lang's Color Fairy Books, complete in twelve volumes, all first impressions of the first edition: Blue (1889), Red (1890), Green (1892), Yellow (1894), Pink (1897), Grey (1900), Violet (1901), Crimson (1903), Brown (1904), Orange (1906), Olive (1907), Lilac (1910). The volumes average in Very Good, with fading to spines, foxing, light edge wear, soiling, or rubbing, bookplates or previous ownership markings, and toning to pages. Tear to cloth at base of spine of The Blue Fairy Book; Inner hinges tender or exposed in the Lilac, Orange and Grey; Corner clipped from front free endpaper in The Lilac Fairy Book. A lovely set Andrew Lang's Color Fairy Books, beautifully decorated in ornate gilt stamping. 

Offered by Burnside Rare Books.

 

 

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Browse the latest catalogs, newsletters, and e-lists of rare books, fine bindings, incunabula, print ephemera, and much more from the members of the ABAA below. (Also includes podcasts, blogs posts, and other digital formats.)

 *New*  indicates any catalogs added this week. 

 

AARDVARK BOOKS/EZRA THE BOOKFINDER

 

CHARLES AGVENT

 

ANDERSON BUTLER RARE BOOKS

 

ANTIPODEAN BOOKS, MAPS, PRINTS

 

NICK ARETAKIS

 

ARTISAN BOOKS & BINDERY

 

ATHENA RARE BOOKS

 

AUGER DOWN BOOKS

 

BACK OF BEYOND BOOKS

 

LORNE BAIR RARE BOOKS 

 

Featured item:

 

Zora Neale Hurston, Their Eyes Were Watching God: A Novel.

Their Eyes Were Watching God

Philadelphia: J.B. Lippincott Company, 1937. First Edition. First Printing. Octavo (21cm); orange cloth, with titling and decorative elements stamped in black on spine and front cover; black topstain; dustjacket; [8],9-286,[2]pp. Faint spotting to topstain, base of spine gently nudged, with a thin, subtle strip of offsetting along lower edge of endpapers; a fresh, Near Fine copy. Dustjacket is unclipped (priced $2.00), showing scattered rubbing to extremities, a faint scratch to front panel, a few tiny tears, and some wear along base of spine; residue from old-style jacket mylar professionally removed along upper and lower edges on verso (.5cm); Very Good+. Housed in a custom slipcase.

Hurston’s second novel and most enduring work, written during a harried seven week period while conducting ethnographic fieldwork in Haiti as a Guggenheim Fellow. Hurston wrote Their Eyes in the aftermath of a failed romance with a much younger man; in her autobiography Dust Tracks on a Road, she reflected that she “tried to embalm all the tenderness of my passion for him” in her book. The novel, set in central and southern Florida during the early 20th century, is narrated by Janie Crawford, an African American woman in her forties, who recounts her life story in three major periods – a loveless marriage to a much older man, an abusive marriage to a wealthy shopkeeper, and a passionate marriage to a vagrant who treats her as an equal. Crawford’s journey towards self-discovery, romantic, and spiritual fulfillment, viewed by Hurston as a celebration of life and womanhood, was poorly received by many of her contemporaries, especially by such prominent male Harlem Renaissance figures as Richard Wright, Alain Locke, and Ralph Ellison (who called the book “a blight of calculated burlesque.” Today, of course, Their Eyes Were Watching God is regarded as Hurston’s masterpiece and a highlight not only of Twentieth Century fiction; a cornerstone work of feminist literature, and one of the two or three finest novels ever written about the state of Florida. Its return to print in the 1970’s was a clear inspiration to the work a generation of Black feminist authors including Maya Angelou, Toni Cade Bambara, Terry McMillan, Toni Morrison, Gloria Naylor, and Alice Walker – a noted devotee, who declared “there is no book more important to me than this one.”

Legendarily scarce in dustjacket, with the few copies we have traced in the trade being severly compromised, and the only example to sell at auction being in pieces (Swann, 2005). PERRY (The Harlem Renaissance: An Annotated Bibliography and Commentary) 320; FAIRBANKS, p.166.

Offered by Lorne Bair Rare Books, and featured in their latest, "Catalog 31" (item #14).

 

W. C. BAKER RARE BOOKS & EPHEMERA

 

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BAUMAN RARE BOOKS

 

BAY LEAF USED & RARE BOOKS

 

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Attaboy; Annie Owens, eds. Hi-Fructose: The New Contemporary Art Magazine, Vol. 34.

