Our members list new acquisitions and recently cataloged items almost every day of the year. Below, you'll find a few highlights from these recent additions...
China: n.p., 1920. Near fine. Hardcover. 8vo. Accordion book bound in Asian style. Brown silk cloth boards, lettering panel on the upper board. Title page in Chinese and English. This is followed by 10 sets of two pages, the right hand page with the story of Mu Lan in Chinese and English, and the left hand with a painting on silk illustrating the story. The silk paintings are bright and unfaded, showing vibrant pigmentation, and artistically executed with lovely shading effects.
This is the story of the young woman who enlisted in the army in place of her father, keeping her sex concealed until the end, when she was rewarded for her courageous acts. Basis for the movie by Disney. The corners and edges of the boards are worn in places, but the text block is in fine condition. Scarce.
Offered by Thorn Books.
Martin Luther King, Jr. Signed Photograph.
Rare original photograph boldly inscribed by Civil Rights leader Martin Luther King, Jr., "Best Wishes to Mr. & Mrs. Ken Browne, From Martin L. King." The photograph measures 3.5 inches by 5 inches. Double matted and framed. The entire piece measures 12 inches by 13 inches. In very good condition. Photographs signed by King are rare and desirable. Martin Luther King Jr. was a Baptist minister and activist who became the most visible spokesperson and leader in the civil rights movement from 1954 through 1968. He is best known for his role in the advancement of civil rights using the tactics of nonviolence and civil disobedience based on his Christian beliefs and inspired by the nonviolent activism of Mahatma Gandhi. King led the 1955 Montgomery bus boycott and in 1957 became the first president of the Southern Christian Leadership Conference (SCLC). With the SCLC, he led an unsuccessful 1962 struggle against segregation in Albany, Georgia, and helped organize the nonviolent 1963 protests in Birmingham, Alabama. He also helped organize the 1963 March on Washington, where he delivered his famous "I Have a Dream" speech. On October 14, 1964, King received the Nobel Peace Prize for combating racial inequality through nonviolent resistance. In 1965, he helped to organize the Selma to Montgomery marches, and the following year he and the SCLC took the movement north to Chicago to work on segregated housing. In his final years he expanded his focus to include opposition towards poverty and the Vietnam War, alienating many of his liberal allies with a 1967 speech titled "Beyond Vietnam". In 1968, King was planning a national occupation of Washington, D.C., to be called the Poor People's Campaign, when he was assassinated on April 4 in Memphis, Tennessee. He was posthumously awarded the Presidential Medal of Freedom and the Congressional Gold Medal. Martin Luther King Jr. Day was established as a holiday in numerous cities and states beginning in 1971, and as a U.S. federal holiday in 1986. The Martin Luther King Jr. Memorial on the National Mall in Washington, D.C., was dedicated in 2011.
Offered by Raptis Rare Books.
1973 PRESIDENTIAL INAUGURATION
[Washington DC], [ca. 1973]. Fine. Oblong square 4to. Hinged plush leather Family-Vue Photocurio brand commercial album. 8.5 x 9.25 approx. 6 stiff plastic covered leaves with gold metal accents at corners containing twelve 5"x 7" color photographs mounted both recto and verso, eleven with typed caption sheets mounted below. Photomechanically reproduced magazine article on photographer Cecil Stoughton (see below) neatly pasted to inside rear cover. Small scratch to front cover, mild shelf wear at rear, interior contents about fine. Near fine overall.
An album of photos by an unknown attendee of President Nixon's second Inauguration (January 20, 1973) all shot from the main platform less than ten rows behind the swearing-in. Comedic typed captions throughout poke fun at the President, Vice President, First Lady, and Bob Hope, shown here (bottom left) and referred to as "The original Mr. What's His Nose."
A clipping from the March 5, 1973 issue of TIME magazine tells the unfortunate story of Cecil Stoughton, chief still cameraman for the National Park Service and former White House photographer to Presidents Kennedy and Johnson. During the Oath of Office, Nixon reportedly lined up on the opposite side of the podium from what was expected and photographers were caught out of position. In an attempt to capture the moment, Stoughton moved himself just feet behind Nixon, causing the photographer - who was wearing a garish plaid coat - to appear prominently in the background of official photos of the ceremony. This infuriated Nixon and weeks later Stoughton's NPS position was eliminated. One of the photographs here shows Stoughton (top right below) and is captioned: "The back of the man in the plaid coat." Nixon's unexpected positioning, however, makes platform views of the actual swearing-in ceremony rather more uncommon that one might expect.
Offered by Brian Cassidy Bookseller at Type Punch Matrix.
The Tarot of California. Redrawn from a nineteenth century Italian Piedmont Deck
By Fred Martin
Palo Alto: 3 EP Ltd, 1981. First edition. A portfolio of six colored etchings and aquatints, drawn by the artist on copper and zinc plates, printed by Ikuru Kuwahara, signed, numbered, and dated by the artist. Overall size 22-1/2 inches x 27 inches, plate size 17-1/2 in x 22 in. Copy 19 of 20 numbered sets on Arches plus six proof sets of which 3 were on Stonehenge paper. Fine condition in publisher's folding linen case. Fred Martin's works are held by numerous institutions, including The New York Museum of Modern Art, The Fine Arts Museums of San Francisco, The National Gallery, Washington, etc. An account of the development of his Tarot images is on the artist's web site (fredmartin[dot]net).
Offered by Thomas A. Goldwasser Rare Books.
The Mythic Tarot Deck, Guidebook, and Workbook
by SHARMAN-BURKE, JULIET; LIZ GREENE; TRICIA NEWELL (ILLUSTRATOR)
New York: Fireside Books, 2001. Paperback. Near fine. Tricia Newell. 160pp. Octavo [23.5cm]. Illustrated wraps. Plus full deck in publisher's shrinkwrap, softcover reading guide, and black silk reading cloth all enclosed in illustrated box with very minimal wear. "Drawing on characters and stories from Greek mythology, The Mythic Tarot offers an imaginative and accessible approach to classic Tarot. Each suit depicts archetypal characters -- such as the heroic Odysseus, the Earth Mother Demeter, and Athena, the goddess of justice -- and every card tells a well-known mythical story. Rich with psychological insight, these mythical legends provide the wisdom and the insight we seek for personal growth.
Offered by Ken Sanders Rare Books.
Original Pen and Ink Manuscript Collection of Tarot and Esoteric Self-instruction Notebooks
[San Francisco, 1980. Very good.. Four black binders. Approximately [130] leaves of handwritten text and pen/ink illustrations, some with ink washes. The notebooks are divided into four parts, A-D. The various parts total about 130 individual leaves of manuscript notes in blue and black ink with corresponding illustrations and various types of notebook paper. In some cases, text is written on both sides of each leaf. Each divided part describes the author's understanding of the Tarot card divination system with both the minor and major arcana hierarchy. In very good condition with each sheet in mylar and unmounted on black crepe paper. Some age wear to paper and reinforced black tape on binders, otherwise clean, bright, and legible. The collection is either a student's book of notes or a lecturer's book of teaching notes, more likely a student of self-directed Tarot and esoteric thought instruction. From the style of drawings and the description of each individual card, the creator is most likely using the Waite-Rider-Smith Tarot deck as reference. The illustrations reflect the artistic style of Pamela Colman Smith directly. While there are no name attribution's for the creator, there are references to well-known Tarot instructors and occult scholars, including Paul Foster Case and Jason Lotterhand. In 1978, Lotterhand published "The Thursday Night Tarot" book and edited by his friend and student, Arisa Victor. The book contained the "essence" of the Thursday night messages as they related to the 22 cards of the major arcana. He began his training with BOTA (Builders of the Adytum founded by Dr. Paul Foster Case) in 1933 and later served as Director of the organization. Both teachers used the Cabala and Hermetic symbolism as a framework because it was comprehensive enough without the complexity of Eastern thought systems. The method taught the elements of the tarot representing the rich symbolism associated with the 22 letters of the Hebrew alphabet and paired them with the illustrations of the Tarot. In various meditations on the "keys" of the images, those practices convey insights through the power of suggestion to the subconscious mind. This system, as influenced from Victorian era occultist Arthur Waite, utilized symbolism as the key to the Tarot. In The Key to the Tarot, Waite writes: "The true Tarot is symbolism; it speaks no other language and offers no other signs." This collection of primary source manuscripts and original art is an example of theosophical thought, outsider art, alchemical studies, and the continued idea of self-directed tarot and esoteric knowledge teaching, beginning at the turn of the century. There are also references to addresses and names of people based in San Francisco, thus alluding the creator was Bay Area, CA based. There are also a couple of drawings of the Golden Gate Bridge. The author is personally contemplative and responds to the tarot's interpretative and intuitive nature of philosophical divination echoing the alchemical motto, "Solve et Coagula," or dissolve the body and build up the spirit....