Hi Fructose Animation

Richmond, CA: OuchFactory YumClub, Vol. 34, 2015. Wraps, 21.2 by 27.6 cm, 114 pp. plus 16- page bound-in Gary Taxali insert, heavily illus. Fine. Signed on the cover by Margaret Keane, who was at the forefront of the 1960s “Big Eyes” art movement. This issue also includes Faig Ahmed, Joanne Nam, Patrick Dougherty, Tricia Cline, Jonathan Viner, Gary Taxali, Tristan Eaton, Kris Kuksi, Floria Sigismondi, and a ten-page feature on Keane.

Offered by Bay Leaf Used & Rare Books, and featured in "E-list #27: Art" (item #4).

 

 

B&B RARE BOOKS

 

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  • Catalog #88, Medical Books from the Fifteenth to the Twentieth Centuries -- This catalog is print-only. To request a copy, contact MedBks@aol.com...

 

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JAMES M. DOURGARIAN, BOOKMAN

 

ECLECTIBLES

 

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Exceptional Metamorphosis Overlays of a Man and Women with 97 Overlays - Clothes Make the Man 

Metamorphosis Overlays

Netherlands. 1808. The entire content is original art. Comprised of 3" x 2 ¼” portrait cards of a nude woman and man in an undershirt. The women has forty-six (46) cut-paper watercolor overlays and the man has fifty-one (51) cut-paper watercolor overlays. In all ninety-seven (97) different possible portraits, spanning professions, fashions and extraordinary hairstyle One of the female overlays (no.10) is dated 1808. Each with a half-length or head and shoulder drawings with cut-outs to expose the face of the portrait. Some with more intricate cuts to provide accessories for the costume or change the character of the face. Somewhat unusual is the fact that the set represents both female and male faces in two separate base portraits. Housed in a paper covered pressed board box with a separation at center. The box most likely is not contemporary to the piece and added at some time in the 19th century. Each is numbered. Exceptional. 

Offered by Eclectibles, and featured in their new catalog "RBMS (Part 2)" (item #3).

 

ELK RIVER BOOKS

 

LES ENLUMINURES

 

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  • OCCASIONAL LIST 22: A Miscellany: Original Art Work; Small Archive of Major English Watercolourist; Interesting Theatrical Pieces; Manuscript Material, Etc., Etc. -- available on request from fgrare@fgrarebooks.com...

 

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Staten Island and the Narrows: from Fort Hamilton. Frances F. Palmer.

Staten Island

New York: Currier and Ives, 152 Nassau Street, 1861. Hand-coloured lithograph. Very good condition. Image size (including text): 15 3/4 x 20 1/8 inches. Sheet size: 19 1/4 x 23 3/4 inches. A wonderful view of New York, with Staten Island seen in the distance.

Offered by Donald A. Heald Rare Books, and featured in their new catalog, "City Views" (item #5420).

 

JONATHAN A. HILL, BOOKSELLER, INC.

 

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Gypsy Kings Audio & Film Archive
An archive of heretofore unknown audio and film recordings of the Gipsy Kings, a family of Romani gypsies based in Spain and France who rose to fame in the 1980s and are credited with bringing the sounds of progressive pop-oriented flamenco to a worldwide audience. Their lives and music were documented in 1968 by Patricia Follmer, a Hollywood film editor and producer.
 
Little is known about Follmer, who wrote an article about her life with the gypsies that appeared in the July 1974 issue of Harper’s Magazine. It is very likely Patricia Follmer is Pat Follmer, a Hollywood editor and producer who edited the cult classic Teenage Gang Debs (1966). Follmer made several films with Joe Sarno, a pioneer of the sexploitation genre of the 1950s and ‘60s. Research uncovered a few Patricia Follmer references in relation to her travels. For example, “Stolen by Gypsies”, Sam Hudson's reporting on Pat Follmer's story about her life with the Gypsies, was broadcast in 1970 on a popular Seattle public radio television station.
 
This archive, salvaged from the flood waters of Hurricane Katrina in New Orleans in 2005, includes 24 reel-to-reel audio recordings and three 16 mm films, all of which are presumably the same print of a single film. Four of the reel-to-reel recordings have been digitized and are provided with this archive. The other audio recordings are in need of some cleaning and light conservation before they can be played or digitized.
 
Offered by Johnson Rare Books & Archives, and featured in their new catalog "RBMS List" (page 7).
 
 

 

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  • RBMS list of Gastronomy Books and Manuscripts,1502-1875 -- available on request from bkinmont@gmail.com  *New* 

 

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  • Catalog #74: 100 Rare Books -- with an emphasis on history and military affairs. Please request from mail@kubikbooks.com...

 

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Featured item:


Banks, Spencer T., Original Artwork for a Weekly All African American Comic Strip, “Pokenia.”

Pokenia Animation

(St. Louis, Missouri: 1939). Sixteen pen and ink multi-panel comic strips on artist's board measuring from 63⁄4” x 141⁄4” to 71⁄4” x 17”. Generally good plus to very good, all with moderate to heavy edge wear, occasional chip, stain or crease; artwork is crisp and fresh.