Offered by McBride Rare Books.
Carola (Original screenplay for an unproduced film, inscribed by Jean Renoir)
by RENOIR, JEAN; ROBERT GOLDSBY, ANGELA GOLDSBY (SCREENWRITERS)
N.p.: N.p., 1960. Draft script for an unproduced English adaptation of Jean Renoir's 1960 play. Presentation copy, inscribed by Renoir on the title page: "Pour Ruth et Mark / en tout amitie / Jean Renoir" ("For Ruth and Mark / in all friendship / Jean Renoir").
Based on Renoir's 1960 French play. A beautiful, troubled stage actress in Nazi-occupied Paris finds her attentions torn between a Resistance leader whom she is hiding and a handsome Nazi officer. Renoir's final film effort, one which was ultimately never completed before his death in 1979.
Set in France.
Self wrappers. Title page integral with front wrapper, undated, with credits for screenwriter Jean Renoir and translation credits to Robert Goldsby and Angela Goldsby. 146 leaves, with last page of text numbered 142. Spirit duplication, rectos only. Pages Very Good plus, bound with two gold brads.
Housed in a custom quarter-leather clamshell box.
Offered by Royal Books.
Fireboat: The Heroic Adventures of the John J. Harvey
by KALMAN, MAIRA
(New York): G.P. Putnam's Sons, 2002. First edition of one of the earliest picture books to depict the terrorist attacks of September 11, 2001, originally a fundraiser for the Twin Towers Orphan Fund. Kalman tells the true story of the John J. Harvey, a long-retired New York fireboat pressed into service after the Twin Towers collapsed: "The water pipes were broken and buried. And the fire trucks that had raced to the scene could not pump water. . . . For four days and nights the Harvey pumped water. The crew took turns sleeping. People brought supplies: fuel, sweaters, gloves, pizza, sandwiches and coffee. They worked and cried. They fought the fire until it was under control." A fine copy, signed by Kalman with a sketch of the Harvey's ladder. Quarto, measuring 10 x 10 inches: [44]. Original color pictorial paper boards, pale blue pictorial endpapers, original unclipped color pictorial dust jacket. Color illustrations throughout text. Signed by Maira Kalman with a sketch of a ladder facing title page.
Offered by Honey & Wax Booksellers.
Real Sailor-Songs. Two Hundred Illustrations
by John Ashton
London: Leadenhall Press, 1891. First edition. Half vellum over blue paper boards, gilt spine, gilt coat-of-arms on front cover. Covers stamped in black and red. With 32 facsimiles of nautical song broadsides mounted on brown paper stubs. With a total of 200 half-page illustrations, initials, headpieces, and tailpieces (some by Joseph Crawhall). Some yellowing to vellum, as usual. Some wear to seam where vellum meets paper on front board. Front hinge somewhat tender. Some rubbing to extremities. Edges untrimmed. Some toning to endpapers and some occasional toning to leaves from brown paper stubs. Twentieth century bookplate (Ex Libris Oliver Collection) to front pastedown. Overall a very good, clean copy of this lively and ambitious Leadenhall Press production.
The present work collects almost 130 sea shanties and other songs written by sailors from the seventeenth through nineteenth centuries. The songs are organized into sections according to relevant themes in the nautical life: sea fights, press gangs, disasters, life ashore, and love. The miscellaneous section at the end of the book covers everything from "Davy Jones's Locker" and "The Downfall of Piracy" to "The Female Smuggler" to "The Sailor's Widow's Lament."
Offered by Michael R. Thompson Rare Books.
Wakyomaru. Early Japanese advertising art for patent medicine cure
1870-1900· Hiroshima. Illustrated color-printed advertising broadside promoting Wakyomaru,a medicinal powder manufactured by Tenmai-Do. This woodblock print depicts, in no uncertain terms, the digestive-tract ailments that this powder can cure: from morning sickness, food poisoning, heartburn, low energy, vomiting and diarrhea, to colic in children, alcohol poisoning, chest and stomach pain, gastritis, overeating, and stomach troubles that can lead to depression! A viewer receives a particular graphic view of the dietary and emotional stress of life in Japan during the Meiji era.
Offered by Marc Selvaggio, Books & Ephemera.
by Daniel Clowes
Seattle: Fantagraphics Books, 1993. Fourth Printing. Softcover. NM; minor creasing to covers and along spine; tiny scuff front cover; minor shelf-wear back cover (along spine). 1337509. Special Collections.
Offered by Second Story Books.
by Tennessee Williams
New York: New Directions, 1947. Very Good+. Signed by Tennessee Williams on the front free endpaper, inscribed to former owner with "Lots of luck!" Former owner's name and date (1966) written on paste down. 166 pp. Publisher's illustrated boards. Seventh printing of the first edition. A Very Good+ copy, lacking the dust jacket, with wear to boards, small chip at head, light foxing and offsetting to endpapers. A rare signed copy of the playwright's most famous work.
Offered by Burnside Rare Books.
Pete Rice Magazine A very scarce and desirable western pulp title.
by GRIDLEY, AUSTIN AKA BEN CONLON
Pete Rice Magazine was one of several single character hero pulp titles published by Street & Smith. With a cover date of November 1933 for the first issue, he appeared just eight months after Doc Savage appeared on the stands and nine months after Nick Carter. The title changed to Pete Rice Western Adventures with the September 1935 issue and continued as such until the end of the run. Austin Gridley was the Street & Smith house author that the Pete Rice stories appeared under however most were written by a pulp author named of Ben Conlon.
In "Cheap Thrills", Ron Goulart describes the Pete Rice realm as "built around a cowboy with a coterie of distinctive sidekicks." In his book "The Pulp Western," John Dinan considered Pete Rice more a modern detective than your typical pulp fiction cowboy, "as the crimes and circumstances surrounding them were modern and not particularly western (e.g., counterfeiting)." Nick Carr cites Link Huller as referencing telephones and cars popping up in the stories occasionally. Pete seemed to be stuck somewhere between the old west and the early 20th century. The first 26 issues had nice striking cover art by Walter Baumhofer. Starting with the January 1936 issue, R.G. Harris took over and continued until the end of the run with the June 1936 issue.
Pete Rice has traditionally been a very difficult run to put together and to obtain all 32 issues can be quite a daunting task. Average condition is about VG/FN with many high grade. $8,500.00 Nov 1933 #1 (VG), Dec 1933 #2 (VG sm int tp), Jan 1934 #3 (VG+), Feb 1934 (FR/G), Mar 1934 (G, int tp), April 1934 (G), May 1934 (int. tp. G), June 1934 (FN/VF), July 1934 (FN), Aug 1934 (FN/VF), Sept 1934 (FN-), Oct 1934 (FN-), Nov 1934 (int. tp. G/VG), Dec 1934 (FN/VF), Jan 1935 (FN/VF), Feb 1935 (FN/VF), Mar 1935 (FN/VF), April 1935 (VG), May 1935 (G/VG), June 1935 (VG-), July 1935 (int. tp. G), Aug 1935 (VG), Sept 1935 (FN/VF), Oct 1935 (2" tear, VG), Nov 1935 (FR/G), Dec 1935 (FR/G), Jan 1936 (FN/VF), Feb 1936 (VG), Mar 1936 (FN), April 1936 (VG/FN), May 1936 (FN-), Jun 1936 (FN-)
Offered by Fantasy Illustrated.
Desert Notes Reflections in the Eye of a Raven
by Barry Lopez
Kansas City: Sheed, Andrews & McMeel, Inc., (1976). First Edition. First Printing Fine in tan cloth covered boards with bold brown text on the spine. An octavo of 8 3/8 by 5 1/2 inches. In a very near fine, unclipped dust jacket with very slight rubbing to the front panel. Signed by the author on the title page. 89 pages of text. Illustrated with a frontispiece from a black and white photograph. A collection of eleven essays.
Offered by Town's End Books.
The Cat and the Moon and Certain Poems
by YEATS, W.B.
Merrion Square, Dublin, Irland: The Cuala Press [Elizabeth Corbet Yeats], 1924. First and Limited Edition. Hardcover. Near fine/poor. First printing of this collection, one of 500 copies, octavo size, 51 pp., signed by Yeats. William Butler Yeats (1865-1939) is acknowledged by many as "supreme among modern Irish poets". He was awarded the Nobel Prize in Literature in 1923 (the first Irish to be so recognized), at which time he was "one of Dublin's great established figures, both in his own right and as the representative of the cultural renaissance which...had set in motion the Irish revolution and war of independence." Throughout his life, and throughout his poetry - which is still read and loved today - Yeats is recognized as supremely Irish, with his life and poetry reflective of his Irish identity.