This is a collection of original art for a comic strip entitled, “Pokenia.” The artist, Spencer T. Banks served in the Navy during World War II and ultimately made a living in St. Louis as a commercial artist. His works were displayed at the City Art Museum in exhibits of African American artists sponsored by the St. Louis Urban League in both 1939 and 1941. A 1946 article in the St. Louis Post-Dispatch described Banks' works that were exhibited at the People's Art Center. It stated he trained at that facility and that he was going to attend the Art Institute in Chicago, though we have been unable to determine if he ever enrolled.

Pokenia was apparently meant to be a soap opera continuity strip à la Mary Worth, a genre which started gaining popularity in the 1940s. Alice Ormes' “Torchy Brown in Dixie To Harlem” began running at the Pittsburgh Courier in 1937 and was one of the first strips centered on a black female character. The strips we have are sequentially numbered in pencil: 3-7, 9-18 and 30. Strip number 3 shows Pokenia receiving a sales job at a department store. Her looks caused the other women at the store to fear they would lose their husbands or boyfriends to Pokenia. She worked at the flowers counter in a store where all the employees and patrons appear to be African American. We see men fawning over her, her rejection of the advances of her floor supervisor, Jammey B. Fullasoot, and her slowly developing romantic relationship with the store's bookkeeper, Eddie. She also showed her integrity when she found her boss' wallet and returned it whole. The last strip showed Eddie awakening a recently passed-out Pokenia, but without the preceding or subsequent installments, we don't know the background or what happened next.

According to the good folks at the St. Louis County Library, Banks published two strips in the St. Louis Argus starting around September, 1939: Pokenia and another called “Pookie.” We are unable to determine if he successfully syndicated them. Comic strips featuring a mostly black cast done by African American artists are infrequent entrants in the historical record. In “Black Comics: Politics of Race and Representation” (London: Bloomsbury, 2013), Dr. Sheena R. Howard documented several early comic strips featuring African American characters created by black artists. These include “Bungleton Green” at the Chicago Defender which began in 1920, “Sunny Boy Sam” at the Pittsburgh Courier which started in 1928 and Ollie Harrington's “Dark Laughter” in 1935. These are therefore early examples of a comic strip by a black artist featuring African
American characters as well as one of the earliest to have a woman as its central character. Unique and worthy of further research.

Offered by Langdon Manor Books, and featured in "Catalog 8: African Americana" (item #15).

 

ANDREW LANGER, BOOKSELLER

 

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Criminalia: Ex Libris.

Criminalia

Jean Morisot, nd. Discrete pencil notations, else bright and clean. Nine bookplates on various papers and ink colors. Near Fine. (#9041) $750.00 A set of bookplates designed by Morisot for his crime library featuring a human skull. Morisot was best known for his erotic engravings. 

Offered by Lux Mentis Booksellers, and featured in their new catalog "It's a Crime to Miss RBMS" (item #17).

 

 

MAC DONNELL RARE BOOKS

  • List of 77 Mark Twain First Editions and Ephemera available by request from info@macdonnellrarebooks.com (specify elist or paper copy). 

 

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  • Illustrated Catalog on Carlos Merida (1891–1984) -- Mexican painter, sculptor, writer and graphic designer -- available by request from mmbooks@comcast.net
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  • Catalog 48, July 2019 -- by subscription only.  Contact oldwestbooks@earthlink.net for details about obtaining a copy.  *New* 

 

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ALADDIN HOMES, "BUILT IN A DAY" -- Catalog No. 29, 1917.

Aladdin Homes

Bay City, Michigan: Aladdin Company, 1917. First Edition. Hardcover. pp: 120, (4)order form & ads; illustrations throughout, many in color, some folding. Bound in black grained cloth, gilt cover title, spine roughened. 8.75" x 5.5" Good.

Early pages explain The Aladdin Plan; their Board of Seven designers, builders and manufacturers; conservation of materials; etc. Most of the book presents a wide variety of residential styles with explanatory text, architectural renderings (many in color), floor plans, and prices.

Offered R&A Petrilla, Antiquarian Booksellers, and featured in their new catalog, "Trade Catalogs."

 

 

PHILADELPHIA RARE BOOKS & MANUSCRIPTS

 

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--

 

Remember, you can always browse and download the latest catalogs published by ABAA members on ABAA.org by visiting the following link: https://www.abaa.org/catalog/... (You can also access this page by selecting 'Booksellers' from the top menu, scroll to the bottom of the page to 'Member Catalogs', and click on 'View All'.)

 

Photo credit: Various items from Old Imprints' new catalog, A Magazine's Eye View of the 20th Century.


 

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