This book of mostly poems, as well as a short, one-act play "The Cat and the Moon", was dedicated to Lady Gregory (Isabella Augusta, Lady Gregory (1852-1932)) who, with Yeats and Edward Martyn, co-founded the Irish Literary Theatre and the Abbey Theatre. Several of the poems appeared in print previously in various publications such as "The Dial"; in the Preface, Yeats states: "[n]ow that I have just read through the poems in this little book, I renew an impression...- an odour, a breath, that suggests to me Indian or Japanese poems and legends..."
Contains the poems "Youth and Age", "Leda and the Swan", "Meditations in time of Civil War", etc. Of interest are the notes Yeats includes at the end explaining at times certain lines, at times his inspiration to write certain of the works, but always giving a glimpse into the poet's mind.
DESCRIPTION: Bound in full laid blue paper over boards with a buff linen spine, black lettering debossed on the front board, paper spine label with black lettering, all edges uncut, blue endpapers matching the binding, title page with woodcut of a unicorn in red by Robert Gregory, signature of Yeats in black ink underneath the book's title on the title page, most of the signatures are unopened, colophon in red, one of 500 copies (unnumbered); printed on paper made in Ireland, octavo size (8 1/2" by 5 5/8"), pagination: [i-viii] [1] 2-41 [1 blank] [colophon]. With the original plain paper wrapper.
CONDITION: Near fine, with clean boards, the linen spine clean and unworn, perfectly straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; some of the usual offsetting on the endpapers and a couple gutters just beginning to crack, else fine. The paper wrapper poor, most of the spine portion missing so the two panels and flaps are in separate pieces, light vintage pencilled notations on the back panel.
CITATION: Wade no. 145.
Offered by Swan's Fine Books.
American Ornithology: or, the Natural History of the Birds of the United States
by WILSON, ALEXANDER; CHARLES LUCIEN BONAPARTE; WILLIAM JARDINE.
London and Edinburgh : Whittaker, Treacher, & Arnot; Stirling and Kenney, 1832. First British edition. Very Good/The main part of this work consists of a reprint of Wilson and Ord's "American Ornithology" (1808-14), plus all but the last volume of Bonaparte's "American Ornithology" (because the last volume did not appear until 1833). In addition, Jardine contributed copious notes and a life of Wilson. The plates were all engraved afresh by W. H. Lizars from the originals drawn by Wilson, TItian Peale, and A. Rider. . 3 volumes octavo (23 cm). cvii, 408, and 28 plates; vii, 399, and 33 plates; viii, 523, and 41 plates. All plates printed by Lizars and colored by hand. Bound in recent green buckram with black leather title labels stamped in gilt. Scattered light foxing, but most plates bright and clear.
Offered by Rodger Friedman Rare Book Studio.
SCRAPBOOK Of MILK & CREAM BOTTLE CAPS / TOPS
(n. p.), 1938. Album two-toned, green & white faux leather, internal string tie. Color pictorial onlay to front cover [chipped at bottom]. Album shows wear & soiling, with mounting paper age-toned & brittle, showing a bit of edge-chipping. Penciled to front cover inside: "Sept 1938". Tops used, though generally in Very Good condition.. 55 leaves of mounting paper, of which 24 have a total of 262 circular, printed paper / foil milk bottle tops, mounted 9 - 15 per page [all mounted on leaf recto]. Album: 14" x 10-5/8". Tops: various sizes & colors, 2-7/8" - 4-1/8"
A no-doubt unique collection of milk bottle tops / caps from the late 1930s, generally from the North East U.S., e.g., Sheffield Farms, Maplehurst; R. G. Miller & Sons, Hartford CT; New London & Mohegan Dairies, Inc., New London [CT]. That said, we find others from as far afield as A. R. Beavers & Sons, North Tazewell, VA & Superior Dairies Inc, St. Augustine FL.
Offered by Tavistock Books.
The First Commercial Christmas Greeting Card, 1843. A Merry Christmas and A Happy New Year To You.
One of 1000 copies printed, it was sold for one shilling each, a hefty price at the time, the concept suggested by Sir Henry Cole who is best remembered as the intellectual designer of the Victoria & Albert Museum and responsible for the modern British postal system. However, because the central design depicted feasting and drinking (as designed by John Calcott Horsley), the card was attacked by the Temperance League and thought to promote drunkenness, so it was suppressed soon after publication and there are believed to be less than 30 examples thought to survive. The 2nd Christmas card did not get issued until three years later (in 1846).
The two side panels on the card illustrate images of the Christmas Spirit of giving alms to the poor, feeding and clothing the needy. Its release literarily coincided the same week with the publication of Dickens' A Christmas Carol and certainly helped perpetuate the celebration of the holiday.
Printed on one side, this is possibly a salesman's sample copy as an ink notation on the reverse side indicates the wholesale cost of buying multiples. It is also amongst the very best examples that survive.
Offered by Battledore.
Answer The Red Cross Christmas Roll Call
American Red Cross, 1918. 20 x 29.5 inches (51 x 75 cm). Condition B - soil, light edge-chips and creasing. Lithograph backed on linen.
Offered by Lorne Bair Rare Books.
New Orleans, The City Unique. St. Charles Hotel, New Orleans, LA
Alfred S. Amer & Co. Ltd, Proprietors. Softcover. Very good. Undated, ca. 1920. Four-panel folding brochure with very nice cover art, illustrated internally with drawings in color and b/w half-tone photographs. Some general handling wear; very good. Text promotes both the hotel and New Orleans ("the City of Romance") and includes a section on Mardi Gras. The hotel included large spaces to accomodate conventions, meetings, and receptions, and the brochure includes a list of organizations that had "taken advantage of the excellent facilities and servies afforded" -- among them the Western Fruit Jobbers's Association, Association of Dining Car Superintendants, and Cotton Conference of Southern Governors. Rooms for two with private bath began at $5.00 a night.
Offered by Walkabout Books.
The Elephant Vanishes (Signed)
by Haruki Murakami
New York: Alfred Knopf, 1993. First American edition. Hardcover. Near Fine/near fine. Stated first edition. The first American printing of this novel by the author of A Wild Sheep Chase. Translated from the Japanese by Alfred Birnbaum and Jay Rubin. 327 pp. A handsome near fine copy with neat narrow remainder line to top of text block right at spine. Dustwrapper is in bright near fine or better condition. This copy has been both SIGNED and stamped by the author on the title page. A book not often found signed.
Offered by Derringer Books.
His Dark Materials (American Editions)
by Philip Pullman
1996. Signed. PULLMAN, Philip. The Golden Compass. WITH: The Subtle Knife. WITH: The Amber Spyglass. WITH: Lyra's Oxford. New York: Alfred A. Knopf, 1996-2003. Together, four volumes. Octavo, original half navy cloth gilt (Books I, II), illustrated paper boards (Book III), original dust jackets. Lyra's Oxford: 12mo, original pictorial red cloth, mounted cover illustration.
First American editions of Pullman's celebrated trilogy—the second two books signed by Pullman on the title pages—together with the companion volume, Lyra's Oxford. A former schoolteacher and accomplished playwright, Pullman followed several historical and realistic novels with this literate, sophisticated series, "perhaps the most highly acclaimed work of fantasy for young adults published in the 1990s, The Dark Materials series is filled with moral ambiguity rather than clear-cut didacticism, and readers as well as [protagonist] Lyra must grapple with the difficult questions raised by the story" (Fantasy and Horror 7-311). "Initially [Pullman] simply planned to infuse his story with Miltonian atmosphere. Soon, however, Milton's theme, the Fall of Man, crept into the novel. [Pullman explains,] 'My story resolved itself into an account of the necessity of growing up, and a refusal to lament the loss of innocence'" (The New Yorker).
The final installment, The Amber Spyglass, became the first children's novel ever to win the Whitbread Book of the Year Award (2001). The Golden Compass first published in Britain in 1995 as Northern Lights; other volumes published in Britain in the same years, under the same titles. Text of Lyra's Oxford with slightest toning to edges. A fine and desirable set, signed in two volumes.
Offered by Bauman Rare Books.
UNDER A GLASS BELL (Signed and inscribed by Anais Nin)
by Anais Nin
New York, NY: Anais Nin Press, 1948. Book. Very good+ condition. Paperback. Signed by Author(s). First Edition. Octavo (8vo). 101 pages of text. Original paperback binding, with minor rubbing to the extremities; protected in custom stiff archival mylar. Binding illustrations by Ian Hugo. Inscribed and signed by Anais Nin on a front endpaper "For [name withheld] Anais Nin." The author has signed her name and has handwritten the title on the front cover, either by hand or enngraved in the lithographer's stone. The text is clean and unmarked. Stated on the copyright page: First edition.
Offered by Kurt Gippert Bookseller.
The Art Of Maurice Sendak - 1st Edition/1st Printing
New York: Harry N. Abrams, Inc.. Fine in Fine dust jacket. 1980. First Edition; First Printing; Signed by Biographee. Cloth. 0810944480 . A Fine printing of the first edition, decorated cloth in the original printed glassine dust-jacket . Signed and dated Dec-80 by Maurice Sendak on the first flyleaf; As creator of Caldecott winningWhere the Wild Things Are, In the Night Kitchen, Higglety Pigglety Pop!, and the illustrations of countless other memorable children's books, legendary Maurice Sendak, ranked among the best known and best-loved artists in America; Color Illustrations; 278 pages.
Offered by Books Tell You Why, Inc.
Winnie the Pooh (Signed, First Edition)
by A.A. Milne (Illustrations by Ernest H. Shepard)
London: Methuen and Co., 1926 Illustrated by Ernest H. Shepard. First edition, first printing, first state dust jacket with "117th Thousand" to rear flap. Signed by Milne and Shepard to the title page. Publisher's dark green cloth, decorated in gilt to front board with an illustration of Christopher Robin and Pooh, lettered in gilt to spine, top edge gilt, illustrated map endpapers; in the original tan pictorial dust jacket printed with Shepard's illustrations in black. An excellent copy with only some very minor rubbing to the spine ends and slight offsetting to the endpaper; in the jacket with some toning to the spine and some chipping with minor loss to the spine ends, else very good. Overall, a very attractive copy, exceptionally scarce signed by both author and illustrator. Housed in a custom folding box with leather spine label, lettered in gilt. Winnie-the-Pooh is the second in Milne's series of children's books featuring the adventures of the teddy bear character Winnie the Pooh and his friends. Each telling an individual and complete story, the chapters of Winnie-the-Pooh can be read independently of one another. Milne created the story of Winnie the Pooh for his son Christopher Robin, who had a teddy bear named Edward Bear. In his introduction, Milne explains how Edward Bear became Winnie the Pooh, although he notes that "we can't remember whether Winnie is called after Pooh, or Pooh after Winnie." The name "Winnie" comes from a bear that the Milnes saw at the London Zoo, while the name "Pooh" is from a swan whom the fictional Christopher Robin encountered in When We Were Very Young (1924).. Signed by Author and Illustrator. First Edition.. Hard Cover. Near Fine/Dust Jacket Included.
Offered by B & B Rare Books.
All 18 Christmas Numbers from HOUSEHOLD WORDS and ALL THE YEAR ROUND
by Charles Dickens
1850. This is a complete set Dickens's annual "Extra Christmas Numbers" -- all nine of HOUSEHOLD WORDS, followed by all nine of ALL THE YEAR ROUND. London: Dec. 1850 - Dec. 1858 and Dec. 1859 - Dec. 1867. Original self-wrappers (first 13 numbers) and original blue printed wrappers (last five numbers) -- as issued. First Editions of all eighteen pieces. Dickens was the editor (or "conductor") of both of these periodicals -- one rising out of the ashes of the other -- but he also wrote at least part of the Christmas story in each of these eighteen numbers.
The stories in HOUSEHOLD WORDS are: 1850 ("A Christmas Tree" is by CD) 1851 ("What Christmas is, as we Grow Older" is by CD) 1852 A ROUND OF STORIES ("The Poor Relation's Story" and "The Child's Story" are by CD) 1853 ANOTHER ROUND OF STORIES ("The Schoolboy's Story" and "Nobody's Story" are by CD) 1854 THE SEVEN POOR TRAVELLERS ("The First Poor Traveller" and "The Road" are by CD) 1855 THE HOLLY-TREE INN ("The Guest," "The Boots" and "The Bill" are by CD; the rest is by Wilkie Collins) 1856 THE WRECK OF THE GOLDEN MARY (most of "The Wreck" plus the hymn on p. 21 are by CD; the rest is by Wilkie Collins) 1857 THE PERILS OF CERTAIN ENGLISH PRISONERS (chapters I and III are by CD; chapter II is by Wilkie Collins) 1858 A HOUSE TO LET ("Going into Society" is by CD) The stories in ALL THE YEAR ROUND are: 1859 THE HAUNTED HOUSE ("The Mortals in the House," "The Ghost in Master B's Room" and "The Ghost in the Corner Room" are by CD -- as well as all but one of the other opening paragraphs) 1860 A MESSAGE FROM THE SEA (chapters I, II and V, plus passages in other chapters, are by CD; the rest is by Wilkie Collins) 1861 TOM TIDDLER'S GROUND (chapters I, VI and VII are by CD) 1862 SOMEBODY'S LUGGAGE (the first, second, part of the third, seventh and tenth chapters are by CD) 1863 MRS. LIRRIPER'S LODGINGS (chapters I and VII are by CD) 1864 MRS. LIRRIPER'S LEGACY (chapters I and VII are by CD) 1865 DOCTOR MARIGOLD'S PRESCRIPTIONS (chapters I, VI and VIII are by CD) 1866 MUGBY JUNCTION (the first four chapters are by CD -- as indicated on the front cover) 1867 NO THOROUGHFARE (the Overture, Act III, and parts of Acts I and IV are by CD; the rest is by Wilkie Collins, listed as co-author) All eighteen numbers are in very good-plus or near-fine condition, with only very minor edge-wear and soil (though the 1851 issue has a couple of closed tears on the front wrapper and an ink-mark on the rear). Five of the numbers (HhW 1854 through 1858) still have unopened leaves; a few appear that they might once have been bound up (though not trimmed or anything). They are housed in a modern cloth case with inner chemise. Though the last five numbers (the ones in blue wrappers) are not uncommon, the others have become rather scarce; it is now quite unusual to encounter a complete collection of all eighteen. Eckel pp 193-197 ("In good state they [a complete set] are hard to find" -- this in 1932!).
Offered by Sumner & Stillman.
by Oscar Wilde
London: Elkin Mathews and John Lane. At the Sign of the Bodley Head. Boston Copeland and Day LXIX Cornhill, 1894. LARGE PAPER, one of 25 copies. Printed by the Ballantyne Press. Illustrated by Charles Ricketts with wood-engraved title page, half and full-page designs, ornamental initials. Printed in red, black and green. Unpaginated. 1 vols. Slender 8vo (10 x 7-3/8 inches.). Original full vellum gilt, with fantastic designs, including 2 weird female sphinx on both sides by Charles Ricketts, uncut The deluxe binding has "extra ornaments to the sides and inner marges of the binding and with ribbons". The binding is signed by Ricketts with monogram CR on the upper cover; the monogram of the binder, Leighton Son and Hodge, appears on the lower cover. The deluxe issue has an added lower border on the binding and ties. Fine copy, custom half morocco clamshell box. Ricketts, Charles. LARGE PAPER, one of 25 copies. Printed by the Ballantyne Press. Illustrated by Charles Ricketts with wood-engraved title page, half and full-page designs, ornamental initials. Printed in red, black and green. Unpaginated. 1 vols. Slender 8vo (10 x 7-3/8 inches.). One of 25. "The monsters of the Egyptian room at the British Museum live again in his weird, sometimes repulsive, but all the same stately and impressive lines. The vellum binding, the various symbolic designs, the quaint rubricated initials and the general arrangement of the text, all by Mr. Ricketts' sympathetic art, are most subtly infused by the spirit of the poem..." (Pall Mall Budget, June 21, 1894). This was the last book Wilde published before his imprisonment.
"the most beautiful and consummately designed trade book of the 1890s" - Nelson
With the bookplate of novelist Anthony Powell (1905-2000), about whose suite of novels, A Dance to the Music of Time, Guy Davenport observed, "The only book I know that takes Proust's habitual narrative gestures, Anglicizes them, and succeeds in the effort. In fact, Powell is the best critical study of Proust."
A CHOICE COPY OF ONE OF THE MOST BEAUTIFUL BOOKS OF THE 1890s. Mason 362; Nelson, A View from the Bodley Head, pp.45- 46 passim; Wick, THE TURN OF A CENTURY 1885-1910, Number 10; Ray, Illustrator and the Book, 262. Provenance: Anthony Powell (his bookplate).
Offered by James Cummins Bookseller.
View all new listings on abaa.org...
Browse recent catalogs of rare books and print ephemera from ABAA members...
Please note, all items are unique, so if a link takes you to a blank page, the book has been sold!